Horror

Film Review: Stream is disgustingly endearing in spite of missed narrative potential

At over 2 hours long, with performances that are predominantly uninspired, and a script that doesn’t delve beyond setting up a narrative solely to off its variety of stock-standard characters, Michael Leavy‘s slasher Stream leaves a lot to be desired.  In the same breath, it’s so gloriously gory and committed to not taking itself seriously…

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Interview: In A Violent Nature director Chris Nash on taking genre risks and finding inspiration through the works of Gus Van Sant

In A Violent Nature is being praised as a one-of-a-kind horror experience that must be enjoyed on the big screen. Following its premiere at the Sundance Film Festival in January as part of the festivals celebrated ‘Midnight’ program, this unique horror film released theatrically in the US on 1,426 screens and grossed US$3 million in…

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Film Review: In A Violent Nature; Ambient slasher flick subverts genre expectation

Looking at a film like In A Violent Nature from the surface, it’s easy to link Chris Nash‘s slasher to something like the Friday the 13th series.  His creation here – the non-verbal, physically imposing Johnny – is akin to Jason Vorhees in his stature and seeming penchant for walking after his victims over a…

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Film Review: MaXXXine; Ti West’s X trilogy comes to a sleazy, slashing close

Back in March of 2022, Ti West birthed a horror trilogy the genre didn’t know it needed. X, a 1970s-set porn shoot-turned-massacre tale, indulged in its dirty aesthetic, before its 1918-set prequel, Pearl, arrived mere months later, similarly revelling in its own unique temperament, one that came across like The Wizard of Oz on a…

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Interview: Joshua John Miller on writing and directing The Exorcism; “I was not prepared for this experience.”

Russell Crowe stars as troubled actor Anthony Miller, who begins to unravel while working on a supernatural film. His estranged daughter wonders if he’s slipping back into his past addictions or if there’s something more sinister at play. Such is the logline for The Exorcism, a new dramatic horror film from writer/director Joshua John Miller,…

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Film Review: Night Shift; Singular location chiller proves a serviceable genre entry

Perhaps because we’re simply used to his New Girl persona, or that even in the realms of a horror setting he’s playing with a little uncertain levity, Lamorne Morris‘ presence in the opening moments of Night Shift suggest that The China Brothers (filmmaking duo Benjamin and Paul China) may be preparing their audience for a more…

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Win a double in-season pass to the chilling new horror movie Tarot

Your fate is in the cards. Thanks to Sony Pictures Australia we have 5 double in-season passes (Admit 2) to see the chilling new horror film Tarot, starring Jacob Batalon (Spider-Man: Homecoming) and Mean Girls‘ Avantika, in Australian cinemas from May 2nd, 2024. When a group of friends recklessly violates the sacred rule of Tarot…

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Interview: Natasha Henstridge on new horror film Cinderella’s Revenge; “Not the fairy tale as you know it.”

After breaking as the lead in 1995’s Species, Natasha Henstridge soon took the silver screen by storm with roles in such high-profile projects as Maximum Risk, opposite Jean-Claude Van Damme, the comedy The Whole Nine Yards (and its sequel, The Whole Ten Yards), John Carpenter’s Ghosts of Mars, and the Hugh Jackman thriller Deception. Cinderella’s Revenge…

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Body horror and dramatic flourishes don’t play together in The Demon Disorder: Gold Coast Film Festival Review

There’s a fascinating premise at its core and an impressive heft of body horror effects abounding throughout, but The Demon Disorder never quite conjures enough other-worldly strength to rise above its structural flaws. A tale of three brothers and the demonic trauma they share off the back of their father’s death – presumably the result…

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Sting is an enjoyably camp horror effort that backs its gross effects with some emotional heft: Gold Coast Film Festival Review

Given the ambition he showed with his Mad Max-meets-Dawn of the Dead B-grade genre piece Wyrmwood (and its respective sequel), it makes sense that Australian director Kiah Roache-Turner would continue his genre mash-ups for his follow-up.  What proves surprising, however, is that for Sting, an ode to the creature feature (and, fittingly, Australia’s fear of…

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Film Review: Abigail deliciously balances bloody gore and knowing humour

After the underperformance of both Dracula: The Last Voyage of the Demeter and Renfield last year, the vampire-centric subsect of storytelling – especially within the horror genre – seemed, quite fittingly, void of life with audiences.  But seeing as how much new life they injected into the once-dormant Scream series with their one-two punch of…

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Interview: Abigail directors Tyler Gillett and Matt Bettinelli-Olpin on the beauty of ballet and bloodshed in their heightened vampire flick

Children can be such monsters. After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight.  In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting…

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Interview: Kathryn Newton and Dan Stevens on manifesting roles and finding the humour in the horror of Abigail

Children can be such monsters. After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight.  In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting…

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Interview: Abigail stars Kevin Durand and William Catlett on character quirks and what truly terrifies them

Children can be such monsters. After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight.  In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting…

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Interview: Cameron and Colin Cairnes on Late Night With the Devil, Don Lane inspiration, and not auditioning David Dastmalchian

After breaking out at last year’s SXSW Film & TV Festival, where our own Peter Gray heralded the film as one that “enjoys melding the modern sensibilities of the found footage genre with the bold mentality of horror movies gone by” (you can read the full review here), Late Night With the Devil is finally…

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Film Review: Late Night With the Devil; Nasty, yet fun, horror outing creatively flips the expected tropes of the genre

“Before we continue I’d like to apologize to anyone who might be upset or offended by what you saw before the break. It’s not every day you see a demonic possession on live television.” Not the most typical sentence you’d expect to hear from a late night host, but such is the statement made by…

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Hollywood can be a killer in first trailer for Ti West’s MaXXXine

The world will know her name. After his homage to the psycho-biddy subgenre of horror with the critically acclaimed X and its follow-up Pearl, a demented Disney-like prequel, across 2022, Ti West is closing out his unexpected slasher trilogy with the release of MaXXXine. Once again headlined by Mia Goth, MaXXXine follows her titular character,…

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Interview: Adam Wingard on directing Godzilla X Kong: The New Empire; “They’re more like a buddy cop kind-of duo.”

