Four Stars

Sydney Film Festival Review: Westwood: Punk, Icon, Activist (UK, 2018) is about a style iconoclast & punk who became one fine dame

Westwood: Punk, Icon, Activist shares some things in common with David Bowie’s song, “Fashion” and not just for the obvious fact that Vivienne Westwood is a fashion designer. Consider Bowie’s “Listen to me- don’t listen to me/Talk to me- don’t talk to me/Dance with me- don’t dance with me, no” lyrics. It’s a curious dance…

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Sydney Film Festival Review: The Heiresses (Paraguay, 2018) is a low-key, yet compelling character study

If one were to describe this film briefly, The Heiresses could be seen a cross between Wong Kar-wai‘s Happy Together and Albert and David Maysles‘ Grey Gardens. As Kar-wai says about the title of his film, being happy together is being happy with oneself, and it is within that context is where the journey in…

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Sydney Film Festival Review: Disobedience (UK/USA, 2018) is a subtly compelling look into hidden passions and forbidden love

To say that the expectations for this film are quite high is quite superfluous, but it has to be said nonetheless. We have Rachel Weisz, one of the most talented actresses in Hollywood, who’s had a great run of recent films ever since starring in the weird and sweet quasi-dystopian romance The Lobster, and still…

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5 things we learned from Romesh Ranganathan’s new series Just Another Immigrant on Stan

British comedian Romesh Ranganathan has entertained audiences as the Asian Provocateur with his travels to Sri Lanka and America. His latest series, Just Another Immigrant, will premiere exclusively on Stan and takes a leaf out of these previous books. It sees Ranganathan coming to America to crack the U.S. comedy scene with his quirky family members…

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Film Review: Tea With The Dames (UK, 2018) is a delightful romp down memory lane you won’t want to leave

There are some viewers who might dismiss Tea With The Dames as “Anecdotage by those in their dotage.” But they’d be wrong. This documentary starring four great dames of the British stage and screen is a fascinating look at some brilliant careers and a revealing look into their respective personalities. There’s also lots of gossip…

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Film Review: Tully (USA, 2018) is a return-to-form for both Reitman and Cody

If there’s one creative collaboration that many look forward to, it’d have to be between director Jason Reitman and writer Diablo Cody. Their first collaboration was the 2007 comedy-drama Juno. With its hip dialogue, wonderful performances and a refreshing view of the coming-of-age genre (for that time), it was a critically-acclaimed hit that was a…

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Film Review: Breath (Australia, 2017) thrives on deflecting expectation and wallowing in its own ethereal state

After a near two-decade absence from the Australian film industry, Simon Baker makes a glorious (ahem) splash with the soulful Breath.  Taking cue from the evocative descriptions set about in Tim Winton‘s 2008 novel, Baker proves both assured and affectionate as he takes directorial duties for an equally vivid and placid coming-of-age tale that benefits…

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Film Review: Unsane (USA, 2018) is an eerie and timely shocker with a powerhouse performance from Claire Foy

With films like Sex, Lies and Videotape and King of the Hill, Steven Soderbergh is known to be one of the greatest filmmakers to come from independent cinema. But he became a bigger name when he ventured into commercial filmmaking with crime films like Out of Sight, The Limey and the Ocean’s film series. Since then,…

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Film Review: Ghost Stories (UK, 2018) is a refreshing and original horror anthology

With high replay value and some clever pacing, Andy Nyman and Jeremy Dyson have transposed their West End play Ghost Stories to the big screen with a refreshing eye for originality, spinning a grand three-part horror anthology into one thoroughly entertaining and unpredictable film that never stops subtly building towards its tremendous finale. And that’s…

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Film Review: Gurrumul (Australia, 2018) is a striking and emotive portrait of one of Australia’s greatest musical talents

With Gurrumul, director Paul Damien Williams has created a striking and emotive portrait of one of Australia’s greatest musical talents – Geoffrey Gurrumul Yunupingu. But more than that, Gurrumul also affords us all a glimpse into the cultural life and traditions of the Yolngu people in North Eastern Arnhem Land, in what are some of…

