Slamdance Film Festival

Brando with a Glass Eye is a bizarre hybrid of a movie that dares to go against the grain: Slamdance Film Festival Review

There’s a lot at play throughout the 122 minutes of Antonis Tsonis‘ Brando with a Glass Eye, a bizarre hybrid of a movie that deserves recognition for so confidently going against the grain, even if it doesn’t always successfully lands its execution. It’s offbeat – to say the least – and the opening minutes very…

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Control dares to upset your emotional state with its surprising sense of humour: Slamdance Film Festival Review

Whether it’s something we admit to or discuss or not, the idea of how one might kill themselves and the practical considerations that follow is something I’m sure we’ve contemplated.  However morbid it may be to even suggest, pondering what you might jot down in a suicide note or even how many people would come…

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Young People, Old People & Nothing In Between is an affecting short that makes for a large impact: Slamdance Film Festival Review

An emotional expedition outlaying the effects of dementia on both the mind its crippling and the hearts of those baring witness, Parida Tantiwasadakran‘s Young People, Old People & Nothing In Between is an affecting short that makes for a large impact. At the centre of the film is young Juice (Deedee Piamwiriyaku), 7-years-old and full…

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Just Right is a beautiful, comedic look at obsessive-compulsive disorder: Slamdance Film Festival Review

There’s a lot to be said about mental health – and here, specifically, obsessive-compulsive disorder – within the short minutes of Just Right.  So much so that you can’t help but wish Camille Wormser‘s charmingly off-centred comedy was expanded to feature length, but, as it stands, it’s no less funny and affecting as a commentary…

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Mad Cats is a high-art-meets-low-brow martial arts extravaganza of melodramatic proportions: Slamdance Film Festival Review

Sometimes an artist’s vision is best conveyed through the use of metaphorical imagery.  Reiki Tsuno is not one of those artists! Leaning bombastically far into literal chaos and absurdity, Tsuno’s Mad Cats is a high-art-meets-low-brow martial arts extravaganza that embraces melodramatic nonsense – and is all the better for it. When he receives a message…

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Mahogany Drive is a layered comedy detailing racial and gender bias on a subconscious level: Slamdance Film Festival Review

The unexplained corpse of a white woman at the feet of three Black gentlemen doesn’t look good.  Four dead white women looks even worse, and it’s a situation at the centre of Mahogany Drive that writer/director/star Jerah Milligan navigates with precise wit and a social commentary that doesn’t quite travel where we expect it to. Before…

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