Willem Dafoe

Saturday Night is equally riotously funny as it is emotionally investing: Brisbane International Film Festival Review

For almost 50 years, Saturday Night Live has been an institution of (primarily) American culture.  Every weekend it invites audiences to surrender to the thrill of live television, where anything could go wrong at any given moment, amongst a staple of regular segments and musical performances.  Its structure has shifted over time, but the core…

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Saturday Night envelops with its charm and riotous humour: TIFF 2024 Review

For almost 50 years, Saturday Night Live has been an institution of (primarily) American culture.  Every weekend it invites audiences to surrender to the thrill of live television, where anything could go wrong at any given moment, amongst a staple of regular segments and musical performances.  Its structure has shifted over time, but the core…

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Film Review: Kinds of Kindness; Yorgos Lanthimos purposefully alienates viewers with surreal triptych fable

As Yorgos Lanthimos built up his profile with more mainstream-inclined audiences over the years – blending his unique storytelling vision with noticeable, A-list talent – the filmmaker viscerally tells them to essentially f*ck off with Kinds of Kindness, a 164-minute blackly comic, absurdist, and boundary-pushing surrealist drama that makes his previous oddity, last year’s award-winning…

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Kinds of Kindness is a blackly comic, absurdist, and boundary-pushing surrealist drama that will test audience limits: Sydney Film Festival Review

As Yorgos Lanthimos built up his profile with more mainstream-inclined audiences over the years – blending his unique storytelling vision with noticeable, A-list talent – the filmmaker viscerally tells them to essentially f*ck off with Kinds of Kindness, a 164-minute blackly comic, absurdist, and boundary-pushing surrealist drama that makes his previous oddity, last year’s award-winning…

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The AU Review’s Best Films of 2023

In a year that was ruled by Barbenheimer and mortally wounded the once-unstoppable superhero genre, 2023 definitely saw audiences shift their minds (and money) towards more original content.  Perhaps an indication as to where the industry should place its focus, The AU’s best of list similarly echoes the sentiment that bigger doesn’t always mean better,…

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Film Review: Poor Things is a twisted enormity of a movie with a deeply intimate core

Like his previous works that celebrate their fantastical, absurdist nature with a certain gravitas, Yorgos Lanthimos grounds Poor Things, an undeniably wild, oft-offensive, sexually liberated black comedy, with a stirring sense of emotion and topical commentary. In 19th century London – or what such a time period looks like within Lanthimos’ vivid imagination – the eccentric…

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Poor Things is a sexually liberated black comedy stirring with emotion and topical commentary: Brisbane International Film Festival Review

Like his previous works that celebrate their fantastical, absurdist nature with a certain gravitas, Yorgos Lanthimos grounds Poor Things, an undeniably wild, oft-offensive, sexually liberated black comedy, with a stirring sense of emotion and topical commentary. In 19th century London – or what such a time period looks like within Lanthimos’ vivid imagination – the…

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Interview: Nikolai Nikolaeff on Dracula: The Last Voyage of the Demeter, being approved by Spielberg, and working with his “villainous” face

*This interview took place prior to the current SAG-AFTRA strike* Melbourne-born actor Nikolai Nikolaeff will be the first to tell you he’s aware he gives off “villain” vibes; “It’s got resting “I’m going to kill you” face,” as he states.  And it’s because of such that he’s carved an international career for himself in a…

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Film Review: The Northman is an ugly, brutal, Shakespearean drama indulging in its unconventionality

“I will avenge you, Father; I will save you, Mother; I will kill you, Fjölnir.” These muttered, repeated words by Viking prince Amleth (played by Oscar Novak as a young boy, and a hulking, angry Alexander Skarsgård as an adult) are essentially summarising Robert Eggers‘ narrative intentions in The Northman, an ugly, brutal, at-times Shakespearean drama….

