Review

Bloody Hell is a queer-laced, coming-of-age dramedy that transforms personal trauma into relatable storytelling: SXSW Film & TV Festival Review

Described as a “traumedy” and navigating a narrative I have no personal connection to – or even a right to comment on in all honesty – Molly McGlynn‘s Bloody Hell has the same footprints as a coming-of-age comedy, but laces such with a queer mentality and the potential dehumanising reality of when your body “rejects”…

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Until Branches Bend is an intricate drama enhanced by its disturbing, topical personality: SXSW Film & TV Festival Review

The parallels between an invasive parasite and an unwanted pregnancy are navigated with intricate delicacy and subtle terror throughout Until Branches Bend, Sophie Jarvis‘s disturbing drama that offsets its small physicality with a growingly unnerving mentality. At the centre of both converging narratives is Robin (Grace Glowicki, incredible), a fruit packing plant line worker who…

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Game Review: Wo Long: Fallen Dynasty feels both fresh and familiar at the same time

Wo Long: Fallen Dynasty comes to us from developer Team Ninja; yes, the same Team Ninja behind both Nioh and Nioh 2. Much like those games, Wo Long: Fallen Dynasty is a challenging and satisfying romp that largely succeeds at providing consistently cohesive combat mechanics and confident pacing. While its boss battles serve as the…

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Cora Bora is a beautiful showcase for the comedic and dramatic sensibilities of star Megan Stalter: SXSW Film & TV Festival Review

Whilst there’s no doubt that Megan Stalter is a talented comedienne (“Hi Gay!”, anyone?), the type of social-media-sketch-performer-turned-feature-actress trajectory isn’t always a guaranteed translation for both their respective humour and an audience’s positive reaction.  Thankfully, her starring role in Cora Bora is a more dramatic transition for the actress, displaying a more vulnerable, shaded, even…

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Brooklyn 45 is an unbalanced, but no less enveloping supernatural thriller: SXSW Film & TV Festival Review

Supernatural terror and deep-seated personal revelations come to light in the tonally unbalanced, but no less interesting Brooklyn 45. Written and directed by Ted Geoghegan, Brooklyn 45 gradually unravels over the course of its 90 minutes as it centres around a group of battle-hardened friends and their overdue rendezvous in a Brooklyn brownstone.  Set between…

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Late Night With the Devil melds modern horror sensibilities with the boldness of genre pieces gone by: SXSW Film & TV Festival Review

“Before we continue I’d like to apologize to anyone who might be upset or offended by what you saw before the break. It’s not every day you see a demonic possession on live television.” Not the most typical sentence you’d expect to hear from a late night host, but such is the statement made by…

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National Anthem is an exquisite, organic drama celebrating the queer rodeo collective: SXSW Film & TV Festival Review

There’s a moment in the first half of Luke Gilford‘s exquisite looking drama National Anthem where 21-year-old construction worker Dylan (Charlie Plummer) seems perplexed that an outside group of queer rodeo performers and ranchers would find him interesting; “You haven’t met your people yet”, is the open, telling response from the captivating Sky (Eve Lindley),…

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Only the Good Survive is a nonsensical, genre-blending fever dream bursting with creativity: SXSW Film & TV Festival Review

Only the Good Survive is the type of film that delights in the fact that it never follows the genre path you think it should.  At one point the question is even asked if the story being relayed is “a horror or a comedy?”, and writer/director Dutch Southern, in the most nonsensical, unpredictable fashion, makes…

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Festival Review: Mona Foma in Launceston finds its quirky, inclusive footing for its 2023 edition

After debuting its Launceston component in 2019, it’s a shame that Mona Foma – so often associated with its decade+ engagement in Hobart – had to momentarily stall its grind (as did the rest of the art scene) when a certain pandemic gloomed over the globe. In 2023, it’s more than making up for lost…

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Film Review: To Leslie; Is Andrea Riseborough’s shock Oscar nomination justified?

