Trap

Film Review: Trap; M. Night Shyamalan’s straight-forward cat-and-mouse thriller needs a tighter pace to successfully execute its vision

Continuing his directorial trajectory where every other film is one that doesn’t quite land with the masses, Trap, despite an intriguing set up and some delicious work from a committed Josh Hartnett, isn’t the top-tier M. Night Shyamalan that some might be expecting. Whilst he has certain films throughout his career that are either universally…

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Album Review: On I am > I was (2018 LP), 21 Savage emerges victorious despite all odds

21 Savage has, for the past few years, stood as a divisive character in modern hip hop. Though, regardless of countless criticisms he has definitely become an established figure on the scene – becoming one of the most commercially successful and well known members of the early soundcloud-rap renaissance of 2016. As a result, following…

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Album Review: Father’s Awful Swim (2018 LP) feels like a house party in hell (and we want to go)

Father, the ringleader of cutting-edge Atlanta multimedia label Awful Records, has returned with a new album in collaboration with Adult Swim – a DIY label and a DIY network coming together to craft something truly unique. Father’s style is one that many try to replicate and often struggle to do so – his odd delivery,…

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