After the underperformance of both Dracula: The Last Voyage of the Demeter and Renfield last year, the vampire-centric subsect of storytelling – especially within the horror genre – seemed, quite fittingly, void of life with audiences. But seeing as how much new life they injected into the once-dormant Scream series with their one-two punch of…
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Children can be such monsters. After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting…
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Children can be such monsters. After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting…
Read More
Children can be such monsters. After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting…
Read More
Children can be such monsters. After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting…
Read More
Given how meta and self-referential the Scream series has become, there’s something kind of brilliant in the familiar Ghostface vocal (again brought to sadistic life by Roger L. Jackson) exclaiming “Who gives a fuck about movies?” as he slices down on his latest victim prior to the Scream VI title card. The answer, it would…
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