LGBTQIA

Series Review: Heartstopper Season 3 delves into further maturity whilst maintaining its original heart

Yet again, the amazing Alice Oseman has teamed up with director Euros Lyn to create the third season of Heartstopper. Previously, the Netflix series was well-known for its gradual approach regarding topics of queerness, health, growing-up, the experiencing of firsts, family dynamics and relationships for a teenage and young-adult audience. However, season 3 takes a…

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Layla is a film that celebrates one’s identity through a multitude of creative intersections: Sundance Film Festival Review

Thanks predominantly to RuPaul, and, more specifically RuPaul’s Drag Race, drag culture has firmly wedged itself in the mainstream.  It’s always been there, it’s just more readily acceptable, or at least visible, and Amrou Al-Kadhi’s assured debut feature as both a writer and director, Layla, furthers such with its playful, authentic personality that drives home…

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Sebastian is an explorative drama that expresses a healthy relationship with the art of sex work: Sundance Film Festival Review

Though there’s an initial graphicness to the manner in which sex is depicted in the opening minutes of Sebastian, Mikko Mäkelä‘s explorative drama shouldn’t be dismissed as just another recent example of queer cinema that leans into sexual explicitness for the sake of shock or organic representation.  Yes, the sex on hand is a realistic…

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Desire Lines is a layered drama that provides trans men with authentic representation: Sundance Film Festival Review

There’s a uniqueness to Desire Lines that writer/director Jules Rosskam (and co-writer Nate Gualtieri) implements to set the film as an open line of communication regarding the LGBTQIA+ community and their placement within their own culture.  A narrative-driven drama that combines documentary pieces and talking head confessionals, the film’s hybrid mentality may not always work,…

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Book Review: Heartstopper Volume 5 explores the discomfort of growing up, first times, and hard choices

The Heartstopper franchise is the perfect way to expose young people to diversity, inclusivity, and what it is like to grow up, experience first times, and all the awkwardness that comes with it. At the beginning of the book, one of the main characters, Charlie Spring, turns sixteen. After a year of Nick Nelson and…

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Film Review: Our Son is a universally emotional and deeply personal drama

Whilst the breakdown of a marriage and the impending custody battle that will take place as to whose time favours the child in question has been a reliable staple for cinematic drama over the years – most recently displayed in Noah Baumbach’s Marriage Story and perhaps most famously in 1979’s Kramer vs. Kramer – queer cinema has taken a…

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Big Easy Queens takes pride in its midnight movie mentality: Austin Gay and Lesbian International Film Festival Review

A truly bizarre melting pot of a film that takes pride in its giallo-inspired-horror-melded-with-camp-musical-comedy mentality, Big Easy Queens in an intentionally ridiculous, over-the-top experiment that, for the right audience, will prove a bloody wild ride. Set in a mob-run criminal underworld of sorts, Erynn Dalton‘s genre-mash of a movie has been primarily made for the…

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A Real Piece of Work

Book Review: A Real Piece of Work is a collection of short essays that explores queer and marginalised experiences

A Real Piece of Work, the new memoir from Erin Riley, brings light to disadvantaged and marginalised communities. Riley works with marginalised and disadvantaged people as a social worker in Sydney. In their memoir, a collection of twenty essays, Riley shares their personal experiences of social boundaries. Discussions of justice, family, love, intimacy, power structures, and…

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Series Review: Heartstopper Season 2 continues to represent minority groups on television

Heartstopper Season 2 continues to explore the importance of representation. Not only in the LGBTQIA+ community, but through families, relationships, friendships, and abilities. The heartfelt romantic tv drama series aired on Netflix on the 3rd of August, produced by See-Saw Productions, written by Alice Oseman, and directed by Euros Lyn.  Based on Oseman’s webcomic and…

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Film Review: Chrissy Judy embraces its own queer personality with a raw, occasionally unlikeable edge

The release of Chrissy Judy feels rather aptly timed at the given moment considering the unnecessary controversy around the artform that is drag.  Its history has never been tied to sex or sexuality, so it’s incredibly ironic that anti-LGBTQIA+ conservatives have peddled their agenda against the art and have positioned themselves as “protecting” children from…

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Interview: Billy Eichner and Luke Macfarlane on Bros and embracing the “conventions” of a happy ending; “Are we not allowed to be happy?”

