Few films have shocked me in the manner of Gaspar Noé’s Irreversible. Released in cinemas some 20 years ago, it arrived off the back of its storming Cannes controversy, thrusting the relatively unknown (at least to anyone who didn’t consider themselves a “cinephile”) Noé into somewhat-mainstream relevance. The film’s storyline, or more correctly its treatment…
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January can be a bit of a dead zone for films, so it’s not a huge surprise that Underwater has ended up in this release period. A film that Disney, courtesy of its Fox acquisition, wound up with. It was completed back in 2017 and has been waiting for a better time to be released….
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