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Film Review: Isle Of Dogs (USA, 2018) is a tail of love and adventure in the face of adversity

Director Wes Anderson has gradually been making a name for himself as a quintessentially quirky auteur with his unique but meticulously detailed style. So it is no surprise at all that his latest stop-motion animation feature, Isle Of Dogs, is probably his most fine tuned film to date. Bringing a heartwarming tale about love, loyalty…

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Film Review: The Party (UK, 2017) delivers pitch-black comedy at its best

Black comedies can be a very hard genre to pull off. Since it dwells within serious issues that could potentially be seen as taboos within the genre, it requires a certain balance between empathy, humour and darkness. But like all films, they have to have a certain amount of humanity for the audience to cling…

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SXSW Film Review: A Vigilante (USA, 2018) proves an inspiring, powerful debut for its Australian Director

Directed by Australia’s own Sarah Daggar-Nickson and starring Olivia Wilde, A Vigilante is a powerful drama that sees Wilde play the titular role – Sadie, a vigilante who helps domestic abuse survivors get out of their situation by literally bringing the abusers to their knees. Spurred on by her own experiences and a tragedy, the…

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Film Review: Blockers (USA, 2018) is a hilarious and heartwarming piece of work

2018’s anticipated teen comedy Blockers is helmed by a lot of “first-timers”. Making her directorial debut is  Kay Cannon, mainly known as a scriptwriter for the successful Pitch Perfect films as well as the TV series 30 Rock. And then newcomers Jim and Brian Kehoe have made their film screenwriting debut. This can often spell disaster for a teen comedy – so…

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SXSW Film Review: Leigh Whannel crafts an incredibly fun sci-fi horror with Upgrade (Australia, 2018)

Technology gone overboard is a sci-fi trope that has been done to death in cinema, but it’s a pleasure to watch stories that are still bringing fresh takes on the theme. The latest is Upgrade, a techno-horror slash detective thriller written and directed by Leigh Whannell who moves away from the past few years of…

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First Impressions: Netflix’s A Series of Unfortunate Events) Season Two (USA, 2018) is Wonderfully Inventive and Surprisingly Intense

Lemony Snicket’s A Series of Unfortunate Events is finally back, successfully building on its premise by deepening its established gloominess and quirky antics with surprising maturity. The end of season one warned us through a sing-along that the tragic tale of the Baudelaire orphans is far from over, “You might dream that justice and peace…

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SXSW Film Review: Boots Riley holds no punches in kafkaesque comedy Sorry to Bother You (USA, 2018)

Boots Riley has over two decades of powerful, biting and important work behind him as emcee of The Coup, so Sorry for Bothering You, his directorial debut, isn’t as big of a leap as it appears to be for the artist. Well, it’s not big in the sense that smart political satire is anything new…

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SXSW Film Review: Brothers’ Nest (Australia, 2018) is dark, twisted and completely unpredictable

If you thought the family in Animal Kingdom had problems, wait until you meet Australia’s newest dysfunctional family. In the new film from Director Clayton Jacobson, starring both himself and his brother Shane Jacobson, we spend some time getting to know the real life brothers as they play fictional brothers Jeff and Terry – reuniting…

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Film Review: Netflix’s Annihilation (USA, 2018) is a seriously intelligent, visually stunning picture

Rousing its fair share of controversy over Paramount Studios’ decision to release it to streaming service Netflix the world over (save for North America and China) instead of in cinemas for which it was initially intended, Alex Garland‘s ambitious Annihilation is certainly a unique production for such a risk-adverse studio. Whilst there’s a certain arthouse…

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Alliance Francaise French Film Festival Review: Double Lover is a surreal, sensuous and salacious experience

There are two pleasures in life that without them, we living things would never exist: gastronomy and sexuality. And there are many talented people out there that try their best to portray their interest for it on many artistic endeavours, especially in cinema. Such talented auteurs out there are Paul Verhoeven (Basic Instinct, The Third…

