Review

Film Review: The Zone of Interest makes for a cruel and profound questioning of humanity’s dark underbelly

An idyllic family life juxtaposed with the genocidal holocaust horrors next door has made for one of the most gripping and intellectual cinematic gems in years.  The Zone of Interest is by far the most haunting and arresting depiction of Nazi family life and Holocaust bureaucracy you’ll get all year.  Directed by Jonathan Glazer, his…

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Film Review: Drive-Away Dolls is an unapologetic queer road movie that takes no prisoners on its journey

If there was ever an indication as to how separately the Coen Brothers think when they’re left to their own devices, one only needs to look at what Ethan Coen has concocted with Drive-Away Dolls.  Miles apart from Joel Coen’s ahistorical thriller The Tragedy of Macbeth, Drive-Away Dolls, a collaboration with Ethan’s wife, Tricia Cooke,…

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Film Review: Baghead offsets its demonic horror with a strong female voice

Baghead – and for those deep-cut aficionados, this isn’t connected to the 2008 indie horror flick of the same name that starred Greta Gerwig and was directed by the Duplass brothers – leans into the trusted genre narrative of the boundaries between life and death being somewhat fluid.  Arriving several months after the similarly-themed Talk…

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Film Review: Land of Bad is a nail-biting slice of military flourished escapism

A brutal war film that opts to forego any “true story” inspiration and commit wholly to undistinguishable-terrorists-are-picked-off-by-fictional-soldiers-with-crowd-rousingly-violent-results, Land of Bad transcends its Queensland-filmed locations and predominant Australian cast to deliver on shockingly tense and neatly executed thrills. Largely an action vehicle for Liam Hemsworth, the sweet-faced, imposingly-figured star leads the charge as Kinney, quickly dubbed…

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Tekken 8 is one of the best entries in the franchise to date

I’ve always had a soft spot for the Tekken franchise. In fact, Tekken 3 was one of the first games I ever played, back when I got my original PlayStation all those years ago. Since then, I’ve stuck with the franchise, and while most entries have been good, not all have been great. Be it…

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Film Review: This Is Me…Now: A Love Story is a musical experience that earns Jennifer Lopez her flowers as the barrier-breaking entertainer she truly is

“Have you ever heard the story of Alida and Taroo?…” So begins Jennifer Lopez‘s semi autobiographical musical experience This Is Me…Now: A Love Story, a narrative accompaniment to her latest album, This Is Me…Now, an urban pop record that celebrates her reunion with now husband Ben Affleck, following their original romance some two decades prior….

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Album Review: Jennifer Lopez finds love again on lush, cohesive This Is Me…Now

An album twenty years in the making, This Is Me…Now is the sequel to Jennifer Lopez‘s 2002 romantic opus This Is Me…Then, a largely mid-tempo, old-school R&B-inspired record that musically defined her relationship with Ben Affleck. This Is Me…Now is similarly a record reflecting on her relationship with the actor, only this time she’s Mrs….

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Film Review: Madame Web; Well…it’s better than Morbius

Leading up to the release of Madame Web it’s safe to say that the word hasn’t exactly been overtly positive.  The usage of a certain line of dialogue regarding Dakota Johnson‘s character’s mother’s profession of working with spiders in the Amazon cemented the film’s meme status from the get-go – for the record, the line…

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Film Review: Marmalade is a twist-heavy, enthusiastic caper

There’s a lot of blunt symbolism and are-they-too-clever-for-their-own-good?-plot twists abound in Marmalade, the feature debut from actor-turned-writer/director Keir O’Donnell (the Australian-American talent known for his roles in Wedding Crashers, American Sniper, and The Dry).  It’s an ultimately zippy, enthusiastic caper that probably puts a few too many of its eggs in its culminating basket, but…

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Film Review: Force of Nature: The Dry 2; “Whodunnit” sequel is a dark, menacing trek

Whilst much can be said about how so much of The Dry‘s success was in large part to it opening at a time when cinemas were still battling the pandemic-stricken productions that were halted, it can’t be denied that Robert Connolly‘s tight thriller was a fine genre film in its own right.  The fact that…

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The Shark Cordless Detect Pro Vacuum is a lightweight wonder

When it comes to cordless stick vacuums, my needs are relatively basic. Good suction and decent battery life are usually enough to complete the job. While I mean no disrespect to my current stick vacuum, the Shark Cordless Detect Pro has blown my expectations out of the water. Complete with its auto-emptying station, lightweight design…

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Film Review: Does the elaborate spy action of Argylle live up to its marketed hype?

