Three and a Half Stars

Sydney Film Festival Review: Dries (Belgium/Germany, 2016) celebrates a fashion designer that works to the beat of his own drum

In a world where fashion can be fickle and disposable a designer like Dries van Noten is a gem. The Belgian designer has spent over three decades in the business and remans fiercely independent when other fashion houses have allowed themselves to be bought out. He rallies against the notion of fast fashion and strives…

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Sydney Film Festival Review: Roller Dreams (USA/AUS 2017) tells the story of the roller skating dancers you’ve never heard of

It’s the late 1970’s Venice California is the birthplace of a new go-to trend, roller-dancing, and a group of young roller skaters, almost all exclusively African-American, are about to bring it to the people. Documentary film Roller Dreams takes a look at this iconic but short-lived group of skaters, the Venice scene in the 80’s…

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Sydney Film Festival Review: Ana, mon amour (Romania, 2017) is an unflinching if uneven take on love surviving mental health

In many ways, Cãlin Peter Netzer’s latest feature Ana, mon amour provides an elegantly poignant dissection of when solicitude collides with mental illness. It is unflinchingly explicit, raw in its psychoanalysis and mostly effectual to the ideals it is aiming to exude. Although, dissimilar to Netzer’s previous film, the Golden Bear winning Child’s Pose, the…

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Film Review: Churchill (UK, 2017) is a bio-pic focused on a single chapter in WWII

Neil Finn may have said that history never repeats but former British PM and legendary statesman, Winston Churchill worried that the opposite would happen. During World War II he was concerned that the tragedy of Gallipoli would be repeated. The film Churchill is a dramatic bio-pic that examines this very issue in fine detail but…

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TV Review: Netflix’s Orange is the New Black is a combination of salvation and suffering in its fifth season

In the second-to-last episode of season four, Orange is the New Black presented the death of one of the show’s main characters in a supremely upsetting, but flawlessly executed scene that referenced America’s senseless police brutality against African Americans.  It was in stark contrast to the previous season’s more uplifting closer where the inmates of…

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TV Review: Fear the Walking Dead makes some bold moves as season three begins

AMC’s Fear the Walking Dead struggled to make much of an impact during its six-episode first season and, though it gave us a strong finale, there were a few plodding narrative choices that felt like a waste of what was already a very limited stretch. One such misstep was the army quarantine and a sizable…

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Film Review: John Wick: Chapter Two (USA, 2017) proves itself a very serviceable sequel

From comedic roles like his iconic slacker character, Ted “Theodore” Logan to the action heroes like Jack Traven from Speed and Neo from The Matrix films; dramatic roles like in River’s Edge and Hardball; and even villainous roles like in The Gift and Man of Tai Chi, Keanu Reeves is far more versatile an actor than he’s often given credit for. You certainly can’t…

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Netflix Review: Hot Girls Wanted: Turned On (USA, 2017) is riveting and oh-so-important

Directed by Jill Bauer and Ronna Gradus, and also a passion project for actress Rashida Jones, the 2015 documentary Hot Girls Wanted was a stark, confronting look at the exploitative and predatory nature of the adult film industry. In its follow up, Hot Girls Wanted: Turned On, the trio reunite for a six-part series that focuses on the advent…

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Film Review: Things To Come (France/Germany, 2016) is a quiet meditation on middle-age turmoil

Just like starting over. That’s the name of a John Lennon song but it’s also a line that could be used to sum up the French film, Things To Come (L’avenir). The story is a subtle character study about a middle-aged woman and how she negotiates a bunch of set-backs with a kind of understated…

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Film Review: Free Fire (UK, 2016) avoids Hollywood action tropes in the best way

The films by British director Ben Wheatley have all been incredibly distinct from another and are all very well-done. Whether going through the genre of crime, psychological horror, dark comedy, dystopian drama or historical surrealism, you can never accuse Wheatley of doing the same trick twice. But the crucial through-line through all his films is…

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Film Review: HBO’s The Immortal Life of Henrietta Lacks is a vital bio-pic about the most important woman in medical history

The name Henrietta Lacks may not mean an awful lot to some people but in reality it should be one of the most famous names in history. Lacks is responsible for revolutionising modern medicine and contributing to every recent major medical breakthrough from vaccines for polio, HPV and the flu-shot; to IVF and treatments for…

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TV Review: Outcast Season 2 Episode 2 “The Day After That” adds more questions

Episode two of the FX series Outcast‘s second season hits the ground running with a crash outside of town being discovered by a local police officer. It seems that rather than following the original fabricated alibi Giles had created (Mark taking his own life), due to Maggie’s wishes of her husband not seen giving up…

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Film Review: The Fate of the Furious (USA, 2017) is completely aware of how ridiculous it is

An impressively persistent beast of sorts, the Fast & Furious franchise has become one of the most lucrative commodities of today’s industry, despite an initial series of less-than sequels that threatened to burn the title out before it had a chance to properly compete. Whereas most sequels fail to maintain momentum (especially when dealing with the…

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Film Review: A Silent Voice (Japan, 2017) is an authentic and delicate coming-of-age story

Naoko Yamada’s A Silent Voice is an authentic and delicate coming-of-age story exploring a tale of romance and redemption. The animation is based on the manga series of the same name from 2013-2014 by Yoshitoki Ōima. A Silent Voice provides a fruitful outlook on the future of Japanese anime, and its success in western markets,…

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SXSW Film Review: Two Pigeons (UK, 2017) is raw, unsettling, and totally intriguing

Never have I been so disgusted and intrigued at the same time but after watching Two Pigeons – Dominic Bridges‘ directorial debut – its interesting how much we take our security and privacy for granted. After all, if you found you had a squatter living with you, would you ever really be the same? Vulgarity…

