An extraordinary, true-life tale, Queen of the Ring is an uplifting drama that follows Mildred Burke, the legendary professional wrestler and single mother who defied incredible odds to become the first million-dollar female athlete and longest reigning champion at a time when the sport was banned across most of America. Through Emily Bett Rickards‘ transformative…
Read More
The prospect of being stuck in a cab for 90 minutes with a driver that isn’t afraid to wax lyrical about the dynamics of men and women doesn’t exactly sound like the most pleasant experience. And whilst that it is the entire premise of Christy Hall‘s conversation-provoking Daddio, audiences pre-empting their annoyance at such a…
Read More
From Spielberg to Saturday Night. After making his mark as Sammy Fabelman in Steven Spielberg’s acclaimed The Fabelmans, a loosely-based detailing of the famed director’s adolescence, rising star Gabriel LaBelle is taking on another icon of the industry in Lorne Michaels, the long-running creator of the American sketch comedy program, Saturday Night Live, in Jason Reitman’s…
Read More
It’s too easy to claim that writer/director Sean Baker makes inaccessible films due to the fact that so many of his narratives centre around the society underrepresented, chief among them being sex workers. As we saw in such previous works as Tangerine and Red Rocket, Baker seeks to remove such a stigma around pornography performers, prostitutes…
Read More
The cast of The Correspondent and other dignitaries were out in force for the opening night of the Adelaide Film Festival. The movie tells the gripping story of Peter Greste, a journalist who was sent to cover the riots in Egypt following the election in 2013, and was arrested and convicted of terrorism. Richard Roxburgh…
Read More
For almost 50 years, Saturday Night Live has been an institution of (primarily) American culture. Every weekend it invites audiences to surrender to the thrill of live television, where anything could go wrong at any given moment, amongst a staple of regular segments and musical performances. Its structure has shifted over time, but the core…
Read More
When I reviewed Venom: Let There Be Carnage in 2021, I noted that it was an entirely overwhelming sequel that was unpretentious and, due to its absolute ludicrousness, never boring. Some of that sentiment can be shared for Venom: The Last Dance, the supposedly (and hopefully) final instalment in this surprisingly fertile series that is,…
Read More
Lee Miller is the type of figure that feels as if she should’ve already had a biopic made about her, due to her staggering spirit and defiance in the face of what was expected of her. Lee is ultimately the only film that Miller deserves, with director Ellen Kuras, a cinematographer making her directorial debut,…
Read More
Oscar winner Kate Winslet stars in Lee, a fascinating portrait of the great American war correspondent Lee Miller, whose singular talent and ferocious tenacity gave us some of the 20th century’s most indelible images. A former model, Lee is now tired of being viewed through a lens and by men, and focusses on her own…
Read More
No matter how hard you try, you can’t break up with your past. This Valentine’s Day, Oscar winner Ke Huy Quan rockets into his first major leading man role as an unlikely hero, a seemingly mild-mannered realtor with a dark secret that he is desperate to leave behind. Spoiler alert: He won’t. From 87North producers…
Read More
No matter how hard you try, you can’t break up with your past. This Valentine’s Day, Oscar winner Ke Huy Quan rockets into his first major leading man role as an unlikely hero, a seemingly mild-mannered realtor with a dark secret that he is desperate to leave behind. Spoiler alert: He won’t. From 87North producers…
Read More
Whilst there is a sense of an on-the-nose metaphorical aspect to Pools, and a whole lot of “girl who is going to be okay” mentality to it too, Sam Hayes‘ dramedy manages to just keep itself afloat enough in the self-discovery genre it serviceably adheres to. College student Kennedy (Odessa A’zion) doesn’t have her shit…
Read More
As we learned from “the rules of a horror sequel” in one of the few horror sequels that actually held its weight against the original – 1997’s Scream 2 – things are always bigger and bloodier in a Part 2; “Carnage candy,” as it was so deliciously described. And, indeed, Parker Finn has a sweet…
Read More
Following the critical and commercial success of Smile in 2022, writer/director Parker Finn knew that if he was going to make a sequel, it had to be an “insane” idea. Centering on a global pop sensation, Skye Riley (played by Naomi Scott), who begins experiencing increasingly terrifying and inexplicable events ahead of a world tour,…
Read More
New office. New Aussie boss. The hotly-anticipated Australian Original comedy series is the thirteenth version of the global hit juggernaut franchise The Office and has the first-ever female lead in the iconic role, comedian and actor Felicity Ward. In the eight part series, Hannah Howard (Ward) is the managing director of packaging company Flinley Craddick….