In the lead up to the Best Actress nominations at this year’s Oscars, Andrea Riseborough was not a name oft-thrown around.  That’s not to say she didn’t deserve to be in the chatter, but after Cate Blanchett (Tár) and Michelle Yeoh (Everything Everywhere All At Once) continued to trade winning speeches throughout each major precursor…

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Film Review: Danielle Deadwyler commands the emotional and infuriating Till

The murder of Emmett Till in 1955, Mississippi, still stands as one of America’s most shocking (and shameful) moments, even now almost 7 decades later.  If you’re unaware – like myself going into this stirring drama – the 14-year-old Till (Jalyn Hall) was visiting family in Mississippi, the first time he had ever really been…

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Film Review: Scream VI is the finest and freshest the series has felt since the original

Given how meta and self-referential the Scream series has become, there’s something kind of brilliant in the familiar Ghostface vocal (again brought to sadistic life by Roger L. Jackson) exclaiming “Who gives a fuck about movies?” as he slices down on his latest victim prior to the Scream VI title card.  The answer, it would…

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Film Review: Champions travels familiar territory but still lands welcome comedic shots

There was a period between the mid-to-late 90’s and into the early 2010’s that filmmaking brothers Bobby and Peter Farrelly had something of a hold on the gross-out subsect of the comedy genre.  After 1994’s Dumb & Dumber (which was actually directed by a solo Peter Farrelly) their films almost became something of an event,…

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Dreamer looks at immigration and human trafficking in a brutal, emotional manner: Mammoth Film Festival Review

The opening scrawl of Mohit Ramchandani‘s Dreamer states the horrifying statistic that there are 40 million people enslaved around the world today, and that this is more than any other time in history.  Each of those people had a dream and a destiny, and it’s Dreamer that highlights just one of those stories. Now, given…

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Film Review: The Donor Party is one invite you can decline attending

In the early 2000’s the premise of The Donor Party probably would’ve flown, and most likely would have secured a healthy box office too, but in 2023, there’s something incredibly backwards – and, dare I say, predatory – about Thom Harp‘s comedy that clearly wants to display some type of positive message about the unconventionality…

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Film Review: Pearl; Mia Goth is the gift that keeps on giving in demented horror prequel

If X was Ti West‘s homage to classic 70’s horror effort The Texas Chainsaw Massacre, then Pearl could almost be aligned with The Wizard of Oz, just with, you know, a lot more blood and dry-humping scarecrows. The fact that X was an initial singular success story was enough of a win for independent horror…

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Film Review: Creed III is a physical and emotional gut-punch that showcases Michael B. Jordan’s strength as a filmmaker

You have to hand it to Michael B. Jordan for even attempting to take on a project like Creed III as his directorial debut.  Considering it’s the third film in a proven franchise – itself an offshoot from a six-strong film series – and it’s coming off the back of offerings from both Ryan Coogler…

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Film Review: American Murderer is an engaging true crime thriller bolstered by the disarming performance of Tom Pelphrey

It’s alarming to think that the name Jason Derek Brown is one that had been on the FBI’s top 10 most wanted list for 15 years; only this past September was his name removed, though he remains a wanted criminal. I say alarming as it’s not a name it seems people are overly familiar with,…

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Film Review: Daughter navigates gender, authority and autonomy in an unnerving, claustrophobic setting

Informing us that the film is based on fact more than fiction, Daughter has a certain familiarity about it when it initially begins, horrifying us with the imagery of a woman being bludgeoned by an unknown assailant.  It’s a suitable start for Corey Deshon‘s horror-leaning effort that successfully navigates mostly a singular location, a small…

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Kirby’s Return to Dreamland Deluxe Review: A welcome improvement

Originally releasing on the Nintendo Wii back in 2011, Kirby’s Return to Dreamland served as a safe and memorable entry in the franchise, featuring the titular and ever lovable pink icon. While Kirby’s Return to Dreamland Deluxe is certainly better than the original, it’s still very much the same game at its core, short of…

