There’s a scene in the first third of Call Jane that I can only imagine would infuriate the female audiences in attendance. Abortion is not a subject I have any real right to comment on – I am pro choice, for what it’s worth – but, in 2022, it’s almost insulting that sequences taking place…
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A well-intentioned, though not entirely successful debut venture from Luke Scott (son of Alien director Ridley Scott, for those of you playing along at home) Morgan is more a shallow version of Ex-Machina than the slick sci-fi character study it so clearly desires to be. The titular Morgan (Anya Taylor-Joy, maintaining her genre score-card with this, The…
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