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AF French Film Festival Review: Tran Anh Hung’s Eternity (France, 2016) is a tone poem brought to life

Though I am Vietnamese, because I was raised in Australia for all of my life, I never really experienced much of Vietnamese culture. However, there were some films that I had watched that had always stuck with me, and those were the works of Vietnamese director Tran Anh Hung. Showing the true beauty in the…

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TV Review: The Walking Dead Season 7 Episode 14 “The Other Side” hits the right emotional beats

As we near an obvious showdown between Negan and team Rick we continue season 7’s clumsy attempt to atone for a defining sluggish pace and what has been the series’ most inconsistent show of quality since the first half of season 2. Thankfully, like last week’s enjoyable “Bury Me Here”, the show continues in the…

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SXSW Film Review: California Dreams (USA, 2017) should be called “California Delusions”

With La La Land having recently dominated the Oscars, its story about 2 hopefuls trying to make it in Hollywood uncomfortably lingered in the back of my mind while watching California Dreams. Both La La Land and California Dreams share a similar premise of “dreams are built on sacrifice”, however the films attack their subject…

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SXSW Film Review: Lake Bodom (Finland, 2016) attempts to straighten the horror genre curve

A delightfully nasty horror movie that draws on real-life inspiration, Lake Bodom hopes to be more than just a Friday The 13th-type slasher, in large part to its true crime connection, but ultimately can’t overcome its conventionality – not that there’s anything wrong with that. What still remains one of Europe’s greatest unsolved mysteries, the…

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SXSW Film Review: Pornocracy (France, 2016) is a sad indictment on the big business that is the ever-growing porn industry

Porn is a big business. In just six years the planet has watched over a million years’ worth of videos and 100 billion pages are visited and streamed annually. But is there a dark side to the industry? Ovidie, a French journalist and former porn-star attempts to answer this question in her documentary film, Pornocracy,…

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SXSW Film Review: Through The Repellent Fence (USA, 2017) uses art to make an important political statement

As Donald Trump continues promoting his idea of building a wall between the US and Mexico it’s heartening to see that there are some people taking a different approach. Through The Repellent Fence: A Land Art Film is a documentary about a land art installation that attempted to reinforce the notion that borders are an…

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SXSW Film Review: Barbecue (Australia, 2017) is food porn with a good back story

If there was one thing Jiro Dreams of Sushi did, it was set a precedent that documentaries can be about literally anything. The evidence is in cable broadcasting and the phenomena of reality TV series. There are entire channels dedicated to reality TV programs, filling endless time slots with narratives on cat trainers or house…

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Film Review: Miss Sloane (USA, 2016) proves a strong woman can play with the big boys

Miss Sloane could be renamed, “Ms Stone.” The film is about an ambitious and icy woman who acts as a lobbyist for a firm that is advocating on behalf of a gun control bill in the States. It’s a tense, political drama with as many power-plays, twists, turns and slights of hand as The Ides…

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Film Review: Rachel Perkins’ adaptation of Jasper Jones (Australia, 2017) finds strength in its cast

We don’t get many films set in small Australian towns in the mid-60s, and though this is the era applied to the story of Jasper Jones, what unfolds is far from exclusive to any one period. Through a cleverly winding and well-paced tale, adapted by director Rachel Perkins from Craig Silvey’s best-selling novel, Jasper Jones…

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Film Review: Silence (MA15+) (USA/JAP/TWN, 2016) not one of Scorsese’s best, but an illuminating experience

If there’s one filmmaker who, in my opinion, hasn’t made a bad film, that filmmaker would be Martin Scorsese. Venturing from genre to genre with ease (who else can go from the family fantasy Hugo to the dark comedy The Wolf of Wall Street just like that?) and always applying professional care and passion within…

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Film Review: Winter at Westbeth (Australia, 2016) is a love letter to the power of creativity & pursuing your passion.

Winter at Westbeth is a film that’s all about “the art.” And celebrating it at every age. This documentary looks at three young at heart, elderly, American artists who live in a vibrant, housing complex called Westbeth Artists Housing in New York. It is ultimately a film that is like a love letter to the…

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Film Review: Ben Affleck’s Live By Night (USA, 2016) is a visually stunning yet slow running 1920s gangster film

Based on the 2012 novel by Dennis Lehane of the same name, Live By Night is set in the prohibition era across the 1920s and 1930s. The man at the centre of the story, Joe Coughlin, is played by Ben Affleck, who brought this adaptation to life. He directed, wrote and produced the film, which…

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Film Review: Passengers (M) (USA, 2016) is far from the grand space opera many will be expecting

Similar to how the recently released Allied arrived in cinemas preempted by an action-heavy advertising campaign that proved somewhat misleading, Passengers is far from the grand space opera many will be expecting.  Instead of a sci-fi outing that’s more brawn than brains, Morten Tyldum‘s intriguing film is surprisingly simple, personal, and (mostly) effective. As we…

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Film Review: Sing (G) (USA, 2016) is a pleasant outing for families this holiday season

Stacking itself plentiful with a heft of pop songs ranging from the classic sounds of Lennon & McCartney to the modern screech of Lady GaGa, Sing is a jukebox musical of sorts that’s suitably bold and bright. Seemingly content not reaching for critical acclaim in the same vein as recent animated offerings like Zootopia, this…

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TV Review: The Walking Dead Season 7 Episode 7 “Sing Me a Song” sets things up nicely for the mid-season finale

Ratings are sliding for The Walking Dead and a big chunk of viewers are sounding off on social media; while it’s far from a consensus, it’s safe to say many have been disappointed with the way this uneven season has been flowing (remember Ezekiel? You’d be forgiven for forgetting already). A stubborn insistence on overlong…

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