One of our favourite films of this year’s SXSW Film Festival was an low budget, high concept Adelaide film called The Infinite Man. The clever narrative revolves around one man’s quest to relive the perfect day by way of a time machine. We took some time to catch up with the film’s director Hugh Sullivan to talk about the making the film for next to nothing, the time travel genre, comparisons to Primer and much, much more…
———-
This content has recently been ported from its original home on The Iris and may have formatting errors – images may not be showing up, or duplicated, and galleries may not be working. We are slowly fixing these issue. If you spot any major malfunctions making it impossible to read the content, however, please let us know at editor AT theaureview.com.
Founding Editor and Publisher of the AU review. Currently based in Toronto, Canada. You can follow him on Twitter @larry_heath or on Instagram @larryheath.
