Sundance Film Festival

Dual is a blend of deadpan satire and high concept sci-fi that mainly succeeds off Karen Gillan’s fascinating performance: Sundance Film Festival Review

With its mix of deadpan satire and high concept sci-fi – comparisons to Yorgos Lanthimos’ 2015 dystopian black comedy The Lobster feel imminent – Dual may be an off-putting experiment to many who can’t readily accept Riley Stearns‘ mentality.  It certainly helps that the film is headlined by the wonderful Karen Gillan though, delivering two…

Read More

Cha Cha Real Smooth is a funny, charming and poignant crowd-pleaser about people who hesitate to grow up: Sundance Film Festival Review

Cha Cha Real Smooth tells the story of 22-year old Andrew (writer/director Cooper Raiff), a recent college graduate who is stuck in his own purgatory before adulthood. Stuck in a dead-end job selling fast food and back living with his family including his mother (Leslie Mann), his step-father (Brad Garrett) and his younger brother David…

Read More

There is Something in the Dirt from Benson and Moorhead, but it doesn’t amount to much: Sundance Film Festival Review

Set-in present-day Hollywood Hills, Something in the Dirt tells the story of two neighbours Levi and John (Justin Benson and Aaron Moorhead), who both meet after Levi had recently moved into an apartment, following a large amount of predicaments. The two strike up a quick camaraderie as they exchange life stories, intimate secrets and their…

Read More

Alice fails to marry its ambitions satisfyingly; despite Keke Palmer’s standout performance: Sundance Film Festival Review

Alice tells the story of its titular character played by Keke Palmer, a slave who has spent her entire life enslaved in a rural Georgia plantation. Like many of her family members, she yearns for freedom. Her recently wedded husband Joseph (Gaius Charles) plots an escape for the entire plantation but the plan backfires due…

Read More

Living, buoyed by innovative storytelling and Bill Nighy, makes a strong case for remakes: Sundance Film Festival Review

Set in 1950’s Britain, Living tells the story of Mr. Williams (Bill Nighy), a veteran civil servant who works every day in a meticulous and repetitive fashion in a government office while leading a group of colleagues to help him out. His work ethic and reputation are well known around the inner circle but the…

Read More

Summering is an appealing, if safe, drama about the bonds of female adolescence: Sundance Film Festival Review

Comparisons to Rob Reiner’s 1986 coming-of-age drama Stand By Me will be inevitable when discussing James Ponsoldt‘s Summering; the Sundance fixture returning to the festival following his last effort, the critically mauled 2017 Tom Hanks vehicle The Circle, the first of his filmography to not screen at the festival.  The dark elements, thematic inclinations, and…

Read More

Leonor Will Never Die is an enjoyably oddball and whimsical ode to cinematic escapism: Sundance Film Festival Review

Leonor Will Never Die tells the story of its titular character Leonor Reyes (Sheila Francisco), a once successful screenwriter in the Filipino film industry. Now, she is an aging mother who is struggling to keep her household in check. Desperately trying to recapture past glories as a path to escapism, she discovers a newspaper advertisement…

Read More

Speak No Evil taps into the awkwardness of human interaction and squeezes out all the horror to excruciating effect: Sundance Film Festival Review

Speak No Evil tells the story of a Danish family who are having a vacation in Tuscany, Italy. They meet a friendly and jovial family who are from the Netherlands. They both share common interests, they both have children the same age but most importantly, it is the polite camaraderie that they share that makes…

Read More

Emergency finds the danger and darkness within ’80s comedy hijinks in this racially-charged comedy/drama: Sundance Film Festival Review

Emergency tells the story of two best friends, the academic and accomplished Kunle (Donald Elise Watkins) and the jovial and casual Sean (RJ Cyler). After all the stresses of school, the two are determined to make school history by being the first Black students to complete the legendary frat party tour. With a laid-out plan,…

Read More

Good Luck To You, Leo Grande is an intelligent sex-positive comedy headlined by a career-best Emma Thompson: Sundance Film Festival Review

