Four Stars

AMW Film Festival Review: Now Sound: Melbourne’s Listening celebrates the city’s vibrant independent music scene

London’s calling, California’s dreaming, so Melbourne must be dancing if Now Sound: Melbourne’s Listening is true. The documentary is a celebration of the independent music scene in our very own, world-renowned, live music capital. This film is a passionate little time capsule joined at the hip to a very special time and place. Tobias Willis…

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Book Review: Alice Nelson’s The Children’s House is a moving and poetic meditation on grief and motherhood

New York, 1997. Marina, an academic who has been working on a book about members of the Hasidic community meets Constance, a young Rwandan woman who has come to America after the genocide. Marina watches as Constance walks away from her young son as he has a tantrum in the street and is struck by…

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Book Review: Queerstories sees Australia’s finest queer writers become an open book

Queerstories is a popular event where Australia’s best LGBTQI+ writers gather for some good, old-fashioned storytelling. The show began at the Late Night Library in Kings Cross, Sydney and has gone on to tour other states and towns. It makes sense that, because this all began in a library that people should be able to…

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Book Review: In Melissa Fagan’s What Will Be Worn: A McWhirters Story family history meets a Fortitude Valley icon

McWhirters, a heritage listed building sitting on the corner of Brunswick and Wickham, is a Brisbane landmark, these days operating as a shopping centre, an apartment block, and a very obvious map marker for those lost in the depths of the Valley. But, in What Will Be Worn: A McWhirters Story, the name emblazoned on…

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Live Review: Darren Middleton + Ashley Naylor + Taylah Carroll – Northcote Social Club, Melbourne (26.10.18)

Much like how actors and actresses have trouble getting out of a typecast roles, musicians are often unable to get out from under the music of their previous bands. This is especially true for artists who have been involved in massive bands, bands say for example, like Powderfinger. Yet, Darren Middleton is one artist who…

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Film Review: Halloween (USA, 2018) truly captures the atmosphere of John Carpenter’s seminal classic

Trick: The 2018 incarnation of Halloween acts as a direct continuation of the 1978 original, essentially wiping out all seven sequels (and the two Rob Zombie-helmed revisions) that succeeded in the years since. Treat: It’s good.  Like really f***ing good! After surviving the maniacal clutches of psychotic killer Michael Myers forty years prior, Laurie Strode…

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Book Review: Eric Idle’s Always Look on the Bright Side of Life is a surprisingly moving memoir from one of comedy’s best known stars

Best known as one sixth of legendary comedy troupe Monty Python, Eric Idle never rested on his laurels – though he was quite happy to make a bit of cash from them when the opportunity arose. Covering it all, from his working class childhood and the rise of the Pythons, to the creation of the…

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Book Review: Bobby Duffy’s The Perils of Perception is a fascinating study into general ignorance

We are wrong about most things. That may be a bitter pill to swallow but as The Perils of Perception proves, it’s true. This non-fiction book is an intriguing study into just how ignorant our society is. It draws on 100,000 interviews from forty countries. The take home message? We should be afraid. Very afraid….

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Film Review: A Simple Favour (USA, 2018) is an infectiously entertaining, naughty neo-noir, with two fantastic lead performances

If there’s one director that needs a true change of pace out there, it’s comedy director Paul Feig. He started off great making a successful string of comedies, starting from the romantic-comedy hit Bridesmaids to the buddy cop-comedy The Heat and the espionage-action comedy Spy. Then he hit a big of a snag with his…

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Film Review: Searching (USA, 2018) surprises with inventive storytelling, timely themes and strong performances

It is quite amusing to think that we have many films released over the years, regardless of genre, that span across many imaginative worlds, planets, fantasy settings and so on. With the vast amount of superhero films and blockbusters, it’s hard not to see why. But, the world that has not been mined more than enough,…

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Album Review: Lakyn’s & Pains (2018 EP) demonstrates real beauty through his lyrics and growth in his sound

Emotion is often at the centerpoint of many artists works, with Lakyn’s upcoming EP & Pains drawing heavily on his feelings and experiences, causing the listener to be enraptured by Lakyn’s sound throughout six delicately cultivated tracks. Lakyn has been in and around the industry for some time, but his powerful songs have helped him open…

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Album Review: Hey Geronimo deliver a worthy journey in Content (2018 LP)

Brisbane based indie-rockers Hey Geronimo have just unveiled their sophomore album Content. The eleven track concept album utilises artificial intelligence to replace an exited guitarist, resulting in a convenient yet ironic effect. Self-produced, and featuring the AI dubbed ‘Alex’ on half a dozen tracks, Content is a bizarre and bold exploration into the future and the ever evolving technological landscape surrounding…

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Film Review: The Miseducation of Cameron Post (USA/UK, 2018) survives on its own calmness

Although The Miseducation of Cameron Post‘s 1993 setting may have people believe that the gay conversion camps at the film’s centre are a thing of the past, and therefore easy to mock as a symbol of how backwards society’s thoughts on therapy was, this treatment is still sadly legal in a large number of American…

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Netflix Review: BoJack Horseman (USA, 2018) keeps its stride in its fifth season

When any television show enters its fifth season, they can begin to suffer with the fear of repeating old storylines or struggle with finding new, compelling ones to keep audiences engaged. Luckily, this isn’t the case for BoJack Horseman. Saddle up, because the anticipated fifth season proves that the popular Netflix animated show hasn’t run…

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Album Review: Mac Miller – Swimming (2018 LP)

On the back of the soulful and romantic The Divine Feminine, Mac Miller has returned with another album cut from this cloth. Swimming is similar in style, but more mournful and self-reflective than romantic and starry-eyed, with welcome introspection from Mac, reminiscent of his earlier rap-oriented projects like Watching Movies With The Sound Off and Faces….

