With possibly the best band name of the last 20 years, The War on Drugs have always managed to put on a killer show everywhere and every time they’ve played. Their show at the Sydney Opera House Forecourt was no exception. Returning to Australia in support of their I Don’t Live Here Anymore, the Philadelphia…
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The War On Drugs played in the iconic Sydney Opera House Forecourt, returning for the first time since 2018 in support of their fifth studio album, I Don’t Live Here Anymore. They were supported by one of rock’s most acclaimed acts, Spoon. Last here in 2017, Spoon are touring Australia for the first time since…
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Day 2 of Austin City Limits wasn’t any cooler in temps than Day 1 but it also didn’t rock any less either. The lineup had some of the biggest names of the weekend and the crowd spanned all ages, as there was something for everyone and all styles. At the top of the bill was…
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It’s that time of year when our team of music writers and editors get together to count down the 40 best albums of the year. And while this has been no usual year, the quality of music that has been released has been incredibly high. Suffice it to say, this has been a very difficult…
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As far as band names go, The War On Drugs is one of the best. Another thing they do pretty damn well is making fulfilling and assertive stadium rock. Returning more than four years since previous album A Deeper Understanding, The War On Drugs are back with I Don’t Live Here Anymore, a more toned…
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Denver has always been known as an amazing city. Set with the beautiful background of the Rocky Mountains, the city has long been a hot bed of live music, a thriving arts scene and a welcoming area of all things culture. But one thing has been a missing, a 3-day major music festival to rival…
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On “The Strangest Thing” The War on Drugs‘ Adam Granduciel sings, “Am I just living between/ The beauty and the pain” – it’s a strong statement of the War on Drugs and their chief songwriter’s appeal. The six-member band has an innate ability to convey emotion and atmosphere. Lonesome guitars swirl around a steady beat conveying…
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Returning once more to the Sydney College of the Arts, the Laneway Festival again made its presence felt throughout Sydney’s inner west. With a line up packed from front-to-back, it promised to be a stellar day as the early clouds cleared to a warm, but pleasant, Sunday afternoon. Obviously a cost cutting measure, having a single…
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Another year, another Laneway Festival has come and gone. With the closure of Neon Lights last year, St. Jerome’s Laneway Festival remains the only up-and-running premiere indie festival in Singapore – surpassing the short-lived likes of counterparts Hostess Weekender, The Gathering, and Camp Symmetry. And yet, this year’s edition of Laneway presented a mixed bag….
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This week, we brought you an end of year list detailing some special Australian albums released this year, the Top 20 in fact, that have made their mark. With Gang of Youths‘ Go Farther in Lightness taking the Number One spot, and the likes of Jen Cloher, Ecca Vandal, Winston Surfshirt and more also featuring prominently, we revisited some of…
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The St. Jerome’s Laneway Festival is returning in 2018 with some amazing upcoming artists that are sure to put on a massive show for punters around the country. We’ve compiled a list of some of our favourite acts that you won’t want to miss, as the official sideshows are unveiled this week. LOYLE CARNER Dubbed…
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The St. Jerome’s Laneway Festival line up for 2018 has dropped a day ahead of schedule thanks to a bluff by Pedestrian overnight but heck, why not – it’s a pretty tops line up. Turning the focus to artists on the come up, the Laneway Festival has curated a line up of international names that will…
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The War on Drugs‘ Adam Granduciel has a lot to live up to with latest album, A Deeper Understanding. 2014’s Lost in the Dream received high, widespread acclaim – our review even called it a masterpiece – which means this album is given the unlucky task of upholding or exceeding the hype. A Deeper Understanding…
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Tribute albums are funny things. Usually formed by a disparate rabble of mainstream artists and indie darlings, they often lack consistency of style and tone. For the most part, Day of the Dead, an extensive tribute collection to The Grateful Dead, avoids this typical problem. Collated by Bob Weir and members of The National, it…
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