Vincent D’Onofrio

Film Review: Dumb Money is a cautionary tale as much as it is one of conquest

Watching Dumb Money it’s not hard to be reminded of The Social Network.  Aside from the fact that Craig Gillespie‘s comedic drama is produced by The Winklevoss Twins – the brothers who had a major role in the creation of Facebook, at least according to them – Dumb Money is similarly recounting one of the…

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The Eyes of Tammy Faye is an uneven, yet entertaining biopic driven by a show-stopping Jessica Chastain: Sydney Film Festival Review

A film that’s likely to resonate with, or at least feel more familiar to American audiences, The Eyes of Tammy Faye does its best to clue in local Australian viewers as to just who was the larger-than-life personality Tammy Faye Bakker Messner.  An only-in-America type tale, Tammy Faye’s small-time Minnesota upbringing, where she “found Jesus”…

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Sydney Film Festival Review: Phantom Boy (France, 2015) is oddly engaging and effortlessly weird

Whilst animation in film has evolved immensely over the last 20 years, there’s something immediately charming about Phantom Boy‘s deliberately flat and simple palleted aesthetic.  It may lack the emotional weight of the technically more refined Pixar offerings, but this film’s distinct look feels organically melded to its somber mentality. Coming courtesy of French directing…

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Chris Pratt and Denzel Washington’s The Magnificent Seven gets its first trailer

2016 is shaping up to be a great year for Westerns that start with ‘the’ and end in a number of gun-slinging bros. Following Quentin Tarantino‘s latest meticulously-curated bloodbath, The Hateful Eight, and Netflix’s Adam Sandler vehicle, The Ridiculous Six, comes The Magnificent Seven. Based off John Sturges‘s 1960’s classic of the same name, The…

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