In the opening minutes of Adam Ethan Crow‘s Lair, a masterful sense of tension is introduced that near-immediately puts its audience on guard. An eerie musical score, an unseen force, a bloodied body…nightmarish additives that deliberately only tell fragments of a whole story. From here we are introduced to Steven Caramore (Corey Johnson, having an…
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A gorgeously rendered, lovingly crafted, maybe slightly messy, giallo tribute drenched in 1960’s London culture, Last Night In Soho is the type of film one wishes to dissect and divulge in intimate detail. But that would entirely undo any service to writer/director Edgar Wright, who has implored audiences the globe over to keep their mouths…
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One of many 2020 titles that saw its original release delayed due to the pandemic, and one of the few that held its nerve and opted out of a streaming alternative, Antlers, from director Scott Cooper (Crazy Heart, Black Mass) and producer Guillermo del Toro (Pan’s Labyrinth, The Shape of Water), proves its bold mentality…
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Comparisons between Ron’s Gone Wrong and 2014’s Big Hero 6 seem inevitable, yet, apart from the central relationship between a young adolescent boy and an operated robot, the two share little DNA, so it’s probably best that’s put to bed before going any further. Much like the titular Ron, the Sarah Smith/Jean-Phillipe Vine-directed feature is…
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When Lucas (Pedro Correa) learns that his father has passed away and subsequently left him an entire apartment complex in Los Angeles, he’s emotionally perturbed, to say the least. Learning of such tragic news and such a vast inheritance in the one sitting would be enough for anyone to re-evaluate their existence, but given…
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A descent into grief and an examination on the affects of re-opening old wounds, Time Now, from writer/director Spencer King, is a tragic thriller that implements an unreliable narrator to maintain a certain intrigue as it navigates its central tragedy. Jenny (Eleanor Lambert, daughter of Diane Lane and Christopher Lambert) is feeling secluded and alone…
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Kenny Rogers so famously told us “You gotta know when to fold ’em”, and in The Card Counter writer/director Paul Schrader seems unsure as to which hand he wants to confidently play. It’s not that this film is poorly made, nor is his commitment to the representation of desolation anything other than pure, but it’s…
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Lending an air of femininity to the western genre – one so often entangled with a masculine temperament – without compromising its rooted personality, Leah Purcell‘s The Drover’s Wife: The Legend of Molly Johnson is the cinematic incarnation of her penned 2016 stage play and 2019 novel, all inspired by Henry Lawson‘s short story, “The…
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Given their status today it’s difficult to think of Matt Damon and Ben Affleck as anything other than substantial stars in their field. But, back in 1997, neither was well-known, and their collaborative efforts as screenwriters brought them to the forefront of the industry thanks to a shared Oscar win for Good Will Hunting. Though…
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William Friedkin’s classic The Exorcist is so ingrained in the demonic possession sub-genre of the horror field that every feature that has come since can’t help but feel like a recycled take on a head-spinning narrative we’ve come to know so well. So, with that, there’s all more the reason to celebrate something like The…
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Similar to how Jordan Peele, Robert Eggers, Jennifer Kent, and Ari Aster all secured their place in the annals of genre cinema with their debut offerings, Julia Docournau‘s bold cannibalistic horror effort Raw cemented the French filmmaker as a name to pay consistent attention to. And just as those aforementioned auteurs all swung big with…
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There’s a lot of tried and true genre staples adhered to in Simon Barrett‘s Séance. Having cut his teeth over the years with writing credits for such horror efforts as V/H/S, You’re Next, and Blair Witch, Barrett’s flair for skewering expectation has often been his wheelhouse. Marking his directorial debut, Séance, whose title alone announces…
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Films dealing with queer thematics are few and far between in mainland China. Due to the government’s strict regime on censorship, stories detailing the LGBTQ communities are a rarity, which is why a feature like Moneyboys is all the more curious. Though set in China, it was filmed in the neighbouring Taiwan, co-financed with European…
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Opening with particularly confronting sexual imagery – something that appears unwarranted for gratuity sake before its bookend re-appearance – Disclosure is an unbearably tense and all-too raw drama that leans into the notion that adults can still very much act like children when provoked. And provoked the quartet at the centre of Michael Bentham‘s film…
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Just because a story has been done before, doesn’t mean it can’t be told in a manner that offers something new. In the case of Die In A Gunfight, a supposedly romantic thriller influenced by Shakespeare’s classic tale Romeo & Juliet, its intent on bringing flare to proceedings is so chaotic and desperate that it…
