The crossover between Australian film legend George Miller and Japanese video game auteur Hideo Kojima may seem odd to people unfamiliar with the two beyond their main works, but to those who follow more closely, this is a relationship that stretches back more than a decade. And when you consider the careers and creative outputs…
An education is viewed as an important thing. Former British PM, Tony Blair once ran on a platform where his party’s top three priorities were “Education, Education, Education.” The Shadow Scholars is a documentary that looks at the true cost of education and opportunity. First-time director Eloïse King shines a spotlight on the contract cheating…
There are some of us who have been fortunate enough to eat at a fine dining restaurant. But at a place like Japan’s Tokito, this experience is elevated so high it’s almost like a religious experience. The documentary Tokito: The 540-Day Journey of a Culinary Maverick plays out like a real-life example of the TV…
Directed by Alexander Ullom, It Ends was originally a short film that turned into a feature (87 minutes, to be precise), which debuted at SXSW 2025. It tells the story of a group of college kids embarking on a road trip. However, when they miss a turn-off, they realise they are driving directly through a…
A self-awareness regarding certain specifications in getting his film made along with a universality in conjunction with its narrative, writer/director Alireza Khatami goes beyond genre conventions with The Things You Kill, a twisted thriller that breaks apart what it is to transform. At one point in the film, the language professor at the centre of…
As far as hair-brained schemes go, Beat The Lotto has this down pat. The story of how a syndicate in Ireland tried to rig the lotto, this documentary is an absolutely thrilling spectacle that will leave you guessing right up until the very end. Ross Whitaker does an excellent job of telling this stranger than…
It feels inevitable that something like Together will earn comparisons to last year’s The Substance, purely off the fact that the horror it indulges in – that would be the body variety – escalates considerably leading into its wild climax. Sure, The Substance being a great example of body horror is all well and good,…
The feeling that your childhood ride-or-die will remain so is something that many of us – if not all – have experienced. But whether it’s through distance or altering priorities, it’s a common practice that adulthood (and everything that comes with growing up) can wedge itself between even the strongest of connections, and it’s that…
It is incredible to think that Edna O’Brien grew up in a house with no books. It was an oppressive Catholic childhood in a small Irish town, but that didn’t stop this formidable woman from becoming a literary great. Blue Road – The Edna O’Brien Story is an intimate documentary and portrait of her life, which…
Screening as part of the ‘Freak Me Out’ programme strand for Sydney Film Festival, Redux Redux is a self-reflexive blend of science fiction and horror, coming in fresh from its 2025 SXSW premiere. Quite simply, the film tells the story of Irene (Michaela McManus), who travels through parallel universes to find her daughter’s killer. Directed…
What sets itself up as something of a meet-cute between two grieving men who form an unlikely friendship in the midst of their trauma, James Sweeney‘s Twinless ultimately reveals itself as something else – a particularly pitch-black dramedy that asks its audience to stay with its morally bankrupt lead as it shifts from an original…
Given how she made history as the first deaf person to win an Academy Award for acting, one might think the documentary Marlee Matlin: Not Alone Anymore would be something of a straightforward and celebratory profile on the actress. Shoshannah Stern – who, like her subject, is also a deaf actor and director – certainly…
Rita Walsh is an award-winning producer based in Los Angeles, but working between Australia and the USA, on a series of cross-fiction and non-fiction filmmaking projects embodying a strong directorial vision. Her most recent collaboration is with director Gabrielle Brady on the hybrid feature The Wolves Always Come at Night, which premiered in Platform Competition…
In the 1960s models went to deportment school and were all rather alike – read cookie cutter – in appearance. That was until Lesley Hornby a.k.a. Twiggy was discovered. Now known as Dame Lesley Lawson, she was told she was too short and too slim to be a model. Yet, as this eponymous documentary shows,…
As ridiculous a sport racewalking may seem – Aussies are sure to have images of Jane Turner and Glenn Robbins powerwalking with all their might come to mind – writing/directing duo Phil Moniz and Kevin Claydon lace such with a tenderness and respect that allows audiences to laugh with the sport’s quirk rather than at…
