Unlike Pirates of the Caribbean and Jungle Cruise, The Haunted Mansion is one such Disney theme park ride that actually has a decent jumping point for a filmic incarnation. But unlike the Pirates of the Caribbean and Jungle Cruise films we saw defy the odds and turn the most basic of premises into larger-than-life adventure…
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A buddy comedy centred around a suicide pact isn’t exactly going to be the easiest sell (or the most pleasant viewing experience), and coming out on the other side of a global pandemic where mental health issues surged certainly doesn’t help matters either, but here we are with On the Count of Three, an at-times…
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In the lead-up to the release of The Unbearable Weight of Massive Talent, Nicolas Cage spoke of the countless VOD titles he had littered his filmography with over the last decade-or-so – film choices made primarily to pay off serious debt – with a positive tongue. Whilst such trashy thrillers as Inconceivable, Trespass, and Left…
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Kenny Rogers so famously told us “You gotta know when to fold ’em”, and in The Card Counter writer/director Paul Schrader seems unsure as to which hand he wants to confidently play. It’s not that this film is poorly made, nor is his commitment to the representation of desolation anything other than pure, but it’s…
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Kenny Rogers so famously told us “You gotta know when to fold ’em”, and in The Card Counter writer/director Paul Schrader seems unsure as to which hand he wants to confidently play. It’s not that this film is poorly made, nor is his commitment to the representation of desolation anything other than pure, but it’s…
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Kenny Rogers so famously told us “You gotta know when to fold ’em”, and in The Card Counter writer/director Paul Schrader seems unsure as to which hand he wants to confidently play. It’s not that this film is poorly made, nor is his commitment to the representation of desolation anything other than pure, but it’s…
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The SXSW Film Festival is often seen as a launching pad for major studio releases, as well as smaller independent titles and buzz-worthy TV ventures, and this year’s edition looks to be no exception with the features, episodic premieres, and opening night film announced. Running from March 13-21st this year, the 27th SXSW Film Festival…
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Night School is a film with a very well-worn premise that has been done many times before (Billy Madison and Old School to name a few), but there factors here that could make the film transcend my meagre expectations. One is the paring of Kevin Hart and Tiffany Haddish, two of the biggest comedy stars right…
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Director Malcolm D. Lee is a filmmaker whose work has been quite the mixed bag. While he has strong pieces of work like the action/comedy cult hit Undercover Brother, The Best Man films and the criminally underseen coming-of-age Roll Bounce, he also has terrible pieces of work (which is one way to put it) like Welcome…
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