Though presented in the guise of a character drama, The Novice is very much a psychological thriller detailing the compulsive, obsessive need one can hone in their attempt to perfect their field of interest. For the central figure in Lauren Hadaway‘s dark effort, Alex Dall (Isabelle Fuhrman, dedicating herself wholeheartedly to the role, both physically…
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Whilst C’mon C’mon is the type of film that ultimately holds you down to listen to what it has to say, Mike Mills constructs it in such a way that it’s a more emotional and gradual experience. There’s a texture in the way he presents his narrative, culminating in a manner that when stepped away…
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There’s that old chestnut saying that truth is stranger than fiction, and it would appear that no one knows this more than writer/director Wes Hurley. An autobiographical tale of growing up queer in the USSR in the 1980’s, Potato Dreams of America is an often bizarre, occasionally sad, but completely unique feature that, however trite…
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Whilst The Greenhouse isn’t always cohesive in its fantastical exploration of grief, Thomas Wilson-White‘s drama is nonetheless an impressive, ambitious debut that takes bold swings throughout its narrative, detailing how the coping mechanism regarding loss is always a uniquely and individually tailored experience. Still grieving the loss of one of her mother’s from years prior…
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With the recent release of Marry Me reminding us that not all romantic comedies have to be relegated to the throw-away click-throughs of a streaming platform (I’m looking at you Netflix), I Want You Back decides to brazenly prove that a quality entrant to the genre can be released to a service – in this…
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It’s almost hard to believe there was a time before Liam Neeson took an almost exclusive stance on the midrange-budgeted actioner where his character, usually an operative in some form or another, possessed enough of a skillset to inflict pain on an interchangeable villain. It’s been the actor’s go-to for almost 15 years, and whilst…
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Prior to Jennifer Lopez becoming the global icon she’s considered today, her path as an actress was one that oft travelled in directions not expected. Sure, now we align her with romantic comedies such as The Wedding Planner, Maid In Manhattan and Second Act, but some 20-odd years ago, before she was synonymous with that…
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Whilst most films set for release over the last two years were understandably shaken by the COVID-19 pandemic, Kenneth Branagh‘s Death on the Nile has been more than just a casualty of coronavirus. Though its initial late 2020 release was pulled due to the ongoing pandemic – and industry insiders spooked by Tenet‘s “underperformance” –…
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Known as the “master of disaster”, due to his penchant for predominantly large-scale destructive narratives, director Roland Emmerich has, once again, assembled an abundance of special effects, overt exposition, and stock standard human characters for his latest suspension of disbelief – Moonfall. Whilst his varied directorial career is littered with some genuine genre gems –…
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They say that with ageing comes the idea of wisdom. Whoever stated such a bumper sticker statement though clearly hadn’t met the Jackass crew, a group of middle-aged men old enough to know better, but too famous to care. A reality slapstick comedy show that heavily relied on its shock value – garnered either through…
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Given that the lockdowns that every country seemed to adhere to at some stage or another since COVID-19 plagued an unsuspecting public caused many to examine their own sense of self, it’s not surprising that something like Kenneth Branagh‘s Belfast would be born from such introspection. Written from his own perspective as a 9-year-old growing…
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Whilst Resurrection never deviates from its grim examination of motherhood, Andrew Semans‘ gripping, ultimately bonkers thriller refuses to stay on the course you expect it to. Portraying very much the type of Rebecca Hall-encapsulated character that Rebecca Hall effortlessly portrays, the actress here, strong-willed and properly presented, is Margaret, a pharmaceutical company representative who offsets…
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With its mix of deadpan satire and high concept sci-fi – comparisons to Yorgos Lanthimos’ 2015 dystopian black comedy The Lobster feel imminent – Dual may be an off-putting experiment to many who can’t readily accept Riley Stearns‘ mentality. It certainly helps that the film is headlined by the wonderful Karen Gillan though, delivering two…
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Comparisons to Rob Reiner’s 1986 coming-of-age drama Stand By Me will be inevitable when discussing James Ponsoldt‘s Summering; the Sundance fixture returning to the festival following his last effort, the critically mauled 2017 Tom Hanks vehicle The Circle, the first of his filmography to not screen at the festival. The dark elements, thematic inclinations, and…
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Whilst there’s no surprise revealed in the fact that Emma Thompson truly deserves to be considered one of the greatest living actresses working today, it’s always appreciated when a performance solidifies such a statement. And in the deliriously charming and strikingly emotional Good Luck To You, Leo Grande, Thompson turns in career-best work that leans…
