Sydney Festival has some world class theatre, dance, art, and music on show throughout the Sydney summer this year, but Siegfried & Roy: The Unauthorised Opera, is really something special. A fascinating real-life story in its own, the tale of these two German magicians is captured on stage in the form of an opera. And…
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A kid friendly interactive art installation is on as part of the 2025 Sydney Festival. Held in the beautiful Walsh Bay Arts Precinct, Colour Maze is geared towards children in the 2-to-12-year age range. “Colour Maze is an imaginative play experience created and brought to life by Amigo & Amigo. It inspires children to get…
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The return of St. Jerome’s Laneway felt much needed and right, but not as familiar as we remember it, unless of course you remember the Big Day Out. The Sydney Showgrounds site, including the cavernous Boiler Room (version 2.0) on a 25+ degree summer’s day has been the location for many classic festival experiences and…
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Seymour Nights in association with Sydney Festival has produced an outstanding series of free concerts this January at the Seymour Centre in Chippendale. Last night it was Elana Stone and Butternut Sweetheart who graced the stage. The weather nearly got the better of proceedings, with a downpour curtailing Butternut Sweetheart’s set. The advantage of an…
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Best known as a finalist on the commercial television singing competition, The Voice, Prinnie Stevens is a singer and theatre performer, starring in productions including The Bodyguard and Thriller Live. In Lady Sings the Blues, Prinnie brings her Tongan Catholic heritage to stage and maps out a life and love of strong women in music….
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Sitting in the audience at Werk It you’d be forgiven for rubbing your eyes and questioning what you’d imbibed prior. The 60-minute show performed by Circus Trick Tease was pretty much all killer, no filler. This was a crazy array of jaw-dropping stunts and circus artistry with lashings of sass and innuendo. As you walk…
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Girls & Boys is a one-woman play that had its Australian debut at the Adelaide Festival last year. The name can be deceiving given it is a rather quaint one for a story that packs a lot of punch. Across 110 minutes, we hear one woman’s story of how her picture-perfect life and marriage unraveled….
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If you’re going to The Cutaway at Barangaroo make sure to wear some flowers in your hair. As part of Sydney Festival, this will host A wonderful and immersive exhibition about Mexican artist and icon, Frida Kahlo. The result is a dazzling array of kaleidoscopic colours as we walk through a powerful homage to this…
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Two men meet in a park; a seemingly innocuous Grindr hookup. Except, there’s a wide age gap, and an immediate tension between the two men. The younger Edden (Joseph Althouse) finds the original suggestion to meet pre-hookup amusing and wants to head to a nearby sauna, while Warren (Steve LeMarquand) awkwardly attempts to discreetly take…
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Described by Bangarra Director Stephen Page as “narrative dance theatre and contemporary ceremony”, Wudjang: Not the Past follows the journey of a young woman Nananhg (Jess Hitchcock) as she struggles to understand her cultural heritage while existing in a white system. When ancestral bones are discovered during excavation for a dam, one of the men,…
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Forming part of the 2022 Sydney Festival, A Chorus Line at Riverside Theatres in Parramatta delivers a behind-the-scenes look at the life of a dancer trying to forge a career on Broadway. Set on the stage of a theatre during auditions for a chorus line, the musical centres on the lives of seventeen hopefuls and…
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Autocannibal presents a dystopian circus exploring the nature of sustenance. Isolated as the only remaining human in a world bereft of food and water, our protagonist battles a sea of junk and plastic, avoiding the obvious reality that there’s only one thing remaining for him to truly eat. Mick Jones is a versatile performer, delivering…
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Sydney Writers’ Festival and Sydney Festival are joining forces for one weekend in January to present four major events at Carriageworks. The four events, presented under the banner Something to Talk About will see Sydney audiences spending time with the 2020 Booker Prize Winner, Douglas Stuart; perennial Festival favourites Jennifer Byrne, Michael Mohammed Ahmad and…
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Through some temporal wizardry, January 2020 simultaneously feels like yesterday, and many years ago. COVID-19 and its resulting lockdowns has confused our sense of time and wreaked havoc on the numerous industries that define Australia. The arts has been a most prominent victim of this ongoing global pandemic, but that won’t stop the tenacious scene…
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Pipe organs are interesting, yet largely under-utilised beasts. Built into the grand expanse of the building, the organ at Sydney Town Hall is not an instrument in itself but rather turns the entire building into one. Ireland-based Australian composer and artist Robert Curgenven utilised this to its full extent in his immersive production: Bronze Lands (Tailte…
