Four Stars

Film Review: Only the Brave (USA, 2017) is a heartfelt tribute to heroism and integrity

Given his capable work on Tron: Legacy and Oblivion it was interesting to see what Joseph Kosinski would do with a rugged autobiographical drama like Only the Brave. The true story upon which this human versus nature story is based is rife with strong emotion; dark and inspiring with a tale of redemption embedded within,…

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TV Review: The Walking Dead Season 8 Episode 5 “The Big Scary U”

“The Big Scary U” was The Walking Dead’s finest outing so far into Season 8, revisiting the premier’s cliffhanger and further exploring The Sanctuary as Negan was presumed dead by his lieutenants. Time is again splintered so the episode can jump between various happenings as All Out War is slowly pieced together, which means some…

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Film Review: Lucky (USA, 2017) is an affecting swan song for the late Harry Dean Stanton

Very few actors have been afforded a send-off as fitting as Harry Dean Stanton has in Lucky.  Throughout his 6 decades of working across both film and television, Lucky, next to his most substantial screen-time turn in 1984’s road movie Paris, Texas, stands as a true showcase for the actor; regardless of the film arriving…

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Film Review: Blade of the Immortal (Japan, 2017) shows that excess and overkill are good things

Takashi Miike, back in the V-cinema (straight-to-video) era, was a complete madman. Not in a human state (or maybe he is, who the hell knows?), but in his creative state, as the images and ideas he comes up with can only come from a man who is completely bonkers. This is the man who directed…

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Film Review: Kathryn Bigelow doesn’t hold back in Detroit (USA, 2017)

Kathryn Bigelow has already proven a competent and imaginative voice when tackling tough, complex subjects featuring the kind of gutsy brutality that doesn’t need excessive gore or sci-fi elements. She’s much more concerned with real-world situations, exploring human nature as a function of and reaction to extreme pressure; in some ways, it’s similar to the…

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Film Review: Murder On The Orient Express (USA, 2017) beautifully captures the essence of Agatha Christie’s material

With its classic style, striking ensemble, and lack of action-heavy set pieces, Murder on the Orient Express may be a little too refined for modern audiences versed in the ways of today’s distraction-centric filmmaking where bigger and louder equals better. Despite the film being void of any staple action moment, Orient Express still delivers on…

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Film Review: Loving Vincent (UK, 2017) is an ambitious work of art

The Beatles sang “All you need is love” but they weren’t talking about movies. The film, Loving Vincent is one that is positively brimming with love. It was a labour, a passion project and it’s one of its kind that reads like a love letter to its namesake. But while the final result is something…

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Film Review: Stanley Tucci’s Final Portrait (USA, 2017) is filled with effortless charm

We meet Alberto Giacometti (Geoffrey Rush) in a state of supreme boredom – another day, another exhibition. With his hair sticking up, and a cigarette hanging eternally from his lips, he looks like a crumpled echidna whose snout is on fire, but who cares. It’s James Lord (Armie Hammer) who bothers to bring us this…

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Film Review: IT (USA, 2017) is exactly as scary and as fun as you hoped it would be

In the early part of a person’s life, there is always that one scary story, whether it takes the form of a book, a campfire tale or a film, that will inherently scar a person for life when experienced. In my case (and that of many others), that story is Stephen King‘s IT.

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Film Review: God’s Own Country (UK, 2017) is a moody and haunting emotional journey

As easy as it is to liken God’s Own Country to the similarly themed Brokeback Mountain, doing so is only ultimately stripping Francis Lee‘s film of its own identity.  A moody and haunting emotional journey for its protagonists, God’s Own Country is a slow burning, though rewarding drama propelled by a duo of strong performances…

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Melbourne International Film Festival Review: The Killing of a Sacred Deer (USA/UK, 2017) is the product of skilful filmmaking

It’s not often that an art-house thriller comes together so perfectly to create an unsettling horror capable of antagonising your thoughts even after you’ve walked out the cinema doors. But that is exactly what The Killing of a Sacred Deer does, the fifth feature film of Greek auteur Yorgos Lanthimos. As a darkly comic rendition…

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Film Review: American Made (USA, 2017) is a sharply paced outing that proves a welcome return to form for Tom Cruise

Simultaneously stepping away from the action brands they’re both primarily recognised for, there’s a sense of material re-engagement for director Doug Liman (The Bourne Identity, Mr. and Mrs. Smith, Edge of Tomorrow) and star Tom Cruise with American Made.  Telling a story that’s less reliant on aesthetic spectacle and star power, Gary Spinelli’s account of…

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Melbourne International Film Festival Review: Wonderstruck (USA, 2017) astounds with heart, emotion, and magic

Directed by Todd Haynes (Carol), Wonderstruck focuses on the lives of two kids in two different time periods, who both set off on their own very personal New York adventures. Ben (Oakes Fegley) longs to know the identity of his father as it may provide some insight into his own life and mindset. Rose (Millicent…

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Melbourne International Film Festival Review: Namatjira Project (Australia, 2017) continues the story of Australia’s most prolific Aboriginal artist

Albert Namatjira remains one of Australia’s most revered artists. At the time of his death, his collection exceeded two thousand individual paintings, a perceptive catalogue of the landscapes that form the barren heart of Australia’s central regions. Yet his significance far extends his body of work. In 1957 Albert became the first Aboriginal person to…

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Melbourne Film Festival Review: Ask the Sexpert (USA, 2017) is a surprisingly funny, frank & fascinating discussion about sex

You may not be familiar with the name, Dr. Mahinder Watsa but to many people he could be “Dr Love.” This nonagenarian is a former gynaecologist turned sexologist and author of a daily column in the Mumbai Mirror. Ask The Sexpert is an intimate portrait of this charming, progressive and wise old man who will…

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Melbourne International Film Festival Review: Something Quite Peculiar (AUS/UK, 2017) is a rich and tantalising portrait about the one and only Steve Kilbey

You get the feeling that the story of The Church has enough in it to fill up several movies. But the documentary, Something Quite Peculiar doesn’t try to be a definitive guide to the band. Instead, it lays its focus squarely on front man, Steve Kilbey and adapts his 2014 memoir of the same name….