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Yung Gravy

Live Review: Yung Gravy + Babyface Mal – Forum Melbourne, Victoria (19.02.23)

Sunday night’s Yung Gravy show was not your ordinary show hosted at the Forum, as the American rapper proved throughout his ninety-minute set. Known for his on-stage humour and antics his chaotic set was full of all kinds of stunts, not limited to having the whole crowd throw water into the air. Opening Yung Gravy’s…

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Film Review: Aftersun is a deceptively haunting film that lives in its silence and stillness

The plot for Aftersun is one that we have seen countless times before in one form or another: Adult reflects on a childhood trip with a parent that was often laced with memorable experiences.  It’s how writer/director Charlotte Wells chooses to frame such a story though – almost like a faded memory – that transforms…

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Film Review: Fisherman’s Friends 2: One and All lacks any of the charm or wit of its breezy predecessor

Whilst I can see the charm that audiences fell for regarding the original Fisherman’s Friends, a 2019 “feel-good” true story dramedy about the unlikely musical success of the titular Cornish fishermen, who signed with Universal Records and garnered a Top 10 placing album with their sea shanty renditions, none of that is remotely present in…

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Film Review: Missing is a welcome twist on the found-footage genre

When the cat’s away, the mice will play.  But what happens if the cat doesn’t come home? Such is the question posed by directing duo Will Merrick and Nicholas D. Johnson in Missing, a spiritual sequel to 2018’s technologically-inclined thriller Searching; which, wouldn’t you know it, happened to be edited by Merrick and Johnson, both…

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Film Review: Cocaine Bear is wild, high, very bloody, darkly funny, and doesn’t play well with others

They often say that truth can be stranger than fiction, and in the case of Cocaine Bear, the truth is wild, high, very bloody, darkly funny, and doesn’t play well with others.  Of course, this is only an “inspired by” truth, the type of truth that gets gloriously twisted for the sake of bombastic entertainment. …

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Like a Dragon: Ishin! Review: Fresh setting, familiar faces

For as much as I have enjoyed almost every entry in the Yakuza series (known in Japan as Like a Dragon), I was surprised to find I had never encountered Like a Dragon: Ishin! Funnily enough, western fans might have felt the same way, upon realising that this entry is actually a remake of a…

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Wild Hearts Review: The hunt is on

It’s admittedly been a while since I had touched base with the Monster Hunter series. And then I saw it; the reveal of Wild Hearts, developer Omega Force and Koei Tecmo’s answer to an existing breed of hunting game, that draws on many of the techniques and mechanics of the aforementioned franchise, while adding satisfying combat,…

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Film Review: Lonesome revels in the filthy reality of queer eroticism

You’ve really got to hand it to writer/director Craig Boreham for embracing queer eroticism and all that entails in Lonesome, a movie that revels in filth but is at its most uncomfortable when it simply lets its lead characters exist. Casey (Josh Lavery) is the embodiment of the titular state, a cowboy who has escaped…

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Film Review: Sarah Polley’s Women Talking projects confronting but necessary conversations around abuse and religion

Based on Miriam Toews‘s 2018 novel of the same name, Women Talking is a complicated, multi-faceted look at religion and the complexity of abuse response. The easiest thing to ask someone – specifically a woman – when they mention abuse within a relationship is why they haven’t left.  It’s an outside perspective that is never…

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Film Review: Ant-Man and the Wasp: Quantumania is an incoherent start to the MCU’s Phase Five

After an incredibly disjointed Phase Four, all eyes are indeed on Ant-Man and the Wasp: Quantumania (or Quantumania, as we will be noting for short throughout this review) to see how this particular threequel will set a precedent for the forthcoming Phase Five of the continued Marvel Cinematic Universe. If this is anything to go…

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