Hugo Weaving

Film Review: The Rooster navigates its meditation on masculinity with dark humour and uncomfortable fragility

The opening imagery of Mark Leonard Winter‘s The Rooster is a nightmarish depiction of a body swinging in the wind.  It suggests a darker film than what transpires over the following 101 minutes, even though Winter’s script does indeed indulge in devastating themes. At the centre of The Rooster is Dan (Phoenix Raei, leaving no…

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Interview: The Rooster director Mark Leonard Winter on the undertaking for his feature debut; “It’s every phase of sheer terror!”

When the body of his oldest friend is found buried in a shallow grave, Dan, a small-town cop, seeks answers from a volatile Hermit who may have been the last person to see his friend alive. Such is the plotline for Mark Leonard Winter‘s intimate, psychological drama The Rooster, which is arriving in Australian theatres…

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Interview: The Rooster producer Geraldine Hakewill on navigating micro budgets, fragile masculinity and working with her husband

When the body of his oldest friend is found buried in a shallow grave, Dan, a small-town cop, seeks answers from a volatile Hermit who may have been the last person to see his friend alive. Such is the plotline for Mark Leonard Winter’s intimate, psychological drama The Rooster, which is arriving in Australian theatres…

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The Royal Hotel manipulates our expectations with a lingering sense of unease: Brisbane International Film Festival Review

Inspired by Hotel Coolgardie, Pete Gleeson’s shock 2016 documentary about two female Finnish backpackers and their work experience at a predominantly male-frequented pub, The Royal Hotel similarly shines a light on the the disturbing, toxic nature that can spawn from a small, isolated town that exploits Australia’s “drinking culture” mentality. An ironic title that will…

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The Royal Hotel is a slow-burn thriller ripe with human horror: SXSW Sydney Screen Festival Review

Inspired by Hotel Coolgardie, Pete Gleeson’s shock 2016 documentary about two female Finnish backpackers and their work experience at a predominantly male-frequented pub, The Royal Hotel similarly shines a light on the the disturbing, toxic nature that can spawn from a small, isolated town that exploits Australia’s “drinking culture” mentality. An ironic title that will…

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Film Review: Mortal Engines (NZ/USA, 2018) suffers from an ensemble cast who fail to elevate the stereotypical material above expectation

As much as Peter Jackson‘s name is plastered all over this, Mortal Engines is in fact NOT a Jackson joint. Yes, the Lord of the Rings helmer is the most likely reason this film was greenlit (he serves as both co-producer and co-writer) but long-time Jackson collaborator Christian Rivers, who served predominantly as a visual…

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Hugo Weaving to star in a contemporary big screen take on Shakespeare’s Measure for Measure

Screen Australia has announced that celebrated Australian actor Hugo Weaving (Lord of the Rings, The Matrix) will star in M4M, a contemporary take on Shakespeare’s play Measure for Measure. Set within Melbourne’s commission flats, M4M tells the unlikely love story of a Muslim woman Jaiwara and a local loner musician Claudio. While their relationship develops, local…

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Interview: Hugo Weaving talks about ABC’s Seven Types of Ambiguity, V For Vendetta and Kicking John Wick’s Ass

One of Australia’s top leading film and TV actors, Hugo Weaving is not a name you forget. With so much versatility and strength in every role he takes on, it’s hardly surprising he is a household name throughout the world. From his 1994 role as Tick (or Mitzi if you prefer) in Priscilla Queen of The Desert…

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Film Review: Rachel Perkins’ adaptation of Jasper Jones (Australia, 2017) finds strength in its cast

We don’t get many films set in small Australian towns in the mid-60s, and though this is the era applied to the story of Jasper Jones, what unfolds is far from exclusive to any one period. Through a cleverly winding and well-paced tale, adapted by director Rachel Perkins from Craig Silvey’s best-selling novel, Jasper Jones…

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Digital restoration of 1991’s Proof to screen in Sydney; Jocelyn Moorhouse & Hugo Weaving to attend Q&A

It was announced yesterday that The National Film and Sound Archive of Australia (NFSA) will partner up with Sydney’s Ritz Cinema and will present a digital restoration of 1991 film Proof. The film will be screened on Wednesday November 9 with all box office proceeds going towards the NFSA Restores program. After the film screening,…

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Mel Gibson’s directorial comeback Hacksaw Ridge reveals its first poster

‘When the order came to retreat, one man stayed’ are the words sprawled across the bottom of Hacksaw Ridge’s first poster, and give audiences a pretty good idea of the direction Mel Gibson’s latest film will take. Gibson will take the seat on his first film since Apocalypto in 2008, and tackle the true story…

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Mad Max: Fury Road and Peter Allen: Not The Boy Next Door Win Big at AACTA

The fifth annual Australian Academy of Cinema and Television Arts Awards (AACTA) were presented last night at Sydney’s Star Event Centre, the awards recognising the last 12 months in Australian film. George Miller’s Mad Max: Fury Road took out the top award for Best Film, George Miller receiving the award for Best Director. The Dressmaker dominated…

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Film Review: Healing (M) (Australia, 2014)

In Victoria, the Healesville Wildlife Sanctuary has been conducting its Bird Rehabilitation Program at nearby Won Wron Correctional Centre for nearly two decades. One morning, whilst reading The Age, director Craig Monahan stumbled upon an article about the facility; it’s been ten long years since he read that article, and in that time, Healing has…

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