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There’s a consistent thrill to Encounter, Michael Pearce‘s ambitious science fiction-leaning effort that delights in its ambiguous nature. At least, for the most part. Seen through the eyes of an unreliable narrator (an as expected stellar Riz Ahmed), Pearce’s film is better when it’s holding on to its secrets. There’s something deeper and darker at…
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There’s a hopeful message about tackling grief in a healthy manner and how there’s the possibility of light at the end of darkness present in the core of The Starling. With so many promising ingredients too, Theodore Melfi‘s feel-good dramedy is likely to lure audiences in with a false sense of security, promising potential but…
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The 2018 Danish thriller The Guilty was riveting, ruthless material. This American remake, coming courtesy of director Antoine Fuqua (Training Day, The Equalizer), is much of the same, which means those who have seen the original will find the plotting all too familiar, yet those uninitiated are likely to be wholly swept up in its…
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There’s a quirky, indie comedy vibe that initially laces the opening minutes of All My Puny Sorrows that deceptively suggests what will take place over the coming 103 minutes will be an airier approach to incredibly sensitive material. Character names are unusual – to say the least – and the dialogue is heightened, presented in…
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Familiar with a little father-son friction thanks to his role on TV’s Kim’s Convenience, Simu Liu experiences similar, though considerably higher emotional stakes, but no less dramatic, as the titular warrior-to-be Shang-Chi in Marvel’s latest extravagant offering, Shang-Chi and the Legend of the Ten Rings. There’s the typical end-of-the-world dilemma to contend with, but Destin…
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To say there was a certain amount of resistance when it came to the notion of Don’t Breathe 2 would be something of an understatement. The idea that the original film’s villain – Stephen Lang‘s Norman, aka “The Blind Man”, who emerged from Fede Alvarez‘s tense 2016 thriller Don’t Breathe as a vile shut-in with…
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When it comes to cinematic boogeymen, the creation of Candyman is undoubtedly a frontrunner. Since first becoming the stuff of unnerving urban legend in Bernard Rose’s 1992 classic Candyman, the character itself has remained a figure of terror and now, just shy of three decades later, has been summoned once more for a new generation…
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Adopting a futuristic setting and applying a noir mentality to its narrative, Westworld co-creator Lisa Joy shows bold, original footing in her debut as a feature filmmaker. She may not always stick the landing, but it’s hard to deny her talent and evident vision with Reminiscence, a mystery thriller at its base that incorporates romance…
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The idea of marrying grief and the horror genre together isn’t exactly a bold, new concept, but thanks to a thought-provoking script (courtesy of Ben Collins and Luke Piotrowski), deceptively inventive set design, and a wholly committed central turn from Rebecca Hall, The Night House explores a tested theme in a fresh manner. Hall stars…
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One of the few horror efforts from 2020 that dared an American theatrical release last year – only one minor delay period and no being sold to a streaming service – Come Play, though perhaps stuck with the stigma of being a “direct to digital release” here in Australia, is a worthy scarer that utilises…
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Seemingly defined at this point in his career by the grizzly, no-nonsense avenger-types he encapsulates – first realised in the 2008 actioner Taken – The Ice Road eases up on Liam Neeson‘s menacing persona and gives his somewhat-everyman a blue collar temperament. He’s still out there risking his life, mind you, but it’s comparatively slightly…
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A group of men looking to escape their everyday lives, a couple of inept gangsters, and a one-eyed killer who thirsts for his kills cross paths in Ernar Nurgaliev‘s wild horror comedy Sweetie, You Won’t Believe It. Slapstick comedy and irreverent bloodshed work hand-in-hand throughout the film’s crisp 85 minute running time, centring initially on…
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It doesn’t take much for director James Ashcroft to create the most horrific of situations from the simplest of ingredients laid bare in the early stages of the eerie Coming Home in the Dark. A loving family, an idyllic New Zealand locale, and a duo of passing strangers provide all that is needed for Ashcroft’s…
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Earning a more fruitful reaction and reputation over the similarly themed Netflix offering Next In Fashion (which only lasted one season), Amazon’s Making The Cut took the winning Project Runway duo of Heidi Klum and Tim Gunn and altered their mentor mentality to look for a fashion brand rather than just a designer. There’s no…
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There’s often a sense of nostalgia, awe, love, respect and intrigue that goes into watching a music documentary. It’s learning about an artist we idolise, how they affected us upon that first listen, and a further understanding of their music. When it comes to The Sparks Brothers, those are indeed all sentiments adhered to, but,…
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