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Film Review: Crazy Rich Asians (USA, 2018) is a well-executed romantic comedy with grounded observations on family traditions

A film like Crazy Rich Asians is a long time coming. For the past 25 years, since the release of Wayne Wang‘s expansive drama, The Joy Luck Club, there haven’t been a lot of films in the Hollywood system that featured Asian-Americans in substantial roles; let alone managed to assemble a talented ensemble cast. Whilst, the…

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Book Review: Zoya Patel’s No Country Woman is a poignant examination of migration, privilege, and what it means to never truly belong

Drawing together musings on feminism, race, and religion, Canberra writer Zoya Patel’s debut No Country Woman explores her experiences as a Fijian-Indian migrant. From the stereotypes that followed her family, to her attempts to rebel against her heritage, and to the months she spent in Scotland examining things from afar. No Country Woman is a well…

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Book Review: Jessie Cole’s Staying is a raw and honest portrait of overcoming trauma

Author Jessie Cole had a relaxed childhood in Northern NSW, there were no words like “must” or “should” spoken by her parents. Instead, Cole and her brother learnt freedom, and were given free range to explore the trees and shadows around their rainforest home, unafraid of the spiders, bugs or the unknown. It all seems…

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MIFF Review: You Were Never Really Here (USA, 2018) is a gripping psychological thriller led by a captivating Joaquin Phoenix

You Were Never Really Here is a gripping psychological thriller, and a dark and disturbing character study with Joaquin Phoenix putting in a thrilling lead performance. The film follows Joe (Phoenix), a veteran living with PTSD, who spends his time finding and rescuing missing girls. On this job, however, he stumbles into a larger conspiracy…

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Film Review: Whitney (UK/USA, 2018) is a bittersweet love letter celebrating the enigmatic star’s rise & tragic downfall

Whitney may not be the most necessary film but it’s certainly an entertaining one. This documentary comes hot on the heels of Whitney: Can I Be Me, but where this latest offering differs is in its unprecedented access to Whitney Houston’s family and friends. The result is an intimate and bittersweet portrait of her meteoric…

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Film Review: Ant-Man and the Wasp (USA, 2018) is the perfect antidote from the doom and gloom of Avengers: Infinity War

The superhero film boom continues! After the gloom-and-doom of Avengers: Infinity War, we now have the sequel to the miniature superhero franchise, Ant-Man and the Wasp. Free from the shackles of predetermined disappointment after the absence of original director Edgar Wright from the first film, returning director Peyton Reed and lead actor/co-writer Paul Rudd truly…

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Sydney Film Festival Review: BlacKKKlansman (USA, 2018) sees Spike Lee channel his frustration for one of his finest films to date

Spike Lee is quite clearly fired up as he scatters sharp, defiant dialogue all through BlacKKKlansman, his first feature film since 2015’s good-but-uneven Chi-Raq and without a doubt one of his best works to date. That is no overstatement either, with Lee directing a big middle finger to the racism both explicit and implicit, by…

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Film Review: Brothers’ Nest (Australia, 2018) is a tight, well paced pitch black comedic thriller

If you thought the family in Animal Kingdom had problems, wait until you meet Australia’s newest dysfunctional family. In the new film from Director Clayton Jacobson, starring both himself and his brother Shane Jacobson, we spend some time getting to know the real life brothers as they play fictional brothers Jeff and Terry – reuniting…

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Sydney Film Festival Review: McQueen (UK, 2018) is a heart-breaking work of staggering genius

Fashion designer (Lee) Alexander McQueen was a true artist. He would say, “If you want to know me, look at my work.” The documentary, McQueen captures some of his enigma by looking behind-the-scenes at his extraordinary talent and story. While you get some sense of what this artistic genius was like you also get the…

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Sydney Film Festival Review: The Miseducation of Cameron Post (USA, 2018) is a sensitive, frank, funny and remarkably inclusive coming-of-age LGBTIQ film

For those who have read my glowing review of American Honey, I praised the main actress Sasha Lane for being a natural on-screen and a talent to look out for. Flash-forward to almost two years later, we have her on-screen again in the comedy-drama The Miseducation of Cameron Post and that had me excited. But fortunately,…

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Sydney Film Festival Review: Piercing (USA, 2018) is a sadistic screwball macabre comedy with two fantastic lead performances

Before I start this review, it has to be said that this writer has a sick and depraved sense of humour. So stepping in to watch this sadistic horror/comedy film Piercing for Sydney Film Festival 2018, my expectations were sky-high. The feature has been adapted from a novel by acclaimed author Ryu Murakami, who is…

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Film Review: Incredibles 2 (USA, 2018) brings more laughs than the original as the cast shines

It has been a very, very long 14 years, but the long-awaited sequel that many were asking for is finally here. Toy Story 4 Incredibles 2 has finally arrived! The first film was branded as the Fantastic Four film that people deserved and it catapulted the career of director Brad Bird to new heights, including…

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Sydney Film Festival Review: Jirga (Australia, 2017) is a humane look behind the curtain of war

That Jirga is quiet and understated is the film’s biggest strength, consciously moving away from the lurid details of your typical war blockbuster and presenting something of a bare-bones human story about redemption and forgiveness. When Director Benjamin Gilmour and actor Sam Smith, both Australian, spent 20 days shooting this film they did so at…

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Sydney Film Festival Review: The Breaker Upperers (New Zealand, 2018) is immensely entertaining, genuinely hilarious, and wonderfully heartfelt

Given that we can almost outsource every chore, errand, and activity that come our way, it only makes sense that the unfortunate responsibility that is breaking up with someone be a lucrative business too.  Enter The Breaker Upperers, a duo of frozen-hearted, screwed-over singletons who appear more than happy to break the heart of someone…

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