After a genuinely scary first offering in James Wan‘s Insidious (2010), the Leigh Whannell-created series has failed to make good on any of the unnerving potential with its sequels (and prequels) going forward. As each subsequent film seems to earn less and less favourable word from critics and audiences, there’s an almost immediate sense of…
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As The Invisible Man prepares to be seen (or not seen) in theatres this week, The AU Review’s Peter Gray was fortunate enough to chat with the film’s writer and director, Australian talent Leigh Whannell, on his relationship with the horror genre and how a major studio like Universal Pictures left him to his own…
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Had the Tom Cruise-led revamp of The Mummy not crashed and burned at the box office upon its release in 2017 then we’d be seeing, or more correctly not seeing, a very different Invisible Man. In an optimistic strategy from Universal Pictures – in their bid to compete with fellow juggernauts Marvel and DC –…
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With his new film Upgrade having its premiere at SXSW Film this past week (where it won a prestigious Audience Award), we caught up with Australian director and writer Leigh Whannell as well as cast members Logan Marshall-Green and Betty Gabriel to talk about the sci-fi horror and its wider implications. The film, which is…
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Technology gone overboard is a sci-fi trope that has been done to death in cinema, but it’s a pleasure to watch stories that are still bringing fresh takes on the theme. The latest is Upgrade, a techno-horror slash detective thriller written and directed by Leigh Whannell who moves away from the past few years of…
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If you were reading The Iris back in March of this year, you may remember we posted parts of an interview we conducted with Angus Sampson and Leigh Whannell to talk about their new film The Mule, which premiered at SXSW 2014. Some eight months later and the film has finally had an Australian release,…
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