The epic battle continues! Legendary Pictures’ cinematic Monsterverse follows up the explosive showdown of Godzilla vs. Kong with an all-new adventure that pits the almighty Kong and the fearsome Godzilla against a colossal undiscovered threat hidden within our world, challenging their very existence – and our own. Godzilla x Kong: The New Empire delves further…

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Interview: Director Rhys Frake-Waterfield and star Scott Chambers on their love of horror, gore and Winnie-the-Pooh: Blood and Honey II

Whilst it was a film that saw a critical slaughtering at the time of its release – it currently holds a 3% rating on Rotten Tomatoes and is oft-considered now one of the worst films ever made – there’s no denying that Winnie-the-Pooh: Blood and Honey, a low budget horror recount of A.A. Milne’s classic…

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Film Review: Immaculate; Sydney Sweeney commits to disturbing, potentially triggering, religious horror outing

Given Sydney Sweeney‘s dedication to Immaculate as a production, it makes sense that the actress gives her all across the 89 minutes of Michael Mohan‘s disturbing, occasionally blackly comic, religious horror film. A decade-or-so ago, Sweeney, who was still mainly working in C-grade film fare at the time, read the Andrew Lobel-penned script and knew…

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Kryptic is a Lynchian-like thriller that indulges in its confusing, confronting narrative: SXSW Film & TV Festival Review

Towards the beginning of the creepy and ambiguous Kryptic, a tour guide overseeing the Cedar Springs Women’s Walking Club explains what cryptozoology is.  “It means the study of the hidden,” he states as he details Barb Valentine, a cryptozoologist who went missing in the very same British Columbia hinterland the group is currently hiking through….

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Film Review: Imaginary is light on scares and, ironically, imagination

Given that the promotional material for Imaginary has highlighted a certain stuffed teddy bear, one would be right in assuming that the film – boasting its from the studio that brought us Five Nights at Freddy’s and M3GAN – would be taking inspiration from those two successful properties.  Unfortunately, despite such promise, a committed turn…

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Interview: Director Jeff Wadlow on creating the horror of Imaginary, casting against type, and the dangers of pre-planning a sequel

Unfortunately we can’t always rely on technology.  But for Peter Gray, it seemed like there were more sinister forces at play when he attempted to chat to Imaginary director Jeff Wadlow about his latest scarer. After a duo of failed attempts to chat all things Imaginary – the Truth Or Dare filmmaker’s original horror film…

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Film Review: Baghead offsets its demonic horror with a strong female voice

Baghead – and for those deep-cut aficionados, this isn’t connected to the 2008 indie horror flick of the same name that starred Greta Gerwig and was directed by the Duplass brothers – leans into the trusted genre narrative of the boundaries between life and death being somewhat fluid.  Arriving several months after the similarly-themed Talk…

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Meet Abigail in the first trailer for Radio Silence’s vampiric thriller

Children can be such monsters. After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting…

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Film Review: Night Swim aims for a deep dive but comes up shallow

Given the calibre of horror talent on board with Night Swim (between them, producers Jason Blum and James Wan have such genre treats as the Halloween series, The Conjuring films, M3GAN and Malignant), as well as the fact that the short film it’s based on earned critical acclaim upon its release a decade ago, one…

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Interview: Night Swim stars Wyatt Russell and Kerry Condon on being smart and surviving the horror genre

Following his interviews with executive producer Ryan Turek and writer/director Bryce McGuire, Peter Gray wrapped up his talks for the forthcoming Night Swim with the film’s lead actors, Wyatt Russell and Academy Award nominee Kerry Condon. Based on McGuire’s acclaimed short film, Night Swim stars Russell as Ray Waller, a former major league baseball player…

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Interview: Bryce McGuire on expanding his short film Night Swim into a feature for James Wan and Jason Blum

Based on his own acclaimed 2014 short film, Night Swim high dives into the deep end of horror as it takes the most banal pleasure of suburban life and transforms it into a wellspring of demonic evil in a movie that combines the style, impishness and wicked world-building that audiences have come to expect from …

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Interview: Producer Ryan Turek on Night Swim and why audiences like being scared; “It’s an escape and a catharsis for them.”

A backyard swimming pool. A symbol of youth, status and wish-fulfillment, quintessentially American yet universal in its shimmering appeal. A life-enhancing luxury to those who can afford the cost, an absolute necessity for those poor souls who live in the most hellishly hot of places. A heavenly playground for people of any age, a devilish…

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Interview: Natalia Córdova-Buckley and Ryan Kwanten on exploring grief in their horror film The Portrait

In the wake of her husband’s devastating accident, a devoted wife becomes consumed by a mysterious portrait that resembles him in his happier days. However, as her obsession intensifies, the painting starts to unleash terror upon her life, leading her to question whether it is possessed by a malevolent force or if she is losing…

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