Whilst there’s no surprise revealed in the fact that Emma Thompson truly deserves to be considered one of the greatest living actresses working today, it’s always appreciated when a performance solidifies such a statement.  And in the deliriously charming and strikingly emotional Good Luck To You, Leo Grande, Thompson turns in career-best work that leans…

Read More

Watcher is a formulaic, but no less tension-filled thriller carried by a striking Maika Monroe: Sundance Film Festival Review

A thriller that both leans into the formulaic mentality of the genre whilst simultaneously hoping to combat it, Watcher, from director Chloe Okuno (V/H/S/ 94), is a dread-filled effort that plays on the terrors of voyeurism. Gorgeously shot, though consistently lingering with uncertainty, Watcher lays focus on Julia (Maika Monroe, always a welcome presence in…

Read More

Jesse Eisenberg’s When You Finish Saving the World is a shallow drama that lacks true satirical bite: Sundance Film Festival Review

There are flashes of an interesting film present within Jesse Eisenberg‘s directorial debut When You Finish Saving the World, it’s just a shame that the satirical flourishes and occasional nuances teased throughout aren’t devoted enough to to be deemed an overall success.  The film’s closing 20 minutes leans into the emotional gut-punch Eisenberg clearly hopes…

Read More

Fresh is an ambitious, genre-skewering effort that should satisfy those with off-kilter pallets: Sundance Film Festival Review

Off-putting it may be, there’s enough deliciousness throughout the wicked Fresh that your pallet is sure to be satisfied in spite of the cannibalistic practices laid forth. An initial romantic dramedy, director Mimi Cave sets up the dating scene with all the discouragement you’d expect, with Noa (Daisy Edgar-Jones) endlessly swiping through her Tinder-esque apps,…

Read More

Sundance Review: I Was a Simple Man is a beautifully assembled and yet malnourished film

Set in the present-day Oahu, Hawaii, the film follows the story of Masao (Steve Iwamoto), an aging patriarch who is spending his serene days in his home, with his vast family who intermittently keep him company. His health is deteriorating and his relationship with his family becomes more and more estranged. When he contemplates his…

Read More

Sundance Review: We’re All Going to the World’s Fair is an outstanding directorial debut from Schoenbrun

Set in present day America, the film follows the story of Casey, a lonely teenager who participates in an online game known as the World’s Fair Challenge; a game that promises to be the scariest game in existence. After starting the game, Casey records videos of herself and posts them online in order to document…

Read More

Sundance Review: In Prisoners of the Ghostland, Nic Cage’s acting style fits Sono’s direction like a glove

When one hears of a collaboration between acclaimed Japanese maverick filmmaker Sion Sono between American’s acting dynamo Nicolas Cage; one cannot help but be intrigued. Even people who dislike their work would love to see the final result of their work just to see what it would be like because the very idea of such…

Read More

Sundance Film Festival Review: In the Earth is Ben Wheatley back on maverick, transgressive, genre-shifting form

Set in a tumultuous time in the world that is overtaken by a virus, Joel Fry stars as Martin Lowery, a doctor who is tasked on a mission to venture to reach test site ATU327A, a research area that is deep in the Arboreal forest; led by Dr. Wendle (Hayley Squires). Lowery is guided by…

Read More

Sundance Film Festival Review: Eight for Silver is an enjoyably gnarly time from director Sean Ellis

Set in the late 1800s, a pathologist John McBride (Boyd Holbrook) has been sent to a distant village that has been terrorized by a wild animal, resulting in numerous deaths. He has been sent there to find a missing child; whom the parents (Alistair Petrie and Mary Reilly) presume with utter conviction that he is…

Read More

Sundance Film Festival Review: The Pink Cloud is more than just an eerie prophecy of the world today

One of the things that is very reflective about film is how cinematic storytelling can reflect the current condition of the world today. But it is that very same quality that can make the storytelling of said film feel dated. The main reason would be due to the time spent on development in getting the…

Read More

Sundance Film Festival Review: Passing is a fantastic directorial debut from Rebecca Hall