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Magic is so often about secrets, smoke and mirrors, but James Galea also adds a dash of silliness to the mix. The hip youngster projects a cool and calm exterior that is so charming. He also has an irreverent sense of humour; his tongue is placed firmly in cheek. In Poof! Secrets of a Magician…
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An all-star collaboration of sorts, Anthem sees acclaimed writers Christos Tsolkas, Patricia Corneleus, Andrew Bovell and Melissa Reeves reunite with composer Irene Vela following their 90s-era play Who’s Afraid of the Working Class? A series of stories interweave through the backdrop of Melbourne’s train network, with a range of characters thrust together on public transport…
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Performance artist Bryony Kimmings is known for work centering on the personal, with prior shows exploring her partner’s depression, a show devised with her tween-aged niece and another sleuthing the source of an STD. In I’m a Phoenix, Bitch, however, things get far more raw. If one uses life experience as a platform for their…
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The wedding comedy is common shorthand through which to explore culture. Those from different traditions are forced to navigate a new frontier, negotiate new sets of terms and decide what parts are most important. Black Ties sees this culture clash cleverly told between an Indigenous and Maori family, highlighting both the similarities and stark differences…
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The White Album may have been a seminal record by The Beatles but it’s also a book of essays by Joan Didion. Published in 1979, it is an evocative text where the author made some piercing observations about her world during the late sixties in America. Sydney Festival played host to a clever adaptation of…
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If you’ve seen Regurgitator perform live you know that their shows are high energy ones. They’re also partial to a great costume and some interesting visuals. Their children’s show, Pogogo has all these same ingredients. The big change however, was that the content of the songs was less G-spot and more G-rated. The trio performed…
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Food, glorious food can mean so much. It is nourishing and keeps us alive. It’s something we share with loved ones. It can also be a window to certain cultures- you can be an active participant in a small and perhaps unknown community. This is the scene that Double Delicious operates in: it’s a heart-warming…
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Counting and Cracking was Belvoir and Sydney Festival’s lead production for 2019, launching with much fervour and excited rumour. A stadium worthy theatre piece purpose-built into Sydney Town Hall. A global casting call for 17 performers playing over 50 characters. Five languages on stage. A Sri Lankan meal awaiting each audience member as they arrive….
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It should come as no shock that a theatre show about one of our nation’s greatest artists looks fabulous. The world premiere of Brett & Wendy…A Love Story Bound By Art is one vivid and lyrical look at two creative tour de forces. This production is an ambitious one that covers a lot in its…
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Paul Capsis is a performer who appreciates artists who are both unique and true to their real selves. You could argue that he too fits into this distinctive mould. His Sydney Festival show at the Magic Mirrors Spiegeltent was an eclectic love letter to his many inspirations. The repertoire for the night was arranged by…
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multi-award winning chef, caterer, restaurateur and lecturer Darren Taylor is bringing a special pop-up restaurant to Carriageworks over the next few weeks, inspired by the buzzing energy of Sydney Festival. From tomorrow until 27th January, COSECHA will be bringing inspired Spanish dishes to the art institution, operating from lunch right through to dinner. With Carriageworks…
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Melbournian actor, Stephen Lopez played Usnavi De La Vega in the debut Australian production of In The Heights in Melbourne in 2015. The show, a quadruple Tony award-winning work, written by Hamilton creator and Moana composer Lin-Manuel Miranda, is a modern summer musical boasting hot, Latino rhythms. A return staging of the show will be hitting the Sydney…
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Paul Capsis is one of Australia’s most versatile performers and is equally at home in the world’s of theatre, film & television, and of course cabaret. He’s a gifted interpreter of song, and has sung with a diverse and varied group of musicians and singers, including the Australian Chamber Orchestra, Russell Crowe, the Soweto Gospel…
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Every January, Sydney Festival helps kick off the new year with a massive cultural celebration, and 2019 is looking to be no different. The 2019 instalment of the festival includes eighteen world premieres, five Australian premieres, and eight Australian exclusives, and features a programme which runs the gamut of cutting edge contemporary theatre, visual arts and…
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Wild Bore is everything that’s wrong with the business of theatre. Or, to be less ambiguous, it is a piece of theatre about everything that is wrong with the business of theatre, wrapped up creatively into an hour of bodily humour. It’s timely, pointed and it’s a lot of fun. Part of the 2018 Sydney…
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