Taking his confronting, wise-cracking comedy from the street to the screen, Billy Eichner (Billy on the Street) is shattering the glass ceiling on queer comedy with the first major studio production to champion an all LGBTQ cast in Bros. As the romantic comedy sets its local release (Universal Pictures will release the film on October…

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Interview: Nick Stoller on directing Bros, crafting a vehicle for Billy Eichner, and respecting the queer community

The first major studio production to feature an all LGBTQIA+ cast, Bros is a smart, swoony and heartfelt comedy about how hard it is to find another tolerable human being to go through life with.  A collaboration between the ferocious comic mind of writer/star Billy Eichner and director Nicholas Stoller (Forgetting Sarah Marshall, the Bad…

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Film Review: Bros thrives on finding the truth within its comedy

Despite being directed and produced by straight men – Nicholas Stoller (Forgetting Sarah Marshall) and Judd Apatow (Bridesmaids), respectively – Bros still very much has a queer beating heart, thanks to lead actor and writer Billy Eichner‘s distinctive voice and perspective being laced over the film’s personality; It’s 2022 and the queer stereotype needs to…

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Interview: Queer For Fear producer Bryan Fuller on uncovering the history of queer subtext within the horror genre

From its literary origins with queer authors Mary Shelley, Bram Stoker and Oscar Wilde to the pansy craze of the 1920s that influenced Universal Monsters and Hitchcock; from the “lavender scare” alien invasion films of the mid-20th century to the AIDS obsessed bloodletting of 80s vampire films; through genre-bending horrors from a new generation of queer creators; Queer for Fear re-examines genre stories through a queer lens, seeing them not as violent, murderous…

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Film Review: Fire Island is a savagely funny comedy that’ll prove warmly important to queer audiences

Whilst I’m certainly not suggesting that Fire Island won’t earn some crossover appeal with straight audiences – hell, I even saw this movie with a straight guy – queer audiences are sure to wholeheartedly embrace Joel Kim Booster‘s deliciously funny, at times savage comedy in a manner that’s entirely personal and significantly unique compared to…

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God Save the Queens; what it lacks in biting humour, it makes up for in beating heart: Tribeca Film Festival Review

The cultural phenomenon that is RuPaul’s Drag Race has made way for otherwise niche performers to breakthrough in a mainstream fashion.  Whilst it’s still more likely that queer audiences will recognise their presence in a stronger manner, it must be said that the program knows how to unearth the type of talent that deserves to…

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Sissy is a queer, female-strong chiller that deepens Australia’s connection with the horror genre: Sydney Film Festival Review

Whether we like them (or follow them) or not, influencers – sorry, “content creators” – are a cultural mainstay in our society that often extends beyond the environment of social media.  In Australian horror effort Sissy, co-writers/directors Hannah Barlow and Kane Senes seem all too aware of the faux importance influencers place upon themselves, a…

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Film Review: Firebird is an at-times devastating account of a forbidden Cold War romance

Based on Sergey Fetisov‘s memoir, Firebird – appropriately screening this week in relation to International Day Against Homophobia, Transphobia and Biphobia – is an achingly romantic, though still not entirely ground-breaking tale of forbidden love set in a time when same-sex affairs were met with severe punishment. In the midst of 1977 Cold War in…

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Adelaide Fringe Review: The Cocoon is an intimate look at love and relationships

The Cocoon is four vignettes of love, with two monologues and two duologues. Written by New York’s Kotryna Gesait & directed by Brisbane-based Timothy Wynn, The Cocoon has previously been performed at the Adelaide Fringe in 2018 and again in 2019. For 2022, the performance takes place in Peter Rabbit in the West End of…

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