Premiering exclusively on Shudder from November 10th, Mandrake is a Northern Irish folk horror tale that marks the directorial feature debut of Lynne Davison. Premiering earlier this year at FrightFest Glasgow the film follows probation officer Cathy Madden (played by Scottish BAFTA-winner Deirdre Mullins), who is given the task of rehabilitating notorious killer ‘Bloody’ Mary…
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After earning a swarm of likes from SXSW audiences earlier in the year and from the Australian Academy of Cinema and Television Arts (AACTA), where it earned nominations for Best Film, Best Direction, and Best Lead Actress (for Aisha Dee’s committed performance), the social media slasher Sissy is ready for local audiences to like and…
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Going into a film like Terrifier 2, audiences can’t help but be versed in the news surrounding the film that has largely focused on just how spectacularly gory this thing is and the fact that such splatter has caused American cinemagoers, who have pushed the micro-budgeted horror film to rope in over 5 times its…
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Thanks to Arcadia we have 10 double in-season passes (Admit 2) to see the new Australian horror that takes a killer stab at the influencer generation – Sissy, in Australian cinemas from November 3rd, 2022. Cecilia (Sissy) and Emma were tween-age BFFs who were going to grow old together and never let anything come between…
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It’s the horror movie so gory that audiences in the US have reportedly fainted and vomited at countless sessions. Now, it’s Australia’s turn! A surprise box office success and sequel to 2016’s breakthrough cult horror hit Terrifier, Terrifer 2 continues the demented reign of Art the Clown, here resurrected by a sinister entity and returning…
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The premise for Barbarian is almost insultingly simple that its ultimate outcome feels all the more revelatory, thanks to writer/director Zach Cregger expanding on his narrative familiarity with intrigue, dark humour and unsettling terror. A film that has two distinct halves but manages to still feel cohesive in spite of its shift, Barbarian initially sets up…
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After skewering the narrative of the Halloween films with the direct name-same sequel in 2018, David Gordon Green took a massive kitchen knife to all that had come before and created a brand new series within the horror franchise. After reviving the iconic Michael Myers for Halloween and Halloween Kills, the epic conclusion to his…
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Not exactly an origin story in the traditional – or autobiographical – sense, but a healthy start all the same as to how legendary horror writer Edgar Allan Poe fuelled his creativity for all things macabre, Christopher Hatton‘s Raven’s Hollow indulges in the author’s aesthetic for an atmospheric chiller that favours story over scares. In…
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One of the more unlikely franchises of a resilient nature, V/H/S/, a retro-appearing horror anthology effort that often compiles a series of genre directors flexing their creative muscle through short horror narratives, is now in its fifth iteration in the form of V/H/S/99. The horror tales that often are confined within the V/H/S/ films are always…
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When watching Mean Spirited I couldn’t help but wonder why Jeff Ryan isn’t a household name. As a director he has worked within a duo of spaces that have well been tested – the mockumentary comedy and the found footage subsect of horror – but both this and his previous effort (YouthMin) prove he has…
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It’s all too easy to wax lyrical these days about trailers spoiling and “giving too much away” for the keyboard warriors who oft decide they hate a film before they even see it. Whilst the jury is still out on how many will dislike The Invitation, I can attest that, as far as spoilers go,…
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Of all the unexpected horror sequels to come to fruition, Orphan: First Kill would be up there as one of the more unlikely titles. Yes, it’s a prequel, first and foremost, but original star Isabelle Fuhrman is back in the unsettling role of Estonian psychopath Esther that birthed her career in 2009’s Orphan. Why this…
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The pandemic gave many a creative time to think as so much of the entertainment industry faced an uncertain future. For director Rebekah McKendry through, it played into her favour. Presented with a unique, near-singular-set horror film that mused on philosophy and existentialism, Glorious seemed like an idea born from a world that was unsure…
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With a rest-stop bathroom glory hole serving as a type of universal gateway between a confused, confined Ryan Kwanten and an unseen, but very heard, J.K. Simmons, one would be forgiven for thinking Glorious may be, well, just a little filthy. Sure, it’s dirty at times and leans into a gory mentality when it sees…
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Though What Josiah Saw may include rather expected tropes of the haunted gothic subsect of the horror genre, Vincent Grashaw‘s self-contained chiller continually subverts our expectations with a brutal eeriness that’s likely to divide its audience between those who are enveloped by its slow burn mentality and those who prefer their horrors far less subtle….
