The themes tackled throughout Warwick Thornton‘s The New Boy are presented with symbolic, almost-magical and allegorical physicality. And though its 1940’s Australian setting lends interesting conversation to its religious outlay and the clashing of beliefs at the time, the film itself doesn’t quite contain the spark needed to earn true impact; though it’s not for…
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The themes tackled throughout Warwick Thornton‘s The New Boy are presented with symbolic, almost-magical and allegorical physicality. And though its 1940’s Australian setting lends interesting conversation to its religious outlay and the clashing of beliefs at the time, the film itself doesn’t quite contain the spark needed to earn true impact; though it’s not for…
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“A film festival is a gathering of diverse perspectives that offers a collective snapshot of the global zeitgeist, allowing us to delve deeper into our present reality,” said Sydney Film Festival Director Nashen Moodley as he unveiled this year’s stellar line-up of programming, running from June 7th – 18th. “For 70 years, Sydney Film Festival has…
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In cinemas now, Sweet Country director Warwick Thornton sat down with The Iris’ Peter Gray to talk about the film and the importance of storytelling as an Indigenous filmmaker. You’ve been involved in other projects since Samson and Delilah, but would you classify Sweet Country as your official follow-up? Yeah sophomore project. The second album,…
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