Kaia Gerber

Saturday Night is equally riotously funny as it is emotionally investing: Brisbane International Film Festival Review

For almost 50 years, Saturday Night Live has been an institution of (primarily) American culture.  Every weekend it invites audiences to surrender to the thrill of live television, where anything could go wrong at any given moment, amongst a staple of regular segments and musical performances.  Its structure has shifted over time, but the core…

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Shell disregards subtlety in favour of its trashy 90s cinema personality: TIFF 2024 Review

Screening so soon after The Substance doesn’t bode well for something like Shell, Max Minghella‘s campy, body horror ode to trashy escapist 90s cinema that similarly explores the world of ageing in Hollywood and how far someone will go to maintain perfection.  With both films screening within a week of each other at this year’s…

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Interview: Kate Hudson, Kaia Gerber and director Max Minghella on their campy black comedy Shell

If you could restore youthful beauty and guarantee longevity by committing to a few days of mysterious treatments, would you? Would you trust your life and health to science and technology that might be more hype than healthy?  Enter Shell. Samantha (Elisabeth Moss) is thinking it over. She’s a slightly unkempt, earnest, talented actress who…

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Saturday Night envelops with its charm and riotous humour: TIFF 2024 Review

For almost 50 years, Saturday Night Live has been an institution of (primarily) American culture.  Every weekend it invites audiences to surrender to the thrill of live television, where anything could go wrong at any given moment, amongst a staple of regular segments and musical performances.  Its structure has shifted over time, but the core…

Read More

Film Review: Bottoms is an unruly comedy that benefits from its wicked internal spark

There was something darkly, deliciously special about the way writer/director Emma Seligman and actress Rachel Sennott announced themselves with 2020’s Shiva Baby.  A claustrophobic black comedy that indulged in a spiralling, horrific temperament, their collaboration set a certain precedent for the boundary-pushing, topical humour that’s furthered in Bottoms, a wild, oft-violent, sexually liberated high-school comedy that honours John Hughes as much…

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Film Review: Bottoms is a wild, oft-violent, sexually liberated high-school comedy

There was something darkly, deliciously special about the way writer/director Emma Seligman and actress Rachel Sennott announced themselves with 2020’s Shiva Baby.  A claustrophobic black comedy that indulged in a spiralling, horrific temperament, their collaboration set a certain precedent for the boundary-pushing, topical humour that’s furthered in Bottoms, a wild, oft-violent, sexually liberated high-school comedy…

Read More