The promise of a trilogy based off a series of books that have yet to be released.  A planned spy-centred universe of films that is set to crossover with the similarly themed Kingsman and a yet-to-be-named franchise.  Taylor Swift theorists believing she’s the real mastermind behind it all.  And don’t forget the heavily marketed feline…

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Like a Dragon: Infinite Wealth is a near-perfect blend of style and substance

I consider myself a casual fan of the Yakuza (now Like a Dragon) franchise, yet, I’ve played almost all of them. Having played this game’s predecessor Yakuza: Like a Dragon sometime after its launch, I was pleasantly surprised at the decision to bring combat into the turn-based frontier, making for a more tactical blend of…

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Layla is a film that celebrates one’s identity through a multitude of creative intersections: Sundance Film Festival Review

Thanks predominantly to RuPaul, and, more specifically RuPaul’s Drag Race, drag culture has firmly wedged itself in the mainstream.  It’s always been there, it’s just more readily acceptable, or at least visible, and Amrou Al-Kadhi’s assured debut feature as both a writer and director, Layla, furthers such with its playful, authentic personality that drives home…

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Sebastian is an explorative drama that expresses a healthy relationship with the art of sex work: Sundance Film Festival Review

Though there’s an initial graphicness to the manner in which sex is depicted in the opening minutes of Sebastian, Mikko Mäkelä‘s explorative drama shouldn’t be dismissed as just another recent example of queer cinema that leans into sexual explicitness for the sake of shock or organic representation.  Yes, the sex on hand is a realistic…

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Good One aims for a sense of understated tension across its minimalistic plotting: Sundance Film Festival Review

There’s universally strong performances across the board and lush cinematography throughout, but one can’t help but wish there was more plotting to Good One for the understated drama to truly land the emotional impact it aims for. The set-up in India Donaldson‘s film is simple, with 17-year-old Sam (Lily Collias, an absolute breakout) gearing up…

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Desire Lines is a layered drama that provides trans men with authentic representation: Sundance Film Festival Review

There’s a uniqueness to Desire Lines that writer/director Jules Rosskam (and co-writer Nate Gualtieri) implements to set the film as an open line of communication regarding the LGBTQIA+ community and their placement within their own culture.  A narrative-driven drama that combines documentary pieces and talking head confessionals, the film’s hybrid mentality may not always work,…

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Film Review: Cold Copy aims for entertainment value as it details the cutthroat world of journalism and media

Diving both into the cutthroat world of journalism and the medium’s potential to garner fame off the back of manipulation and obsession, Roxine Helberg‘s Cold Copy, whilst not necessarily reinventing the wheel, still manages an air of tension throughout as it details the power dynamic between a journalism student and the media professional she aspires…

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Exhibiting Forgiveness is a thought-provoking drama that bides its time in surrendering to its emotional explosiveness: Sundance Film Festival Review

The complexities of forgiveness and accountability against a familial backdrop laced with tension, regret and one’s own personal demons, Exhibiting Forgiveness is a thought-provoking drama, and one that bides its time in surrendering to its emotional explosiveness. Written and directed by Titus Kaphar, marking his feature debut, Exhibiting Forgiveness focuses on Tarell Rodin (André Holland),…

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Kidnapping Inc. blends farce, politics and stark Haitian reality: Sundance Film Festival Review

Though its working with the elements of a dark comedy, a political thriller and topical social commentary, Bruno Mourral‘s Kidnapping Inc. manages to navigate its multiple themes and transition quite successfully from its farcical opening to its more stirring, sobering close. Set in the Haitian capital of Port-au-Prince (the film utilising both the Creole and…