There’s a certain frustration felt when watching Predators, a 96 minute documentary centering around the series To Catch a Predator, itself an offshoot from NBC’s Dateline. In the early 2000s, the show lured audiences in as it highlighted online predatory behaviour – primarily older men meeting underage boys and girls for the intention of sexual…
Author Stephen King and filmmaker Mike Flanagan have made careers predominantly out of their affinity for horror. With The Life of Chuck, they have decidedly pivoted and leaned into another of their shared strengths; broadcasting emotional stories. The result, however schmaltzy it may threaten to be, is a beautiful, weird celebration of life and all…
There’s a certain bittersweetness in watching OBEX (the title specifically capitalised) following David Lynch’s sad passing, as Albert Birney‘s truly bizarre odyssey feels like a kindred spirit to Lynch’s Eraserhead, with the hallucinatory anxiety and surrealist mentality playing into a personality that is perversely into its own weirdness. Set in a pre-internet 1987, and expressed…
As this year’s Sydney Film Festival program goes live (read all about it here), with 201 films from 70 countries on the bill, including 17 World Premieres, 6 international premieres and 137 Australian Premieres, bringing together hundreds of new international and local stories, festival director Nashen Moodley spoke with our Peter Gray about his vision,…
The 72nd Sydney Film Festival (June 4th – 15th, 2025) program has officially launched, with Festival Director Nashen Moodley unveiling an exceptional line-up, including 15 films direct from the Cannes Film Festival, including Jafar Panahi’s It Was Just an Accident and Kelly Reichardt’s 1970s-set art heist drama The Mastermind. Other major highlights include The Life…
The 72nd Sydney Film Festival (4–15 June) has today revealed a sneak peek of 16 bold new films set to screen this June, offering a taste of the 2025 program ahead of the full Festival announcement on Wednesday, 7th May. “This first look offers a cross-section of the bold storytelling and distinctive voices that can…
A character losing themself to nature in order to find solitude or correct the course of their life is not a road seldom travelled on screen. And in the case of The Outrun, it’s the windswept Orkney Islands off the northeastern coast of Scotland that serve as a place of rejuvenation for Rona (Saoirse Ronan,…
The prospect of being stuck in a cab for 90 minutes with a driver that isn’t afraid to wax lyrical about the dynamics of men and women doesn’t exactly sound like the most pleasant experience. And whilst that it is the entire premise of Christy Hall‘s conversation-provoking Daddio, audiences pre-empting their annoyance at such a…
The idea of wearing a mask – physical or metaphorical – can so often be used to uncover a psyche within the realms of dark storytelling, and for Aaron Schimberg‘s chaotic A Different Man a literal representation is at the core. There’s an undeniably captivating and thought-provoking narrative at play, but the execution feels ultimately…
Though there is a high-concept present in the narrative forming of My Old Ass – shroom induced time travel could be the easiest elevator pitch summary (so, a high-concept if ever there was one) – Megan Park‘s deliriously sweet, always charming, oft-hilarious venture is, at its core, an uncomplicated affair that simply wants to make…
There’s a sense of too many eggs in one basket present in Problemista, a loaded-with-ideas, absurdist comedy from comedian Julio Torres who treats his first-time feature as if he may not get the chance to do a second. And there’s nothing inherently wrong with the ideas that Torres – a former Saturday Night Live scribe,…
As Yorgos Lanthimos built up his profile with more mainstream-inclined audiences over the years – blending his unique storytelling vision with noticeable, A-list talent – the filmmaker viscerally tells them to essentially f*ck off with Kinds of Kindness, a 164-minute blackly comic, absurdist, and boundary-pushing surrealist drama that makes his previous oddity, last year’s award-winning…
Men behaving badly is at the core of Annick Blanc‘s Hunting Daze, a surreal visualisation of toxic masculinity that refuses to ever pigeonhole itself into one category. It’s horrific without ever devoting itself entirely to that genre. It’s blackly funny, though never satirical. And it’s always engaging, even if the extreme manner in which Blanc…
Though it leans into the action/thriller genre with a supreme wink, Thelma, Josh Margolin‘s frequently hilarious, always poignant ode to his own grandmother (and, clearly, a love of the action genre), is never spoofing the films it so evidently is earning its laughs from; and it’s that sweetness and keen sense of reinvention that helps…
The controversial historical treatment of Australia’s native people by white settlers and the continuing generational trauma within the Indigenous communities weigh heavy on the narrative themes of Jon Bell‘s The Moogai. There’s a ripe premise to lean into horror genre sensibilities – “moogai” is the Bundjalung language for a malevolent child-stealing entity that is the…
