Logan Miller

Melbourne International Film Festival Review: Freshman Year is a sweet and more emotional college comedy

With a title like Freshman Year, known originally as Shithouse, you’d be forgiven for thinking Cooper Raiff‘s debut is more akin with the juvenile comedies so many cinematic colleges have been the setting for.  Nothing could be further from the reality though, with Raiff injecting a sweetness and raw emotion into his script as it…

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Film Review: Escape Room: Tournament of Champions is a fans-only sequel that indulges in its elaborate production value

Taking an activity that’s (arguably) something of a fad and morphing it for a theatrical narrative was a risk that evidently paid off for director Adam Robitel and screenwriters Bragi Schut and Maria Melnik with 2019’s Escape Room.  A psychological horror film that aimed for suspense over gore, its $150 million worldwide haul practically guaranteed…

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Film Review: Love, Simon (USA, 2018) is a sweet, likable and unassuming queer teenage rom-com

Dear Blue, Queer cinema has came through quite well back in 2017. We’ve had great examples like Call Me By Your Name, Battle of the Sexes and Moonlight; foreign entries like BPM (Beats Per Minute), Oscar-winning A Fantastic Woman and BAFTA-winning The Handmaiden and hidden indie gems like Princess Cyd, Beach Rats and God’s Own…

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