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Film Review: The Color Purple is a lively and important, yet unbalanced musical story

Though it’s an at-times lively and emotionally affecting tale, with a slew of stand-out performances across the board (Taraji P. Henson and the rightfully Oscar-nominated Danielle Brooks, for starters), the reimagined The Color Purple can’t help but catch itself between honouring its source material (Alice Walker‘s 1982 novel and the original 1985 film) and the…

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Brando with a Glass Eye is a bizarre hybrid of a movie that dares to go against the grain: Slamdance Film Festival Review

There’s a lot at play throughout the 122 minutes of Antonis Tsonis‘ Brando with a Glass Eye, a bizarre hybrid of a movie that deserves recognition for so confidently going against the grain, even if it doesn’t always successfully lands its execution. It’s offbeat – to say the least – and the opening minutes very…

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Thelma is a sweet comedic gem (and the unlikeliest action vehicle) bolstered by a wonderful June Squibb: Sundance Film Festival Review

Though it leans into the action/thriller genre with a supreme wink, Thelma, Josh Margolin‘s frequently hilarious, always poignant ode to his own grandmother (and, clearly, a love of the action genre), is never spoofing the films it so evidently is earning its laughs from; and it’s that sweetness and keen sense of reinvention that helps…

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Control dares to upset your emotional state with its surprising sense of humour: Slamdance Film Festival Review

Whether it’s something we admit to or discuss or not, the idea of how one might kill themselves and the practical considerations that follow is something I’m sure we’ve contemplated.  However morbid it may be to even suggest, pondering what you might jot down in a suicide note or even how many people would come…

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Young People, Old People & Nothing In Between is an affecting short that makes for a large impact: Slamdance Film Festival Review

An emotional expedition outlaying the effects of dementia on both the mind its crippling and the hearts of those baring witness, Parida Tantiwasadakran‘s Young People, Old People & Nothing In Between is an affecting short that makes for a large impact. At the centre of the film is young Juice (Deedee Piamwiriyaku), 7-years-old and full…

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Prince of Persia: The Lost Crown excels as a fast and energetic platformer

The Prince of Persia franchise might have been in hibernation for the past few years, but there’s no doubt that Prince of Persia: The Lost Crown, the latest entry in the franchise, looked to bring things back to the old school. With the franchise beginning back in 1989 as a 2D side-scrolling adventure, it’s simply…

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Film Review: The Iron Claw; Zac Efron’s transformative performance dominates tragic, powerful true story

For his debut feature, 2011’s Martha Marcy May Marlene, writer/director Sean Durkin specified that the actions that unfolded weren’t moulded after any one specific cult – the film centred around a young woman suffering from delusions and paranoia after returning to her family from an abusive cult in the Catskill Mountains – and that he more based his narrative after his…

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Film Review: All of Us Strangers is a filmic experience that’s as comforting as it is distressing

As someone who lost their father at a young age, and therefore never had the conversation regarding my sexuality (and all that could possibly entail), the thought process throughout and inability to hold back my emotions during All of Us Strangers was palpable. Adapted by writer/director Andrew Haigh (Looking: The Movie) from Japanese author Taichi…

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Film Review: Role Play; Kaley Cuoco steadies familiar action narrative with proven enthusiasm

It goes without saying that the premise for Role Play is one that has been explored on multiple occasions.  The marriage-on-the-rocks-is-rocked-even-further-by-realising-one-half-is-an-assassin is a narrative utilised by such stellar genre examples as True Lies, Mr. and Mrs. Smith, and Nobody, and to less grand effect in Apple TV’s recent misfire The Family Plan.  Role Play sits…

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Film Review: The Beekeeper; Jason Statham is the bee’s knees in ridiculous actioner

If there’s one thing we can rely on Jason Statham for, it’s B-movie cheap thrills that epitomise the term “guilty pleasure”.  Escapism in its purest, bloodiest form, The Beekeeper (Statham took the B-movie memo a little too literally, it would seem) is a ridiculous actioner from proven genre director David Ayer (End of Watch, Fury,…

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