Sharlto Copley

Film Review: Boy Kills World is a bonkers live-action cartoon that delights in its brutal creativty

Childlike yet ultra violent, there’s a lot of style over substance when it comes to Mortiz Mohr‘s Boy Kills World, an exaggerated, audacious, attention-seeking actioner that doesn’t have much to say, but succeeds at being a delirious slice of escapism that deserves points for the fact that it’s a bonkers, live-action (R-rated) cartoon that speaks…

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Blu-Ray Review: Beast is an entertaining and emotional creature feature

Given that we’ve had a share of snakes and sharks and bears (Oh My!) over the years as the creatures that have opted to stalk various familiar-faced talent, it’s only fair that the majestic king of the jungle get their due too. If the circle of life taught us anything, it’s that what goes around…

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Interview: Idris Elba and the cast and crew of Beast on calibrating fear and shooting in South Africa

As their nail-biting thriller Beast gears up to roar into Australian cinemas this week (you can read our review here), Idris Elba, co-stars Sharlto Copley, Leah Jeffries and Iyana Halley, director Baltasur Kormákur, and producer Will Packer spoke with our own Peter Gray about creating a familial bond on set, working on location in South…

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Film Review: Beast is a B-grade popcorn thriller with a surprising injection of emotion and immersion

Given that we’ve had a share of snakes and sharks and bears (Oh My!) over the years as the creatures that have opted to stalk various familiar-faced talent, it’s only fair that the majestic king of the jungle get their due too. If the circle of life taught us anything, it’s that what goes around…

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Film Review: Free Fire (UK, 2016) avoids Hollywood action tropes in the best way

The films by British director Ben Wheatley have all been incredibly distinct from another and are all very well-done. Whether going through the genre of crime, psychological horror, dark comedy, dystopian drama or historical surrealism, you can never accuse Wheatley of doing the same trick twice. But the crucial through-line through all his films is…

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