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Win a double in-season pass to see The Northman starring Alexander Skarsgard and Nicole Kidman

Thanks to Universal Pictures we have 5 double in-season passes (Admit 2) to give away for the upcoming release of The Northman, starring Alexander Skarsgard and Nicole Kidman, set for release in cinemas from April 21st, 2022. From visionary director Robert Eggers comes THE NORTHMAN, an action-filled epic that follows a young Viking prince on his…

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Film Review: Nightmare Alley is an intoxicatingly beautiful and haunting noir thriller from Guillermo del Toro

So intoxicatingly beautiful is Guillermo del Toro‘s haunting Nightmare Alley that its sheer aesthetic pleasures alone are enough to forgive the narrative sins it commits along the way. Far from the unnerving horror film the trailers would have you believe, del Toro’s adaptation of William Lindsay Greshem‘s 1946 novel – first made into a feature…

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Film Review: The Card Counter deals a hand that benefits the house more than the player

Kenny Rogers so famously told us “You gotta know when to fold ’em”, and in The Card Counter writer/director Paul Schrader seems unsure as to which hand he wants to confidently play.  It’s not that this film is poorly made, nor is his commitment to the representation of desolation anything other than pure, but it’s…

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Spider-Man: No Way Home trailer teases the multiverse but still omits Tobey Maguire and Andrew Garfield

Once it was revealed that Spider-Man: No Way Home would be exploring the multiverse and introducing a slew of characters that appeared in previous Spider-Man films separate from the current slate, fans were convinced that both Tobey Maguire and Andrew Garfield would be making return appearances as the respective web-slinger from their own films; Maguire…

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The Card Counter is a bleak and repetitive effort mildly saved by the presence of Oscar Isaac: Sydney Film Festival Review

Kenny Rogers so famously told us “You gotta know when to fold ’em”, and in The Card Counter writer/director Paul Schrader seems unsure as to which hand he wants to confidently play.  It’s not that this film is poorly made, nor is his commitment to the representation of desolation anything other than pure, but it’s…

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The Card Counter is unsure of which narrative hand it wants to play: Brisbane International Film Festival review

Kenny Rogers so famously told us “You gotta know when to fold ’em”, and in The Card Counter writer/director Paul Schrader seems unsure as to which hand he wants to confidently play.  It’s not that this film is poorly made, nor is his commitment to the representation of desolation anything other than pure, but it’s…

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Film Review: Aquaman (USA, 2018) proves utterly unapologetic in its decision to play everything as riotous

After what has felt to be an endless journey for Jason Momoa‘s portrayal of the King of Atlantis to grace the screens, Aquaman finally arrives in the hopes of both serving the character justice and steering the DC ship back on course after the underwhelming Justice League. Traditionally a blonde-haired/blue-eyed creation that was often the…

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Film Review: Murder On The Orient Express (USA, 2017) beautifully captures the essence of Agatha Christie’s material

With its classic style, striking ensemble, and lack of action-heavy set pieces, Murder on the Orient Express may be a little too refined for modern audiences versed in the ways of today’s distraction-centric filmmaking where bigger and louder equals better. Despite the film being void of any staple action moment, Orient Express still delivers on…

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Netflix Review: Death Note (USA, 2017) has good intentions, but fails in the process

Whitewashing! Americanized! Lack of ethnicity! Yeah, I’m gonna talk about that in great detail, just to make that clear. Anyway, a lot of negative buzz has been going around this project due the things mentioned above and it definitely is a valid argument since the source material is distinctly Japanese. So to retroactively set the…

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Kenneth Branagh’s star-studded Murder on the Orient Express gets first trailer

The classic Agatha Christie 1934 murder mystery novel has again been given to big-screen treatment, this time with Kenneth Branagh at the helm as both director and playing the famous Belgian detective Hercule Poirot. Set aboard the famous train in pre-World War II Europe, fingers are pointed when an unlikable billionaire is murdered on the carriage. As…

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