Review

Film Review: It Ends with Us paints its serious relationship narrative with melodramatic strokes

Whilst by no means is Justin Baldoni‘s It Ends with Us making light of its central domestic violence thematic, Christy Hall‘s script adaptation of Colleen Hoover‘s novel is unable to entirely find the momentum needed to keep such a story emotionally engaging across its testing 130 minutes. With its Pinterest-like lens on romanticising its Boston…

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Film Review: The Instigators dares great heights to escape familiar genre territory

We’ve seen buddy heist comedies before, especially when the perpetrators are a fair bit on the amateur side, but that doesn’t make them necessarily less enjoyable. There is a beauty to the comfort of familiarity, and not every film needs to have something profound to say or gut-wrench you to emotional oblivion, especially in this…

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Film Review: Detained accepts its own ruthlessness to elevate beyond its B-movie limitations

Whilst Detained can’t always escape its low budget, B-movie atmosphere, props must be given to co-writer/director Felipe Mucci for having a clear destination in mind to guide his film whenever it threatens to write itself into a corner. Co-written with Jeremy Palmer, Detained banks a lot of its narrative on coincidence, and it certainly asks…

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Film Review: Trap; M. Night Shyamalan’s straight-forward cat-and-mouse thriller needs a tighter pace to successfully execute its vision

Continuing his directorial trajectory where every other film is one that doesn’t quite land with the masses, Trap, despite an intriguing set up and some delicious work from a committed Josh Hartnett, isn’t the top-tier M. Night Shyamalan that some might be expecting. Whilst he has certain films throughout his career that are either universally…

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Film Review: The Girl in the Pool; Twisted thriller proves to be best viewed as an unintentional comedy

Reuniting some 20+ plus years after their critically mauled, much forgotten, product-of-its-time comedic thriller Head Over Heels, Freddie Prinze Jr. and Monica Potter, both actors who never really maintained their late 90s, early 2000s hype, topline another comedic thriller of sorts in The Girl in the Pool; except, the comedy here is presumably unintentional. Breaking…

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Film Review: In A Violent Nature; Ambient slasher flick subverts genre expectation

Looking at a film like In A Violent Nature from the surface, it’s easy to link Chris Nash‘s slasher to something like the Friday the 13th series.  His creation here – the non-verbal, physically imposing Johnny – is akin to Jason Vorhees in his stature and seeming penchant for walking after his victims over a…

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Under The Light with San Cisco – UC Refectory, Canberra (26.07.24)

On Friday July 26, we had the pleasure of seeing one of Australia’s favourite Freo bands, San Cisco, where they played at the UC Refectory as part of their regional tour. It’s always a treat to have a band stop by to say hello in Canberra: especially when it’s to do with a new studio…

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Film Review: The Ministry of Ungentlemanly Warfare; Guy Ritchie’s “historical” actioner is at its best when letting Henry Cavill submit to gleeful chaos

Continuing his run of releasing movies at a breakneck speed – his fourth directorial effort in three years, with another in post-production – Guy Ritchie‘s The Ministry of Ungentlemanly Warfare very much sits in his wheelhouse, for better or worse.  Though a tighter focus on its narrative would’ve ultimately benefitted this brash “based on a…

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Film Review: Deadpool & Wolverine caters to its fanbase and emerges profanely victorious

Going into something like Deadpool & Wolverine, it’s difficult to not have a certain expectation as to how it will both stand on its own accord and play as part of the Marvel Cinematic Universe’s Phase Five, which, so far, has been a considerably mixed bag; Ant-Man and the Wasp: Quantumania and The Marvels both…

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Film Review: The Way We Speak is a compelling drama that looks to the power of one’s words

The type of dialogue-driven feature that would make screenwriter Aaron Sorkin beam with pride, The Way We Speak is a talky, compelling drama that speaks to the power of one’s conviction in their beliefs and, more importantly, respecting another’s differing opinion. Written and directed by Ian Ebright, the film centres itself around Simon Harrington (Patrick…

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Film Review: Longlegs; Nicolas Cage terrifies in dread-laced, slow-burning thriller

On the surface there’s a certain Silence of the Lambs-ness to Osgood Perkins‘ wildly unnerving Longlegs.  But the more this serial killer thriller reveals, religious undertones spring forth to announce itself as a film, and with a haunting central figure, that’s far enough removed from Jonathan Demme’s aforementioned genre classic to earn its own personality….

