Thanks predominantly to RuPaul, and, more specifically RuPaul’s Drag Race, drag culture has firmly wedged itself in the mainstream. It’s always been there, it’s just more readily acceptable, or at least visible, and Amrou Al-Kadhi’s assured debut feature as both a writer and director, Layla, furthers such with its playful, authentic personality that drives home…
Read More
Though there’s an initial graphicness to the manner in which sex is depicted in the opening minutes of Sebastian, Mikko Mäkelä‘s explorative drama shouldn’t be dismissed as just another recent example of queer cinema that leans into sexual explicitness for the sake of shock or organic representation. Yes, the sex on hand is a realistic…
Read More
There’s a uniqueness to Desire Lines that writer/director Jules Rosskam (and co-writer Nate Gualtieri) implements to set the film as an open line of communication regarding the LGBTQIA+ community and their placement within their own culture. A narrative-driven drama that combines documentary pieces and talking head confessionals, the film’s hybrid mentality may not always work,…
Read More
The Heartstopper franchise is the perfect way to expose young people to diversity, inclusivity, and what it is like to grow up, experience first times, and all the awkwardness that comes with it. At the beginning of the book, one of the main characters, Charlie Spring, turns sixteen. After a year of Nick Nelson and…
Read More
Whilst the breakdown of a marriage and the impending custody battle that will take place as to whose time favours the child in question has been a reliable staple for cinematic drama over the years – most recently displayed in Noah Baumbach’s Marriage Story and perhaps most famously in 1979’s Kramer vs. Kramer – queer cinema has taken a…
Read More
A truly bizarre melting pot of a film that takes pride in its giallo-inspired-horror-melded-with-camp-musical-comedy mentality, Big Easy Queens in an intentionally ridiculous, over-the-top experiment that, for the right audience, will prove a bloody wild ride. Set in a mob-run criminal underworld of sorts, Erynn Dalton‘s genre-mash of a movie has been primarily made for the…
Read More
A Real Piece of Work, the new memoir from Erin Riley, brings light to disadvantaged and marginalised communities. Riley works with marginalised and disadvantaged people as a social worker in Sydney. In their memoir, a collection of twenty essays, Riley shares their personal experiences of social boundaries. Discussions of justice, family, love, intimacy, power structures, and…
Read More
Heartstopper Season 2 continues to explore the importance of representation. Not only in the LGBTQIA+ community, but through families, relationships, friendships, and abilities. The heartfelt romantic tv drama series aired on Netflix on the 3rd of August, produced by See-Saw Productions, written by Alice Oseman, and directed by Euros Lyn. Based on Oseman’s webcomic and…
Read More
The release of Chrissy Judy feels rather aptly timed at the given moment considering the unnecessary controversy around the artform that is drag. Its history has never been tied to sex or sexuality, so it’s incredibly ironic that anti-LGBTQIA+ conservatives have peddled their agenda against the art and have positioned themselves as “protecting” children from…
Read More
Taking his confronting, wise-cracking comedy from the street to the screen, Billy Eichner (Billy on the Street) is shattering the glass ceiling on queer comedy with the first major studio production to champion an all LGBTQ cast in Bros. As the romantic comedy sets its local release (Universal Pictures will release the film on October…
Read More
The first major studio production to feature an all LGBTQIA+ cast, Bros is a smart, swoony and heartfelt comedy about how hard it is to find another tolerable human being to go through life with. A collaboration between the ferocious comic mind of writer/star Billy Eichner and director Nicholas Stoller (Forgetting Sarah Marshall, the Bad…
Read More
Despite being directed and produced by straight men – Nicholas Stoller (Forgetting Sarah Marshall) and Judd Apatow (Bridesmaids), respectively – Bros still very much has a queer beating heart, thanks to lead actor and writer Billy Eichner‘s distinctive voice and perspective being laced over the film’s personality; It’s 2022 and the queer stereotype needs to…
Read More
From its literary origins with queer authors Mary Shelley, Bram Stoker and Oscar Wilde to the pansy craze of the 1920s that influenced Universal Monsters and Hitchcock; from the “lavender scare” alien invasion films of the mid-20th century to the AIDS obsessed bloodletting of 80s vampire films; through genre-bending horrors from a new generation of queer creators; Queer for Fear re-examines genre stories through a queer lens, seeing them not as violent, murderous…
Read More
Whilst I’m certainly not suggesting that Fire Island won’t earn some crossover appeal with straight audiences – hell, I even saw this movie with a straight guy – queer audiences are sure to wholeheartedly embrace Joel Kim Booster‘s deliciously funny, at times savage comedy in a manner that’s entirely personal and significantly unique compared to…
Read More
The cultural phenomenon that is RuPaul’s Drag Race has made way for otherwise niche performers to breakthrough in a mainstream fashion. Whilst it’s still more likely that queer audiences will recognise their presence in a stronger manner, it must be said that the program knows how to unearth the type of talent that deserves to…
Read More
Whether we like them (or follow them) or not, influencers – sorry, “content creators” – are a cultural mainstay in our society that often extends beyond the environment of social media. In Australian horror effort Sissy, co-writers/directors Hannah Barlow and Kane Senes seem all too aware of the faux importance influencers place upon themselves, a…
Read More
Based on Sergey Fetisov‘s memoir, Firebird – appropriately screening this week in relation to International Day Against Homophobia, Transphobia and Biphobia – is an achingly romantic, though still not entirely ground-breaking tale of forbidden love set in a time when same-sex affairs were met with severe punishment. In the midst of 1977 Cold War in…
Read More
The Cocoon is four vignettes of love, with two monologues and two duologues. Written by New York’s Kotryna Gesait & directed by Brisbane-based Timothy Wynn, The Cocoon has previously been performed at the Adelaide Fringe in 2018 and again in 2019. For 2022, the performance takes place in Peter Rabbit in the West End of…
Read More