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TV Review: Amazon’s Comrade Detective is a tough-sell of a show that manages to overcome its bizarre concept

In the 1980’s, Romanians would gather in record numbers in front of their TV sets to watch Comrade Detective.  Fronted by Florin Piersic, Jr as hard-nosed police detective Gregor Anghel, the series promised to be an action-heavy event that would both entertain its citizens whilst promoting communist ideals.  Sadly, after the collapse of the Berlin…

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TV Review: Game of Thrones Season 7 Episode 3 “The Queen’s Justice” is uneven but eventful

The transfer of power to those most capable of running an ever-changing world tends to only happen when traditions fly out of the window. That’s always been one of the primary messages of Game of Thrones, and watching it unfold with power moves and converging character arcs is where the show’s major strengths lie. A…

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Film Review: War For The Planet Of The Apes (M, USA, 2017) complements and completes the Apes trilogy perfectly

In the third and final film of the rebooted Planet of the Apes trilogy, we pick up not long after where the previous film left off. The apes are here to stay and it’s only when they come up against a battalion of soldiers that the tentative truce between humans and apes is destroyed and…

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TV Review: Game of Thrones Season 7 Episode 1 “Dragonstone” is nothing but power moves

That was one hell of a way to open up Game of Thrones’ seventh season premiere, wasn’t it? Rarely does the show dabble in cold openers, but an enormously satisfying ribbon-cutter was certainly the perfect way to usher in what is now the final 13 episodes (split into two seasons) of what has truly become…

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Film Review: Netflix’s To the Bone (USA, 2017) will create controversy, but succeeds with strong cast and direction

Films containing subject matter of death or disease, particularly the ones that aim for a teenage audience, tend to be sappy (like My Sister’s Keeper), melodramatic and even deeply misguided, if done wrong. I tend to cringe whenever I hear about another film tacking such subject, but in the case of Netflix’s To the Bone…

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TV Review: Fear the Walking Dead Season 3 Mid-Season Finale trades blood for peace

Fear the Walking Dead’s double-episode finale took the necessary steps to reveal just how far Madison is willing to go protect her family, especially after Travis and everything else that they have gone through since the infection began. It’s a success in that respect, nicely paced while it worked towards one pivotal moment – and…

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Melbourne Documentary Film Festival Review: The Orb playfully profiled in Lunar Orbit (Canada, 2016)

If you have never heard of The Orb before I would recommend listening to their 1989 hit A Huge Ever Growing Pulsating Brain That Rules from the Centre of the Ultraworld. Even just reading that title would be enough to vaguely understand what The Orb is about and what they continue to represent. Mixed in…

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Film Review: It Comes at Night (USA, 2017) is a nightmare filled with suspense

It would be easy to expect a horror film from the trailer of It Comes At Night, but those familiar with Trey Edwards Shults’ debut feature Krisha should know better. Though he may not be quite skilled at the in-your-face scare, Shults is clearly an intelligent and unique voice for those who love to mix…

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Melbourne Documentary Film Festival Review: The Slippers (Canada, 2016) is unbelievable, whimsical and charming

In the film, The Wizard of Oz Dorothy taps her ruby red slippers and says, “There’s no place like home.” But have you ever wondered where was home for those striking shoes? The documentary, The Slippers is a fascinating film that covers what became of this beloved slice of movie history in a story that…

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Melbourne Documentary Film Festival Review: Play Your Gender (Canada, 2016) is an inspiring music documentary that encourages female producers & engineers

Artists like Madonna, Beyoncé, Taylor Swift and Katy Perry are some of the biggest names in the music industry. But in the shadows of these successful women you will see lots of men. When you look behind-the-scenes at the music business it is one big old boys’ club but does it have to be this…

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Film Review: Monsieur Chocolat (France, 2016) (France, 2016) is the less colourful counterpart to Moulin Rouge!

Breathtaking and magical, Monsieur Chocolat (directed by Roschdy Zem) is one to watch if you want to experience a Parisian night. Immerse yourself in the world of 19th-century French circus and follow the biopic story of Chocolat (Omar Sy). He journeys from a performer acting as the “cannibal” to a more respected position as a…

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Sydney Film Festival Review: Vaya (South Africa, 2016) is a brutal coming of age story set in an unforgiving Johannesburg

Like it’s Tsotsitaal namesake meaning “to go”, Vaya, Directed by Akin Omotoso, literally begins on the move. Opening on a train bound to Johannesburg Vaya follows the intertwining paths of three young South Africans journeying from their rural homes in Kwazulu-Natal to eGoli, the city of Gold. All three are tasked with their own promises…

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Sydney Film Festival Review: A Quiet Dream (Korea, 2016) wakes up an invisible side of Seoul

Placing itself somewhere between the genres of mumblecore and slice of life, A Quiet Dream directed by Zhang Lu, is an almost observational look into the invisible world of lower class Seoul. Set in the grimy fringe suburbs of Seoul, A Quiet Dream is a glimpse into the everyday of misfits bound to a life determined…

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TV Review: Fear the Walking Dead Season 3 Episode 4 “100” is the show’s best yet

“100” just may be the best episode Fear the Walking Dead has done to date. Daniel Salazar (Rubén Blades) was always one of the more interesting characters – that isn’t saying much though – in the show, up until the point where the writers made the terrible decision to randomly send him into “crazy” mode…

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