Franz Rogowski

Film Review: Bird fuses its harsh naturality with a sense of magical fidelity

Similar to the naturalistic, almost documentary-like aesthetic she laced her film American Honey with, writer/director Andrea Arnold approaches Bird with a realism that, for the majority of its 119 minute running time, rarely lets up to allow audiences a proper escape from the poverty-stricken housing estate setting it largely sits within. Unfolding through the eyes…

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Sydney Film Festival Review: Happy End (France, 2017) plays like a greatest hits album for Haneke

Michael Haneke is a bit of a misanthrope, isn’t he? Granted, I haven’t seen all of his films, but the few that I have seen seem to have a very critical view on society and human nature. And compared to mainstream fare, he makes films with plenty of space for the audience to contemplate and…

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