David Williamson is Australia’s best known and most widely performed playwright and one of our leading screenwriters. One of his early plays, The Department was commissioned to open the Dunstan Playhouse in 1974. He has had over fifty five plays produced, including Don’s Party and The Club and written screenplays for several movies such as…
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Given just how successful his last film The Dry was, it’s understandable for their to be a certain expectation and closely examined look at what director Robert Connolly has on his table for his immediate follow-up. Not that you should expect a crime thriller 2.0 given he’s adapting Tim Winton‘s family-friendly short Blueback, but don’t…
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Though its title may suggest it’s a comedy of somewhat raunchy proportions, Renée Webster‘s assured debut feature film How to Please a Woman is a far more accessible, rather delightful dramedy that furthers the female view in a male-dominated industry. Filmed in Western Australia (and looking particularly stunning in the process), Webster’s film centres around…
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A staple of the Australian cinema and televisual landscape for 30 years, Erik Thomson is an AFI and Silver Logie award winning actor known for his work in All Saints, Packed to the Rafters, and 800 Words. On May 19th, he will be seen romancing Sally Phillips in the comedy How to Please a Woman,…
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Having played to sold out festival sessions across Australia, the female-focused dramedy How to Please a Woman is looking to continue its crowd-pleasing success when it opens nationally in Australian cinemas on May 19th. Ahead of its release, Peter Gray spoke with the film’s writer and director, Renée Webster, about its rapturous reception so far,…
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It doesn’t take much for director James Ashcroft to create the most horrific of situations from the simplest of ingredients laid bare in the early stages of the eerie Coming Home in the Dark. A loving family, an idyllic New Zealand locale, and a duo of passing strangers provide all that is needed for Ashcroft’s…
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It doesn’t take much for director James Ashcroft to create the most horrific of situations from the simplest of ingredients laid bare in the early stages of the eerie Coming Home in the Dark. A loving family, an idyllic New Zealand locale, and a duo of passing strangers provide all that is needed for Ashcroft’s…
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It doesn’t take much for director James Ashcroft to create the most horrific of situations from the simplest of ingredients laid bare in the early stages of the eerie Coming Home in the Dark. A loving family, an idyllic New Zealand locale, and a duo of passing strangers provide all that is needed for Ashcroft’s…
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