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Whilst The Cellar won’t exactly be riding high on viewers’ lists of must-see scary movies, Brendan Muldowney‘s haunted house horror effort at least conjures an atmosphere and an unlikely climax to earn it valid points for trying. Muldowney’s script initially plays into the genre tropes we expect when Keira Woods (Elisha Cuthbert) and her family…
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When people look at films that are super beloved and then hear stories about the difficulties or tragedies that happen on set, they then go onto describe that production as “cursed”. After exploring such controversial productions as Twilight Zone: The Movie and Poltergeist during its first season, Cursed Films II explores a further quintet of…
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Taking it back to the basics of the horror genre – i.e. sex and blood sprawled out on a big cinema screen – Ti West‘s return to the fray (his last horror effort being the 2013 found footage outing The Sacrament) indulges in the slasher mentality of eras gone by whilst fusing it with a…
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Whether we like them (or follow them) or not, influencers – sorry, “content creators” – are a cultural mainstay in our society that often extends beyond the environment of social media. In Australian horror effort Sissy, co-writers/directors Hannah Barlow and Kane Senes seem all too aware of the faux importance influencers place upon themselves, a…
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In 1996, when horror was a bad word and the slasher subsect had been relegated to bargain bins and a straight-to-VHS lifespan, genre maestro Wes Craven (A Nightmare on Elm Street, The Hills Have Eyes) and a (then) relatively unknown Kevin Williamson dared to defy the conventions by creating a film that played into the…
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Whilst I completely understand wanting to re-visit a fruitful series such as Resident Evil, one that pulled in significant coin despite being critically slaughtered, Resident Evil: Welcome to Raccoon City hardly makes such a trip worthwhile. For starters, Milla Jovovich, patron saint of these entirely disposable films, hasn’t been brought back. Yes, it being a…
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Before making waves in the horror genre with such box office successes and critical winners as Daybreakers, Predestination, and Jigsaw, German-born, Australian-raised brothers Michael and Peter Spierig pooled their talent, connections and coins together for Undead. Originally released in 2003, the low-budget Australian zombie thriller was an homage to the B-grade horror entries of the…
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To coincide with the release of his horror film Lair, now available to rent or buy on DVD and digital in time for the spooky season, writer/director Adam Ethan Crow spoke with our own Peter Gray about his love of horror films, attempting something different to please the genre fans, and the rough seas travelled…
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In the opening minutes of Adam Ethan Crow‘s Lair, a masterful sense of tension is introduced that near-immediately puts its audience on guard. An eerie musical score, an unseen force, a bloodied body…nightmarish additives that deliberately only tell fragments of a whole story. From here we are introduced to Steven Caramore (Corey Johnson, having an…
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A gorgeously rendered, lovingly crafted, maybe slightly messy, giallo tribute drenched in 1960’s London culture, Last Night In Soho is the type of film one wishes to dissect and divulge in intimate detail. But that would entirely undo any service to writer/director Edgar Wright, who has implored audiences the globe over to keep their mouths…
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One of many 2020 titles that saw its original release delayed due to the pandemic, and one of the few that held its nerve and opted out of a streaming alternative, Antlers, from director Scott Cooper (Crazy Heart, Black Mass) and producer Guillermo del Toro (Pan’s Labyrinth, The Shape of Water), proves its bold mentality…
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After pushing 2018’s sequel-cum-reboot Halloween to record breaking statistics, it only made sense that writer/director David Gordon Green was handed a sequel to continue revelling in Michael Myers’ carnage. Not only granted a sequel – Halloween Kills – but a trilogy (Halloween Ends, set for a 2022 release) to boot, Green expanded on the violent…
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“What’s your favourite scary movie?” 25 years ago it was a question posed to Neve Campbell in Wes Craven’s now genre classic Scream, and come January 2022 a new generation of fresh blood will have their knowledge similarly tested in, well, Scream. Less a sequel and more a reinvention, Scream will pay homage to Craven’s…
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William Friedkin’s classic The Exorcist is so ingrained in the demonic possession sub-genre of the horror field that every feature that has come since can’t help but feel like a recycled take on a head-spinning narrative we’ve come to know so well. So, with that, there’s all more the reason to celebrate something like The…
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Similar to how Jordan Peele, Robert Eggers, Jennifer Kent, and Ari Aster all secured their place in the annals of genre cinema with their debut offerings, Julia Docournau‘s bold cannibalistic horror effort Raw cemented the French filmmaker as a name to pay consistent attention to. And just as those aforementioned auteurs all swung big with…
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