Ryan Simpkins

Film Review: The Exorcism compromises its dramatic intentions with shoehorned horror elements

Whilst it’s understandable that audiences may assume The Exorcism is somehow related to last year’s The Pope’s Exorcist – and given both their closeness in title and sharing of Russell Crowe, you can see why – but Joshua John Miller‘s genre entrant is more a dramatic character study, with many of the horrific elements feeling…

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Film Review: Brigsby Bear (USA, 2017) is a peculiar yet heartfelt viewing experience

When you hear a film that is green-lit and it is basically a vehicle for an SNL star, chances are that one would expect the film to be bad. Films like A Night at the Roxbury, Superstar and The Ladies Man are all garbage. That said, some of them do gain a cult following over…

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