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A thriller that both leans into the formulaic mentality of the genre whilst simultaneously hoping to combat it, Watcher, from director Chloe Okuno (V/H/S/ 94), is a dread-filled effort that plays on the terrors of voyeurism. Gorgeously shot, though consistently lingering with uncertainty, Watcher lays focus on Julia (Maika Monroe, always a welcome presence in…
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There are flashes of an interesting film present within Jesse Eisenberg‘s directorial debut When You Finish Saving the World, it’s just a shame that the satirical flourishes and occasional nuances teased throughout aren’t devoted enough to to be deemed an overall success. The film’s closing 20 minutes leans into the emotional gut-punch Eisenberg clearly hopes…
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So intoxicatingly beautiful is Guillermo del Toro‘s haunting Nightmare Alley that its sheer aesthetic pleasures alone are enough to forgive the narrative sins it commits along the way. Far from the unnerving horror film the trailers would have you believe, del Toro’s adaptation of William Lindsay Greshem‘s 1946 novel – first made into a feature…
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Religious principles and the notion of intolerance run thematically rampant in The Last Thing Mary Saw, a horror-leaning drama film that announces first time filmmaker Edoardo Vitaletti as an intriguing mind to keep our radar on. Opting for tension and unease rather than overt gore, Mary… is an 1843 set period chiller that opens on…
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Whilst there’s nothing remotely original about The 355, that certainly doesn’t mean there isn’t plenty of fun to be had with this slice of pure escapism fluff that manages to mask its simplicities with a willing cast and a scrappy, can-do attitude. Outside of directing, Simon Kinberg has a rather enviable resume. He served as…
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In 1996, when horror was a bad word and the slasher subsect had been relegated to bargain bins and a straight-to-VHS lifespan, genre maestro Wes Craven (A Nightmare on Elm Street, The Hills Have Eyes) and a (then) relatively unknown Kevin Williamson dared to defy the conventions by creating a film that played into the…
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At a time when sequels are delighting in a certain sense of nostalgia – looking no further than the latest iterations of Spider-Man, The Matrix, Ghostbusters, and the forthcoming Scream as immediate examples – you have to at least hand it to director Matthew Vaughn for opting out of such a proven trend for The…
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Whatever creepiness, kookiness and all together ookiness that has been evoked by previous incarnations of The Addams Family is sadly nowhere to be seen in this safe-playing sequel, one that manages to bury any of the morbid humour and likeability we’d expect from the usually reliable pens of Dan Hernandez (Pokemon: Detective Pikachu), Benji Samit…
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When we are first introduced to Red Rocket‘s lead subject – washed-up porn star Mikey (Simon Rex) – writer/director Sean Baker frames him in such a manner that alludes to him being one of those scrappy anti-heroes whose undeniable charm is enough for us to forgive his indiscretions. And indeed, Mikey is that (in a…
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There’s a lot of DNA shared between Jason Reitman‘s Ghostbusters: Afterlife and the 1984 original that his father, Ivan Reitman, helmed to fruition. But it’s not just a familial bond that links the respective films, with several portions of the film’s plot and its character line-up clearly based off what came those near-four decades prior. …
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As much as The Worst Person in the World adheres to many of the standard ingredients of the “romantic comedy”, to refer to Joachim Trier‘s as one would be doing it a massive disservice. Detailed over 12 chapters (and both a prologue and epilogue), the film gives us a look into a certain period of…
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Few movies from 1999 can boast as much as The Matrix. A groundbreaking effort, both in terms of its special effects and its allegoric mentality, The Wachowski‘s post-apocalyptic, philosophical action film pushed the boundaries of modern cinema, exceeding audience expectation in the process. Maintaining a cultural relevance in the decades since essentially allows such a…
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Previous Halo games have always served as a single-player experience for me. While I did attempt to get into it in the previous title Halo: Guardians, There were way too many other MMO games at that time that had my attention. After a bit of a dry spell this year, I jumped into Halo Infinite…
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For better or worse, Illumination will always be known as the studio that gave an extended life to Minions. Originally something of a throwaway gag to provide easy laughs within the Despicable Me films, they took on a force of their own and seemed to pull focus from any other studio property. One such charmer…
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Even for a filmmaker of Steven Spielberg‘s stature, it’s safe to say that taking on a property such as West Side Story would still be a daunting task. The 1961 cinematic adaptation of the 1957 Broadway production was awarded 10 Oscars, including Best Picture, and has remained something of a cultural criterion in the decades…
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