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Film Review: Birdeater blends its topical commentary on separation anxiety and fragile masculinity with an almost hallucinatory mentality

Given that Jim Weir and Jack Clark‘s frighteningly uncomfortable Birdeater is an Australian chiller set in the outback (at least for the majority of its running time), audiences are justified in thinking it could fall in line with other brutality-in-the-bush titles like Picnic at Hanging Rock or even Wolf Creek.  The more accurate comparison though…

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Film Review: Sting is a little Evil Dead, a little Arachnophobia, and a lot of gooey practical effects

Given the ambition he showed with his Mad Max-meets-Dawn of the Dead B-grade genre piece Wyrmwood (and its respective sequel), it makes sense that Australian director Kiah Roache-Turner would continue his genre mash-ups for his follow-up.  What proves surprising, however, is that for Sting, an ode to the creature feature (and, fittingly, Australia’s fear of…

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The Tineco Floor One Switch S6 vacuum and mop makes cleaning a breeze

I’ve had the pleasure of reviewing a number of Tineco floor mop vacuums over the past year or so, each with generally positive results. From the Floor One S5 Combo to the Floor One S6 Pro Extreme and the S7 Steam, each model has served well. But one problem has remained. Almost half of my house…

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Film Review: Kinds of Kindness; Yorgos Lanthimos purposefully alienates viewers with surreal triptych fable

As Yorgos Lanthimos built up his profile with more mainstream-inclined audiences over the years – blending his unique storytelling vision with noticeable, A-list talent – the filmmaker viscerally tells them to essentially f*ck off with Kinds of Kindness, a 164-minute blackly comic, absurdist, and boundary-pushing surrealist drama that makes his previous oddity, last year’s award-winning…

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Film Review: Twisters; Thoughtful and bombastic legacy sequel is a true crowd-pleasing event

The natural disaster film received something of an elevation back in 1996 with the release of Twister.  With a high-calibre collection of talent on hand, both behind the scenes (it was produced by Steven Spielberg, directed by Jan de Bont, off a screenplay penned by Jurassic Park scribe Michael Crichton) and in front of the…

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Film Review: Fly Me To The Moon; Scarlett Johansson and Channing Tatum’s chemistry soars in delightfully old-fashioned comedy

The authenticity of the moon landing has always been something that’s long plagued history.  And whilst a straightforward narrative around the Apollo 11 project would undoubtedly be intriguing, it’s an entirely safer bet to allude to such a longstanding conspiracy with a surrounding story, rather than court controversy with anything direct. And it’s with such…

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Film Review: MaXXXine; Ti West’s X trilogy comes to a sleazy, slashing close

Back in March of 2022, Ti West birthed a horror trilogy the genre didn’t know it needed. X, a 1970s-set porn shoot-turned-massacre tale, indulged in its dirty aesthetic, before its 1918-set prequel, Pearl, arrived mere months later, similarly revelling in its own unique temperament, one that came across like The Wizard of Oz on a…

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Film Review: Beverly Hills Cop: Axel F is a welcome return to form for Eddie Murphy’s iconic character

After tarnishing the one-two punch of 1984’s Beverly Hills Cop and it’s 1987 sequel with the 1994 threequel – one that even the film’s stars have turned against over the years – the Eddie Murphy-led franchise seemed permanently laid to rest. Though there’s been considerable chatter in the three decades since its release, the third…

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Film Review: The Bikeriders revels in both the greasy masculinity and surprising vulnerability of its titular collective

Inspired by Danny Lyon‘s 1967 photo book The Bikeriders, Jeff Nichols‘ name-same drama revels in both the greasy masculinity and surprising vulnerability of its titular collective – a motorcycle club known as The Vandals – tracking their rise and evolution between 1965 and 1973. Lyon’s idea for the book was to “record and glorify the…

