Despite being the third film in the respective Crime City series – preceded by The Outlaws (2017) and The Roundup (2022) – The Roundup: No Way Out very much operates on its own. Sure, it helps to have seen the other films, but Lee Sang-yong‘s enthusiastic actioner transmits a joy and an individuality that doesn’t…
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Korean cinema has always been a hub of unmatched quality. Whilst those that have enjoyed the fruits of labour over the decades aren’t remotely surprised at such a statement – and have been waiting for the world to catch up through viewings of I Saw the Devil and Oldboy – the recent successes of the…
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