Read More
Thanks to Sony Pictures Australia we have 5 double in-season passes (Admit 2) to see Tom Hardy in the epic conclusion, Venom: The Last Dance, exclusively in Australian theatres from October 24th, 2024. In Venom: The Last Dance, Tom Hardy returns as Venom, one of Marvel’s greatest and most complex characters, for the final film…
Read More
He Ain’t Heavy follows 30-year-old Jade (Leila George) who has sacrificed the better part of her life to rescue her little brother Max (Sam Corlett) from drug addiction. In desperation, unbeknownst to their ever-forgiving mother Bev (Greta Scacchi) Jade locks Max inside their vacant rural home in an attempt to “get him clean’. But when Bev arrives, a…
Read More
The mental, emotional and physical destruction that can come from one’s addiction is at the core of He Ain’t Heavy, David Vincent Smith‘s confronting, oft-harrowing drama that surpasses the intimacy of its setting and miniature ensemble with its brutal mindset. An expansion of his short film I’m Not Hurting You, He Ain’t Heavy very much…
Read More
Of all the ways to ruminate on grief and loss, a stop-motion animated dramedy is not the most obvious option, but, despite the whimsical nature of the medium, Adam Elliot‘s heartbreaking Memoir of a Snail proves such a catharsis on the emotion. Animated it may be, Memoir of a Snail is not a child-friendly affair,…
Read More
Grace Pudel is a lonely misfit with an affinity for collecting ornamental snails and an intense love for books. At a young age, when Grace is separated from her fire-breathing twin brother Gilbert, she falls into a spiral of anxiety and angst. Despite a continued series of hardships, inspiration and hope emerge when she strikes…
Read More
Created by the Sydney’s husband-and-wife director-choreographer duo Stefan Hunt and Vanessa Marian, Yeah The Boys explores Aussie larrikinism and masculinity, while offering an insightful observation of Australian identity and the nation’s relationship with drinking culture, with a unique blend of choreography and screen storytelling, without a word being spoken for the whole film. Winner of Best Australia Short at Flickerfest, and nominated…
Read More
After two decades as one of the most beloved and enduring musicals on the stage, Wicked makes its long-awaited journey to the big screen as a spectacular, generation-defining cinematic event this holiday season. Directed by acclaimed filmmaker Jon M. Chu, Wicked is the first chapter of a two-part immersive, cultural celebration. Wicked Part Two is scheduled to arrive…
Read More
After two decades as one of the most beloved and enduring musicals on the stage, Wicked makes its long-awaited journey to the big screen as a spectacular, generation-defining cinematic event this holiday season. Directed by acclaimed filmmaker Jon M. Chu, Wicked is the first chapter of a two-part immersive, cultural celebration. Wicked Part Two is scheduled to arrive…
Read More
After two decades as one of the most beloved and enduring musicals on the stage, Wicked makes its long-awaited journey to the big screen as a spectacular, generation-defining cinematic event this holiday season. Directed by acclaimed filmmaker Jon M. Chu, Wicked is the first chapter of a two-part immersive, cultural celebration. Wicked Part Two is scheduled to arrive…
Read More
Thanks to StudioCanal Australia we have 5 double in-season passes (Admit 2) to see Michael Keaton‘s crime thriller Assassin’s Plan, in Australian theatres October 17th, 2024, co-starring James Marsden, Marcia Gay Harden and Al Pacino. Diagnosed with a rapidly debilitating illness, a contract killer gets the chance to redeem himself by saving the life of…
Read More
The little horror movie series that could, Terrifier has taken both the terrifying Art the Clown and its creator, writer/director/special effects artist Damien Leone, to gory heights as each film pushes the boundaries on what it is to truly unnerve genre audiences. As Terrifier 3 massacres its way into Australian theatres this weekend (you can…
Read More
The fourth live-action adaptation of the much-loved comic creation Hellboy, and the third iteration of the character following two well-received Guillermo del Toro-helmed, Ron Perlman-starring outings and a less-said-about-the-better reboot with David Harbour, Brian Taylor‘s take on the character in Hellboy: The Crooked Man has a distinct personality of its own and a well-suited Jack…
Read More
Actor Jack Kesy is no stranger to dabbling in the realms of the action (The Killer), comic book (Deadpool 2) and horror genres (TV’s The Strain) across his career thus far. But what about an amalgamation of all three? Following in the footsteps of Ron Perlman and David Harbour before him, Kesy is stepping into…
Read More
Terrifier 3 continues the story of both Sienna Shaw (Lauren LaVera) and her brother Jonathan (Elliot Fullham). After narrowly surviving the brutal Halloween massacre of the terrorizing Art the Clown (David Howard Thornton), the two siblings are estranged and struggling to piece together the remains of a normal existence in the time of peace, while…
Read More
A film like Psychosis is a difficult one to review. Whilst there’s never a shortage of features that prove wildly divisive (the Joker sequel says hello), Pirie Martin‘s ambitious debut defies categorization as it blends technique and genre, submitting to an extreme eccentricity that, as off-putting it may be to some, is difficult to not…
Read More