Passing is the feature-length directorial debut from acclaimed actress Rebecca Hall. She is best known for her astounding performances in Vicky Christina Barcelona, Professor Marston and the Wonder Women and Christine; as well as her appearances in blockbusters like The Prestige and Iron Man 3. Her interest in adapting the source material of the same…

Read More

Sundance Film Festival Review: Judas and the Black Messiah is an impactful drama that’s all too aware of its topical relevance

After proving a formidable plot point in last year’s The Trial of the Chicago 7 – however secondary it may have been – the killing of Black Panther chairman Fred Hampton in 1969, at the age of only 21 years, is given the right, timely treatment in Shaka King‘s equally impactful (perhaps even more so)…

Read More

Sundance Film Festival Review: The Blazing World is a tarnished world of immense beauty

The Blazing World is the type of film where the ideas of logic, plot or conventional storytelling need not apply; and that is absolutely fine with the story it is telling. Expanded from a short film of the same name, it is the feature-length directorial debut from established actress turned writer/director Carlson Young. The short…

Read More

Sundance Film Festival Review: Try Harder! is a delightful documentary about the high school experience and overcoming impossible expectations

Starting on a personal note, when I heard about the documentary Try Harder and its premise, I had traumatic flashbacks to my own time as a student. The relentless studying, the overbearing parenting, the exaggerated expectations, the regrettably embarrassing actions; it all came flooding back. That is when I knew that I had to watch…

Read More

Sundance Film Festival Review: Pleasure is a deliberately uncomfortable navigation of the boundaries of the sex industry

After introducing itself as a film that promises there’ll be no sugarcoating its subject matter – the first thing we hear are the audible moans and verbal berating from a pornographic film, and the first thing we see is the extremely graphic imagery of a young girl’s privates in the shower – Ninja Thyberg‘s confronting…

Read More

Sundance Film Festival Review: Robin Wright’s Land speaks to the love of the land and one’s own self

With Nomadland currently doing the rounds and collecting its share of awards in the lead-up to a presumed heft of Oscar nominations, a film like Land being release is curious timing.  It’ll inevitably be compared to Chloe Zhao’s inward masterpiece and, in its own way, it’s something of a more digestible, audience friendly take on…

Read More

Sundance Film Festival Review: Together Together amusingly explores the notion of a man’s desire to listen to his biological clock

The notion of a biological clock and its exclusivity to women is a road travelled many a time over the course of cinematic history.  Such an idea pertaining to men however is another story entirely, and one that has seldom been explored.  Enter, Together Together. Written and directed by Nicole Beckwith (returning to Sundance 6…

Read More

Sundance Film Festival Review: Mayday is a wonderfully unique, genre-shifting ode to female resilience

Do you know how it feels to describe a dream? A moment where you are not really sure what you just witnessed and yet you remember seeing certain things and oddly enough, you remember feeling everything about it? That is basically how it feels like watching Mayday, the feature-length directorial debut by writer/director Karen Cinorre….

Read More

Sundance Film Festival Review: Don’t ignore the Knocking! Go see it for the thrills and Cecilia Milocco’s performance!

Knocking follows the story of Molly (Cecilia Milocco), a woman who is returning to the outside world after being discharged from a psychiatric hospital after she was admitted due to her involvement in a past traumatic event. She moves into an apartment complex and is starting to experience things that she has not come into…

Read More

Sundance Film Festival Review: Coming Home in the Dark is a menacing feature that doesn’t take full advantage of its eerie potential

It doesn’t take much for director James Ashcroft to create the most horrific of situations from the simplest of ingredients laid bare in the early stages of the eerie Coming Home in the Dark.  A loving family, an idyllic New Zealand locale, and a duo of passing strangers provide all that is needed for Ashcroft’s…

Read More

Sundance Film Festival Review: Mass is powerful, unflinching storytelling that demands to be seen

An agonising drama if ever there was one, Mass details the type of conversation that instantly makes you feel sickeningly uncomfortable.  And then to watch it unfold in a suffocating location for 110 minutes is a test of endurance that audiences may be unprepared for. The tragedy at the centre of the conversation is one…

Read More