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Alliance Francaise French Film Festival Review: Ava takes the coming-of-age genre to heights of grittiness and surrealism

Coming-of-age films are really coming along nicely (I know, that was lame) over the past few years, with many great films that understand what makes the genre such a well-liked genre. We have plenty of stand-out entries like Kelly Fremon Craig‘s Edge of Seventeen, Greta Gerwig‘s Lady Bird and Marielle Heller‘s The Diary of a…

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Film Review: Lady Bird (USA, 2017) is the most tender and genuine coming-of-age story in years

There’s something incredibly sweet about Lady Bird, without having the film push into over-sentimental territory. That in itself is a remarkable achievement for Greta Gerwig, who in her directorial debut has turned in an endearing and sincere coming-of-age story that, although quite monotone, springs to life with particularly powerful performances from two female actors of…

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Film Review: Gurrumul (Australia, 2018) is a striking portrait of an enigmatic and impressive Australian musical talent

With Gurrumul, director Paul Damien Williams has created a striking and emotive portrait of one of Australia’s greatest musical talents – Geoffrey Gurrumul Yunupingu. But more than that, Gurrumul also affords us all a glimpse into the cultural life and traditions of the Yolngu people in North Eastern Arnhem Land, in what are some of…

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Film Review: Molly’s Game (USA, 2017) is as sophisticated as it is entertaining

Known for his rapid-fire flair for dialogue, writer Aaron Sorkin proves ideally suited to tackling the true story of Molly Bloom.  Bloom, a former professional skier, earned her stripes working under one of the co-owners of the infamous Viper Room as she recruited high-profile talent to take part in secretive poker games in the club’s…

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Film Review: I, Tonya (USA, 2017) showcases Margot Robbie in the role of her career (so far)

To think that a notorious figure like Tonya Harding could be, in any way, made out to be sympathetic is no mean feat, yet screenwriter Steven Rogers, director Craig Gillespie, and star Margot Robbie (also serving as one of the film’s producers) have achieved just that in I, Tonya. For the uninitiated, the saga of…

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Film Review: Sweet Country (Australia, 2018) is Australia’s answer to To Kill A Mockingbird

Man on the run. Sweet Country is based on the true, Australian story about a point in history where justice was put on trial. For this reason, it has echoes of To Kill A Mockingbird except that here, Atticus Finch isn’t a lawyer but a preacher played by Sam Neill. The result is a shockingly…

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Film Review: Mary and the Witch’s Flower (Japan, 2017) is a familiar yet dazzling adventure that will please Studio Ghibli fans

It’s that fantastic time of the year again! We have another Studio Ghi–Wait a minute! This isn’t a Studio Ghibli film! It is in fact, a Studio Ponoc film. In case you don’t know, Studio Ponoc is an animation studio that was founded in 2015 by people who used to work in Studio Ghibli. One…

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Film Review: Darkest Hour (UK, 2017) is a celebration of Churchill’s war of words

Winston Churchill was a leading writer and orator. So it should come as no surprise that Darkest Hour, a new biopic about the British leader sees the usual guns and weaponry synonymous with wartime films replaced with words, glorious words. While the story is not the most necessary one (as it has been told countless…

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Film Review: Big in Japan (Australia, 2017) is far more than one man’s vainglorious pursuit

Where most foreigners settling in Japan pass their time in Japanese pubs, English schools or seeking out every piece of longstanding architecture, David Elliot-Jones spent his trying to become famous. And you’ve probably never heard of the guy, but that doesn’t mean he failed. Big in Japan opens with a preface about the seemingly endless…

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TV Review: The Walking Dead Season 8 Episode 7 “Time for After”

Eugene is a broken man. With his loyalty and decisions a major focus of “Time for After”, the penultimate episode before the Mid-Season Finale, we get to explore this character in a much more meaningful way than before. There’s some real depth here as he visibly struggles against his own conscious and deals with the…

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