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Album Review: Camila Cabello lets her freak flag fly on the sonically exciting C, XOXO

During Camila Cabello‘s tenure on the US talent reality series The X Factor in 2012 as a member of girl collective Fifth Harmony, at-the-time judge Demi Lovato singled her out during a performance to note that only she shined on stage. Given her mammoth success as a soloist it’s often easy to forget that Cabello…

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Film Review: The Mountain is a warm, welcoming experience that speaks to Māori culture and the whimsical nature of adventuring children

Given that Rachel House so consistently makes an impression on screen with her oft-deadpan delivery, it stands to reason that her move behind the camera garner significant interest too.  Though the regular Taika Waititi collaborator has a slew of short films under her belt, The Mountain stands as her debut in feature filmmaking, with the…

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The Alienware M16 R2 pulls double-duty, satisfying the market for both fun and play

Alienware has long been a top choice in the high-powered, portable gaming rig market, often with a hefty price tag to match. As competition grows and demands for better, cheaper, and faster devices increase, Alienware’s redesigned M16 R2 is certainly a pivot. It’s a sure sign from Dell that there is an interest in expanding…

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Film Review: Birder is a grisly, queer chiller that offers refreshing conversation and genre thrills

“Live Free or Die” So says the state motto of New Hampshire, something that some people take a little too seriously, especially those within the realms of Nate Dushku‘s Birder, a grisly, queer thriller centred around an enigmatic serial killer and the nudist camp he preys upon. The “birder” of the title introduces himself as…

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Film Review: The Unexpecteds is a scrappy caper comedy that gets by on its plucky charm

Thanks to the rise of cryptocurrency – and the emphasis that anyone’s voice can now be heard through a variety of social media outlets – scammers have a platform and a mainstream presence.  They were never exactly a hidden, unknown collective, but there’s perhaps a prominence surrounding them now, and as the opening title card…

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Elden Ring: Shadow of the Erdtree DLC stands tall as an essential addition to an existing masterpiece

I took the liberty of reviewing Elden Ring back in 2022, and I stand by pretty much everything I said then. It’s one of the most refined, polished and fleshed-out games within its genre, and a shining example of how the genre itself can evolve and grow, without sacrificing its roots. The Shadow of the…

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Fire F*cking Fire looks at women vocalising their truth in relatable, humorous short-length feature: Tribeca Film Festival Review

When Ally (Rachel Paulson) excitedly calls her bestie, Jess (Capri Campeau), in the morning-after scenario of a pinch-me like hook-up, she can’t quite believe herself when she announces that in her bed is a bona fide rockstar.  Better than hooking up with the high-school teacher she was obsessed with, and “gayer than Rihanna”, Ally’s bed…

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Restless is an emotional and at-times torturous thriller: Tribeca Film Festival Review

The basic narrative at the core of Restless – asking how far one would go to maintain peace in your own home – is perhaps one of the most relatable, and it’s because of that potential familiarity that Jed Hart‘s dread-drenched thriller is all the more chilling. Whether it’s happened directly to us or we…

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Darkest Miriam is a captivating drama grounded by the hauntingly beautiful performance of Britt Lower: Tribeca Film Festival Review

There’s a subtlety and quietness to Darkest Miriam that continually laces this sad, yet captivating drama, with Britt Lower‘s haunting central performance adding a poetry to proceedings that beautifully captures those watching. In a Toronto neighbourhood, Miriam (Lower) lives a quiet life as a librarian, seemingly content with her daily routine of shuffling through the…

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Film Review: Cora Bora; Megan Stalter flexes her star presence in tragic, humorous vehicle

Whilst there’s no doubt that Megan Stalter is a talented comedienne (“Hi Gay!”, anyone?), the type of social-media-sketch-performer-turned-feature-actress trajectory isn’t always a guaranteed translation for both their respective humour and an audience’s positive reaction.  Thankfully, her starring role in Cora Bora is a more dramatic transition for the actress, displaying a vulnerable, shaded, even confidence-lacking…

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